HOW TO MAKE A KILLING (2026)

Written & Directed By: John Patton Ford 

Inspired By “KIND HEARTS AND CORONETS” Screenplay By: Robert Hammer and John Dighton 

Based On the Novel “ISRAEL RANK” By: Roy Horniman

Cinematography: Todd Ranhazl

Editor: Harrison Atkins 

Cast: Glen Powell, Jessica Henwick, Margaret Qualley, Bill Camp, Ed Harris, Topher Grace, Zach Woods, Phumi Tau, Stevel Marc

Disowned at birth by his obscenely wealthy family, a blue-collar stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.


This  is a loose remake or more a modern retelling of the Alec Guinness film KIND HEARTS & CORONETS only set more realistically and taking out the gimmick of that film years ago. Where Alec Guinness played all the members of the family that was getting killed off.

It might have been an added incentive if this film had big stars making cameos as members of the family getting killed off, but only Topher Grace is recognizable as one of the kin in standing to inherit a fortune above out protagonist. 

So the film really adds nothing except instead of being an outright comedy. It’s dark and slick. It attempts to be a social satire. Though never quite feels sharp enough. In fact at times it feels oddly rushed.

The film is darkly comedic and isn’t as bad as one would think. Considering how little fanfare or promotion the film got. Which the studio seemed to have cold feet after Glen Powell started in THE RUNNING MAN reboot that bombed. I don’t even remember seeing a trailer for this film. Until I had to go out and find it online myself.

The film plays pretty standard items entertaining as you watch but barely sticks with you once done. This fits in with the disposable films of yesteryear that were good enough for a watch and are rewatchable but therebisnMt much to them except for entertainment.

This film seems like it’s going to be a crowd pelaser until the end where it stays with it’s cynicism.

Strangely enough Glen Powell, plays a likable killer. That feels like he has shades of Patrick Bateman possibilities but is never that much of a sociopath or psychopath and had his reasons for his actions. 

Margaret Qualley is a good femme fatale only because we barely know anything about her and comes across as a mystery but also a type. Though she wears chanel as her wardrobe in all her scenes. That gives you a hint to the heart of her character. Where her legs are all over.

Which is one of the films problems it’s 

Likable enough bit has no real depth. The characters are more types. So that it never draws you in. So as it stays on the surface that is what you get and how you feel by the end. 

The films screenplay was surprisingly on the 2014 BLACK LIST of scripts that those in the industry rank as the best unproduced they have read that year. 

Which drags the film down and makes it feel more and more basic as it goes along. Especially in the end where the irony want to take over. As this is a film that shouldngave high stakes. Yet it all feels very telegraphed. 

This feels like a film you would sneak Into after paying and watching another film or that you go to on a weekend, just because you want something to watch.

Grade: B- 

CUCKOO (2024)

Written & Directed By: Tilman Singer 

Cinematography: Paul Feltz 

Editor: Terel Gibson and Philipp Thomas 

Cast: Hunter Schafer, Dan Stevens, Marton Csokas, Jessica Henwick, Greta Fernadez, Jan Bluthardt, Proschart Madani, Astrid Berges-Frisby

Reluctantly, 17-year-old Gretchen leaves her American home to live with her father, who has just moved into a resort in the German Alps with his new family. Arriving at their future residence, they are greeted by Mr. König, her father’s boss, who takes an inexplicable interest in Gretchen’s mute half-sister Alma. Something doesn’t seem right in this tranquil vacation paradise. Gretchen is plagued by strange noises and bloody visions until she discovers a shocking secret that also concerns her own family.


This film matches its title. As even once you price everything together it still comes off as bizarre, Yet idiosyncratic.

This is a film that you should go into knowing as little as you can. Though even if you know some of it. It will still be bizarre and mysterious. 

All of the actors are on top of their games and give memorable performances. One only wishes there was more to remember story wise. That at times feels confusing for its own sake and to keep us as off center as the lead character played by Hunter Schafer.

The film is very stylish and keeps you on your toes trying to guess what is coming next. 

The film puts you Ina strange environment and commit ity and leaves you there. For you

To figure it out as much as the characters. Though they take to it a little more

Quickly and routinely than the audience most Likely will. 

This movie is a drug, Purely. It’s up to you wether the trip it leaves you with is good or bad. It’s definitely cinematic, experimental and theatrical. 

Honestly… This $h*t is bananas in a good way. Far from predictable, but hard to explain A wild stylish ride. Hunter Schafer is quite good, and a Fox but Dan Steven’s once again runs away with the film. It has a strange taste to it, foreign and not Terrible quite tasty but not exactly a favorite 

Grade: B-