Written & Directed By: Laurence Michael Levine

Cinematography: Robert Leitzell

Editor: Matthew L. Weiss

Cast: Aubrey Plaza, Christopher Abbott, Sarah Gadon, Paola Lozaro, Grantham Coleman, Jennifer Kim, Lindsay Burge, Lou Gonzalez, Shannon O’Neill, Alexander Koch

At a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation, and jealousy, unaware of how dangerously convoluted their lives will soon become in the filmmaker’s pursuit of a work of art, which blurs the boundaries between autobiography and invention.

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This film is experimental in the best kind of way. A fractured meta-narrative that makes us examine the relationships between the characters and what we have seen or have been told.

The first half is more of a slow burn of hidden emotions, ambitions, and attractions. Where Aubrey plaza is more of a seductress and coveted by the male half of the couple. While the female is more jealous of her and her accomplishments.

Where in the second half the flip is switched and we realize the first half was the film the second half characters were making. So while the first half might seem UNFINISHED as they are in the middle of filming the second half gives it an ending while continuing the drama. Even now all the actors are in different roles. Aubrey plaza goes from being the director in the first half to be the star of the film who is having a breakdown as her partner is directing the film but seems to be oblivious to her feelings and needs. While trying to nurture the ingenue in the film. Whereas in the first half the ingenue played by Sarah Gadon was the put upon the pregnant wife of the male. Who was neglected once plaza’s character comes into the picture literally. 

The film lightens up a little in tone in the second half with more humor centered around the crew making the film. As it shows the little problems and culture that goes on such an independent project. 

Which actually perfectly offsets and magnifies Aubrey Plaza in these scenes. As she goes from easy going to emotionally tortured and while they seem more in a comedy. Her raw performance is so dramatic it offsets them and makes their dilemmas all the more shallow. 

The film lets it’s casa averted fixations be known in the second half. Plaza’s performance does remind the audience of Gena Rowlands in A WOMAN UNDER THE INFLUENCE the raw emotions as she continuously drinks and becomes more emotionally open but also has more despair.

The second half of the film also allows for more side stories and ongoing jokes with the characters. Whereas the first half is more solitary and focused on the core three actors. The second half while focused allows for more of an ensemble m. 

This film is quite the experience that you might need to watch a few times to get your head around and fully understand the film.

GRADE: B