CHRISTMAS BLOODY CHRISTMAS (2022)

Written & Directed By: Joe Begos
Cinematography: Brian Sowell 
Editor: Josh Ethier 

Cast: Riley Dandy, Sam Delich, Jonah Ray, Dora Madison, Jeremy Gardner, Jeff Daniel Phillips, Abraham Benrubi, Graham Skipper, Kansas Bowling 

It’s Christmas Eve and Tori just wants to get drunk and party, but when a robotic Santa Claus at a nearby toy store goes haywire and begins a rampant killing spree through her small town, she’s forced into a battle for survival.


A punk rock trashy horror film, that indulges in all that is a naughty bit of violence and gore excessively. That plays as a slasher massacre for an hour.

While the first thirty minutes is what seems like an endless set-up of characters. As the reason for the killer, Santa Claus comes and goes so fast that it’s almost an afterthought. Then the film just goes forward with nary a hint of backstory.

It is obviously meant to be more of a love letter to 80’s horror films set during the holidays. Though it seems more like a quick exercise in excess.

A kind of anti-Christmas movie that does match the director Joe Begos’s style and interest. Which I am usually a fan of, but oddly doesn’t feel like it works this time all the way through. 

The Death scenes are more excessive than creative or too noteworthy. Luckily the film moves quickly and might remind the audience of a kind of rock n roll Rob Zombie horror film only without the more artistic flourishes and visions of grandeur. Though the director Begos does add slight sci-fi flavor or b-movie indulgence by making the killer Santa practically a more terrifying Terminator, only in a horror film. 

The film is modern but could be made in the 1980s trashy. So that it feels a bit retro. It seems like It’s going for fun at least in the first half of the film. As the first 20 minutes seem like exposition little of which ends up mattering. 

It seems an attempt to explore a friendship on the verge of becoming more. 

The film has low-budget action that keeps the audience interested with a high body count. That proves that no one is safe or sacred.

The film feels more like a film to watch to pass the time. A popcorn movie of sorts may be nice to play in the background. As it is easy to follow visually.

The film isn’t too inspired or inspiring. It actually feels like a quickie. It’s a movie, movie.  Nothing too deep is meant to be taken seriously. 

The conversations feel like Twitter-type ones. Where the dialogue is supposed to be cool but it never does. Even with hip characters. 

These horror films are supposed to be Empowering for women. All these skilled so-called warrior men in horror films. Who can barely stop the monster or slasher, maybe not even cause a dent, but a so-called regular woman who uses her head ends up defeating them in the end. Becoming the final girl. 

That character used to be kept virginal to make them Saintly or sex but diluting thoughts or bloodstream as well as a duality that was special or made them different. Usually, a way to please religious rights or moral codes is by being exploitative but the one pure makes it to the end. Even after the trauma of losing friends and/or family with great losses. A weird extreme scared straight. Here the female is sexual 

In the end, this should be a fun dream fantasy project, but it’s bogged down in bad dialogue. To lead to some uneventful hookup and a long introduction for disposable Characters where only one truly lasts.

Grade: D+

THE MUNSTERS (2022)

Written & Directed By: Rob Zombie
Based On Characters Developed By: Norm Liebmann and Ed Haas
From a format By: Al Burns & Chris Hayward 
Cinematography: Zoraida Popovic
Editor: Vanick Moradian 

Cast: Sherri Moon Zombie, Jeff Daniel Phillips, Daniel Roebuck, Richard Brake, Catherine Schell, Cassandra Petersen, Tomas Boykin, Jorge Garcia

Reboot of “The Munsters,” which followed a family of monsters who moved from Transylvania to an American suburb.


The film seems like a far-fetched idea that should be horrible, but it isn’t as bad as one would think.

The movie feels like an extended episode of the series. Set in their universe. Rather than a normal reality in having them socialize with normal society. 

It also serves as a kind of prequel. So we see how Herman came about and his romance with Lily. The film is noticeably lower budgeted than expected though that only adds to the mood and atmosphere of the film.

The film has that same kind of stale sitcomish sense of humor. Only being a bit more macabre. Though could easily be a family film. The film Is campy and too long 

The film noticeably takes place on sets. The film has the same spirit as the television shows turned into movies by having maximum audience appeal to attract more than just fans. As it tries to modernize the show. While also serving as the greatest hits. 

The humor is corny as it almost feels more vaudeville than anything. It definitely comes across as a Halloween season movie. Almost like the live-action THE FLINTSTONES movie filled with tons of puns and one-liners. 

This strangely seems like a passion project for Rob Zombie. As no one was asking for this film but he seems determined to not only make it but also an affinity. It might be him trying to try another studio property with his own touch.

As this is one of his least offensive and cleanest films as far as material. 

As the film does stay true to its version. Everyone is dedicated. No matter how silly it gets and appears to be having fun. As he is clearly dedicated to this film and series. As is his cast, which is filled with his usual players, the main cast in multiple roles. As well a good size of the supporting and background cast being Hollywood and classic television veterans. Making this all the more a labor of love. 

It only lacks the stunt casting of seeing a fairly well-known star trying out the role for an impression or their own interpretation. 

Grade: C