BARDO: FALSE CHRONICLES OF A HANDFUL OF TRUTHS (2022)

Directed By: Alejandro G. Inarritu 

Written By: Alejandro G. Inarritu and Nicolas Giacabone 

Cinematography: Darius Khondji

Editor: Alejandro G. Inarritu and Monica Salazar 

Cast: Daniel Gimenez Cacho, Griselda Siciliani, Ximena Lamadrid, Iker Soriano, Francisco Rubio, Jay O. Sanders, Luis Coutulier, Andres Almeida, Clementina Guadarrara 

An acclaimed documentarian goes on an introspective journey through surreal dreamscapes to reconcile with the past, the present, and his Mexican identity.


This film is an epic self-indulgent, semi-autobiographical tale that has beautiful cinematography.

It’s a memoir that feels like confessions or inner thoughts of the writer and Director. Alejandro G. Inarritu

It’s a film that no one can come close to explaining it’s definitely a film more to experience, even for all of itself indulgent tendencies at times

It seems like a film, where no matter how many times you watch it you get something new each time or notice something that you never saw before, and have to watch it again to understand it on a deeper level.

As it feels like you haven’t seen everything or quite get it do you want to. No, it doesn’t leave you exhilarated like the film EVERYONE EVERYWHERE ALL AT ONCE but you want to keep on exploring and examining the film just like that one as it seems to capture you and its own mindset

The film offers plenty of surreal imagery. Though never quite as strange as something that would come from Alejandro Jodorowsky 

The film does offer a lot to take in that you will either love or hate. Some might not want to put up with the film as it will feel hollow for some without enough story or plot, which leaves it easy to get lost in or during. As we spend time with the main character. 

The film feels like Alejandro G. Inarritu in his Fellini period. Where not only is the film autobiographical but seems to express his feelings about life and filmmaking. As a Director has made, Hollywood films and manages to put a personal stamp on them.

These days you have to try harder to have a career of only artistic indulgent personal films to raise your profile not to mention get a chance to tell Bigger stories that he wants to

This film feels like Fellini’s spirit is alive, only not as scandalous, but the director obviously has a lot to get off his chest and themes he wants to explore. This is the closest we might ever get to visionary autobiography.

Grade: B 

KISS OF DEATH (1995)

Directed By: Barbet Schroeder
Written By: Richard Price
Based on the Original Screenplay “KISS OF DEATH” By: Ben Hecht & Charles Lederer
Based on a story By Eleazar Lipsky
Cinematography: Luciano Tovolli
Editor: Lee Percy

Cast: David Caruso, Nicolas Cage, Samuel L. Jackson, Ving Rhames, Stanley Tucci, Helen Hunt, Michael Rapaport, Kathryn Erbe, Jay O. Sanders, Hope Davis, Anthony Heald, Philip Baker Hall, Paul Calderon, Anne Meara, John Costelloe 

A reformed convict goes undercover with the help of an angry detective to ensnare a psychotic mobster.


When I saw the trailer I knew I had to see this film as soon as possible. I had seen it on the show COMING ATTRACTIONS on the E! Channel when it used to be more devoted to film and film lovers. Not so much gossip. This trailer had me hypnotized so much I taped it and would watch it over and over again. Keep in mind this was before the internet. 

One of my favorite trailers at the time. The cast was seductive so I ended up watching it on opening weekend. 

I know this is a remake but i haven’t seen the original. Which unknown was noteworthy for Richard Widmark’s giggling hitman. There are no signs of that here. Even though Nicolas Cage steals the show as the villain here. Though that might be due to the script trying to make him come off as memorable as Richard Widmark.

This film is supposed to be a thriller though most of the time plays like a dark comedy. One that is central To New York’s character types. Even as it has More thriller elements and framework. 

Everybody seems to speak way too loudly throughout and every sentence or word seems to end and be with an exclamation point. 

This is a modern remake for the 1990’s with what would end up being an all-star cast in the middle of their careers and some just been naming their hot streaks. 

The film seems to borrow part of the cast of PULP FICTION. As the dialogue also tries to be loose and have criminals have odd yet funny conversations emblematic of that  film. It even has a few actors from that movie in it’s cast but it has an overall style of cool. A violent cool with bits of dark comedy thrown in. Where it again always feels like the characters are playing types more than real human beings for the most part.

This movie was supposed to help make a movie star out of David Caruso after being a lifelong character actor and being on a hit Television show. Which pulled him to fame and leaving that show after two seasons to be a movie star. Here is a role he was used to just not being at the center of attention.

Nicolas Cage here is off-kilter as always. Muscle bound and hilarious. As he plays an over the top mobster’s son who Caruso is trying to take down or more like the cops are forcing him to. He is murderous yet childlike at instances 

In the end the most despicable character and true villain of the film is Michael Rappaport who causes all this trouble and is taken down early and quickly.

While the film tries to feel realistic. You are always aware that it is a production. As it even feels thoroughly always like cinema. Never like any kind of reality or relatable. 

For all the violence and tough talk by the end it seems a little too cut and dry. Where it ends up feeling lightweight by the end. No matter how far it has taken us. 

GRADE: B- 

THE DAY AFTER TOMMOROW (2004)

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Directed & Story By: Roland Emmerich
Written By: Roland Emmerich & Jeffrey Nachmanoff
Cinematography By: Ueli Steiger
Editor: David Brenner

Cast: Jake Gylenhaal, Dennis Quaid, Dash Mihok, Emmy Rossum, Sela Ward, Jay o. Sanders, Rick Hoffman, Ian Holm, Arjay Smith, Tamlyn Tomita, Austin Nichols, Glenn Plummer, Adrian Lester, Nestor Serrano, Perry King

Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age. Continue reading “THE DAY AFTER TOMMOROW (2004)”

CATFIGHT (2016)

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Written, Edited & Directed By: Onur Turkel
Cinematography: Zoe White 

Cast: Anne Heche, Sandra Oh, Alicia Silverstone, Amy Hill, Ariel Kavoussi, Damian Young, Tituss Burgess, Jay O. Sanders, Peter Jacobson, Jordan Carlos, Ivana Milicevic, Dylan Baker, Craig Bierko, Myra Lucretia Marcel 

The rivalry between two former college friends comes to a head when they both attend the same glamorous event.

Continue reading “CATFIGHT (2016)”

MY BOYFRIEND’S BACK (1993)

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Directed By: Bob Balaban
Written By: Dean Lorey
Cinematography By: Mac Ahlberg
Editor: Michael Jablow 

Cast: Andrew Lowery, Traci Lind, Philip Seymour Hoffman, Paul Dooley, Matthew Fox, Edward Herrmann, Mary Beth Hurt, Jay O. Sanders, Danny Zorn, Cloris Leachman, Matthew McCognahey 


Missy McCloud is the most beautiful girl in school and Johnny Dingle has been in love with her for years. One night, Johnny is killed trying to win her over, and soon he comes back from the dead, and wins Missy’s heart

Continue reading “MY BOYFRIEND’S BACK (1993)”