Written & Directed By: Aaron Sorkin
Cinematography: Jeff Cronenweth
Editor: Alan Baumgarten
Cast: Nicole Kidman, Javier Bardem, J.K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, Linda Lavin, Ronny Cox, Clark Gregg, Nelson Franklin
September 6, 1953. With Hollywood facing the ever-present threat of Joseph McCarthy’s smear campaign, Lucille Ball, America’s beloved redhead and star of the tremendously popular CBS sitcom I Love Lucy , finds herself confronted with the Red Scare hysteria. As the American columnist and radio personality Walter Winchell drops a bombshell at the end of his broadcast, Lucille and her Cuban-American actor husband Desi Arnaz must survive one long, overwhelmingly eventful week, as if navigating a rocky marriage wasn’t enough. As a result, in the following seven distressful days, scandalous gossip and ongoing infidelity will put the couple’s relationship to the test.
This is a film where you get what you expect for the most part. A look behind the scenes of the television show I LOVE LUCY in dramatic fashion. You get the gossip and some of the histories that made Lucille Ball and Desi Arnaz such icons.
Though there are flashbacks most of the film takes place during a charged week of their lives. Where Lucille ball is in the papers for being an alleged communist. Dealing with all This backlash while we see how much of a perfectionist she is when it comes to the show and the comedy. Where she will stand up to the writers and the directors and for all her success she still has to ask her husband to put his foot down to follow her orders.
We also see her worrying about her marriage as more and more evidence of Desi’s wayward eyes become apparent and also dealing with the constant arguments of her co-Stars who always feel she is short-changing them.
The innovative part of the movie is setting this all in one week and trying to give an overview of not a life but a certain period in the lives and exploring the culture of the day.
Even if at first weren’t necessarily that confident in the casting but while never quite looked like the real-life characters they are supposed to be playing. They do certainly come alive and make the characters their own and give them a familiarity that we recognize from watching the classic episodes.
The film certainly feels like Oscar bait and has a certain prestige. It certainly looks great and the actors give it their all.
When Not as impressed by their performances at least they follow or come into Their own when it comes to instinctually play up the dramatic motivations and character moments
The only false moments are I. The end when they all start to get along and praise one another as heroes because of the uncertain nature, but what also saves that moment to feel a little more uncertain is a revelation that makes it not quite such a cookie-cutter ending.
While a captivating experience the film quite comes as alive as an audience might expect. As the direction is plain and never quite vivid. It certainly fits the material and makes the stages, offices, and studios come alive and seem bigger, studied, and a little exotic to give us pretty backgrounds to frame the action and actors.
There are breaks in the action so we get to know the main characters’ pasts in pieces.
Also Rather than reading classic scenes, we see behind the scenes as we know why we liked her in the first place on the screen. It shows how much work Lucille Ball put in and how much control she strives to have to provide quality for the audience.
Writer-Director Aaron Sorkin finds a way for plenty of walk-and-talk shots and tries to throw more obstacles to be more impressive.
Grade: B-
Cut To The Chase 