I WANT YOU BACK (2022)

Directed By: Jason Orley
Written By: Issac Aptaker & Elizabeth Berger
Cinematography: Brian Burgoyne
Editor: Jonathan Schwartz 

Cast: Charlie Day, Jenny Slate, Scott Eastwood, Gina Rodriguez, Manny Jacinto, Pete Davidson, Jami Gertz, Clare Backo, Luke David Blum, Giselle Torres, Isabel May, Jordan Carlos 

Noah breaks up with Emma after 18 months together and Anne breaks up with Peter after 6 years. Both Noah and Anne have found new SOs. Emma, a receptionist on 14th floor, and Peter, a VP on 11th floor, find each other sobbing in the stairwell. They support each other and end forming an alliance to destroy each other’s exes’ new relationships. They cyber stalk the exes and Peter gets close to Noah while Emma gets close to Anne’s new boyfriend.


The movie is very likable as you feel sorry for the main characters even in the dastardly things they are doing. Like a romantic comedy version of strangers on a train.

It is actually a lot more enjoyable than expected. It’s not raunchy nor does it cover any new ground but it feels like a breath of fresh air and fun. 

I might be biased but how no one is falling for Jenny Slate in this movie from the beginning and she doesn’t get hit on or any offers is amazing to me.

Watching Charlie day using his manic nervous energy is always a joy.

Most of the characters have their time to shine even if Scott Eastwood’s new girlfriend played by Clark Backo is given nothing to do but be the epitome of his dream girl. While at least others in the cast come across with personalities.

Gina Rodriguez’s character isn’t horrible but has her problems yet luckily she isn’t made out to be a villain. Truly no one is though some might show a lack of character. Though she looks gorgeous throughout.

Her character even shows her territorial nature and jealousy issues. Though reveals quite a surprising physique. 

By the end, the characters are likable enough and the only real loss in the film is that when a general friendship between Charlie Day’s character and Scott Eastwood’s feels genuine, and when all so revealed it is the ending of that relationship. Which came off as the most believable.

Surprisingly one of the strongest laughs and characters comes in the form of Pete Davidson’s small role and the whole scene that his character is involved in.

Think of this as a younger more expansive update of ADDICTED TO LOVE only most of the characters are likable and thankfully the ending feels more believable.  

Grade: C+

ALPHABET CITY (1984)

Directed By: Amos Poe
Written By: Amos Poe & Gregory K. Heller
Story By: Gregory K. Heller
Cinematography: Oliver Wood 
Editor: Grahame Weinbran 

Cast: Vincent Spano, Kate Vernon, Michael Winslow, Jami Gertz, Clifton Powell, Ray Serra, Daniel Jordano, Zohra Lempert, Tom Mardirosian, Tom Wright 

A New York City drug dealer decides to get out of the business, but has to flee from mobsters.


It took a while for me to watch this film. As the DVD and video cover made it look like some revenge movie from a third-world country all bathed in brown and gold.

Once I finally saw a trailer for the film it intrigued my interests.

One of the odd times that actor Vincent Spano played a leading role. Usually whenever he does the film almost comes off as an oddity, a memorable film, and performance.

This film is stylish and goes for a kind of gritty neon-noir look that takes place all in one night, but it comes off more shiny than deep. As it plays almost like a MIAMI VICE episode style only in New York. Even though it came out before that show. So maybe it influenced that show. 

As it is episodic, the character is working on a kind of countdown that seems to have started as more of a regular night. As it seems he is given a job to do in one night that would help set him up in the mob higher. Yes, he is more than just some street dealer. He has aspirations and a family.

It seems episodic as most characters he seems to only deal with on one or two scenes and then never heard from Or at least seen again except for when it is convenient. The ones we Do keep seeing are his adversaries and his best friend/top dealer/drug addict played by Michael Winslow in a strange off-kilter nihilistic dramatic Performance. Which strangely comes off reminding one of Chris Tucker in tone.

The film keeps your interest up. Even if it is more a fascinating look at early 1980’s New York before it got cleaned up. So that it works as a kind of nostalgic time capsule of the city mainly in the neighborhood of the title.

There are of course its fair share of ridiculous scenes like how Long it takes him to realize he is being set up by one of his clients. How his girlfriend refuses to leave. When he explains why they have to leave town even though she understands why he does. She expects his gangster bosses to spare her and their child.

Though there is some action it’s not awe-inspiring even though in one scene you can see the director John Singleton used it in 2 FAST 2 FURIOUS. Though in that movie it Was used as an impressive sequence of seduction and cool. Here it is more used as a means of intimidation and cool. 

Proving that this film is more influential than anyone expected and seems to be a well-Kept secret.

By now if you have watched enough films the story Will be predictable with a happier ending than you Would normally expect. That is an act that makes no sense but works for the end.

The film comes off as a nice attempt to make something a little more artistic even with a familiar storyline at the time. It comes off as hip more than anything. 

Grade: B-