THE KILLER ELITE (1975)

Directed By: Sam Peckinpah 
Written By: Marc Norman and Stirling Silliphant 
Based On The Novel “Monkey In The Middle”: Robert Rostand 
Cinematography: Philip Lathrop 
Editor: Monte Hellman and Tony De Zarraga 

Cast: James Caan, Robert Duvall, Bo Hopkins, Mako, Burt Young, Gig Young, Arthur Hill, Tom Clancy, Tiana, Kate Heflin, Sondra Blake 

Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. While he’s on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to become mobile again. For revenge as much as anything else, Mike goes after his ex-friend.


The film plays like experimental jazz. So many elements coming together seemingly Off beat, yet you stay to see where it is going. Considering the talents involved 

James Caan is the lead, laid back and riffing through it all, but showing his skills and talent. Even though his character is supposedly handicapped.

Where it always seems Like he is more a lady’s man constantly flirting or always having a one-liner rather than being a fighter. Though I won’t Front would totally rock the outfit of his turtleneck.

Robert Duvall seems more like he dropped into the production as a favor or a debt owned (think Edward Norton in THE ITALIAN JOB)

The film shows Life at the C.I.A., might not be as exciting day to day, but lacks plenty of action in the field. 

The main characters aren’t suit and tie or all business, nor typical heroes. In fact, it looks like they are all wearing their own clothes from home. As half the film takes place over 2 days. 

They are ordinary guys the type you see around your neighborhood  Back in the day 9 – 5 guys. Who meet up for drinks at a local bar after work to talk and drink their troubles away.

Not too much exciting action. A lot of slow motion doesn’t help. The film Has a messy 3 act structure that seems to have Its own mini-arcs in act one through so many soliloquies. Which leads to pacing problems. 

You are left wanting even when it seems to take side steps to be more quirky. As you are looking for something with more attitude. Though it plays more like a kind of Western with those types of characters.

At times the film is impressive, even more knowing what went on behind the scenes and the messiness of the production. Which includes diced to cast the screenwriter’s girlfriend, and drugs being used on the set. 

As it goes off on its own solos of little twists and turns that add to the overall element of a project. 



In the end, this is a film that seems like it will only be liked by fans of those involved as a completist type of movie. 

This Ends up as sub-par Peckinpah 

Grade: C

DETACHMENT (2012)


Directed & Cinematography By: Tony Kaye
Written By: Carl Lund
Editor: Michelle Botticelli, Barry Alexander Brown & Geoffrey Richman

 Cast: Adrien Brody, James Caan, Christina Hendricks, Sammi Gayle, Tim Blake Nelson, Bryan Cranston, William Peterson, Betty Kaye, Lucy Liu, Marcia Gay Harden, Blythe Danner, Isiah Whitlock Jr., Josh Pais, Doug E. Doug,

Detachment is a chronicle of three weeks in the lives of several high school teachers, administrators, and students through the eyes of a substitute teacher named Henry Barthes. Henry roams from school to school, imparting modes of knowledge, but never staying long enough to form any semblance of sentient attachment. A perfect profession for one seeking to hide out in the open. One day Henry arrives at his next assignment. Upon his entry into this particular school, a secret world of emotion is awakened within him by three women. A girl named Meredith is in his first period. A fellow teacher Ms. Madison, and a street hooker named Erica, whom Henry has personally granted brief shelter from the streets. Each one of these women, like Henry, is in a life and death struggle to find beauty in a seemingly vicious and loveless world.

 The film-like its main character shows us the problems. Makes us aware of the problems, but also offers no answers. So not only is it bleak but also nihilistic. While it is heavily philosophical at times and becomes cerebral. It also at times becomes a bit too much.

The storyline of him taking in a girl off the street is understandable as he seems to try to prove to himself he is a good person and help someone he sees as innocent while one of his students sends out warning signs of trouble yet he is blind to it. It also shows a way to make up for things in his past. I also believe it is a way for him to communicate with someone as lonely as he is. In one scene he even witnesses a teacher clearly with mental problems, yet does nothing about it.

 The film shows the hardships not only he but most teachers and administrators have to go through not only from students but also parents and the state. They seem to be battling in a losing war that they are not supplied to handle. Where the only hope is that you can grab one kid, one mind, and teach them something then you have succeeded. You have kids who don’t care. Parents who look to you to babysit and raise their children have no funds for anything.

 Tony Kaye Makes another powerful hard-hitting film that while a little too indulgent at times makes you think and delivers a message. Despite his past troubles, his talent as a director is undeniable. He gets solid performances from the supporting cast who don’t have much to work with as far as characters but you feel the world-weariness.

James Caan’s character is full of spirit and funny yet has the feeling of hitting a brick wall way too many times. Kaye even casts his daughter in a key role and she is effective as is Sammi Gayle as a teen prostitute staying with Brody’s character. Tony Kaye also gets a boost from getting a natural and powerful performance from his lead Adrien Brody who hasn’t been this good in years, His performance is full and realized. He is soulful and complicated but comes through as solid. IT’s also his first leading role in quite some time.

 The storyline of taking the girl off the street is far-fetched. In a real-life way, but works for the film. Marcia Gay Harden’s breakdown feels a bit over the top and far-reaching. The film feels important if only hopefully as a time capsule. More to look back upon as how bad a problem the school system was. More of a social problem film, than a dramatic one. As at times, we get to know the teacher’s home life some of whose is just as bad as the school system is but they are quickly jettisoned and forgotten for the rest of the film. ‘
The film provides dramatic characters and situations but is more concerned with the dilemma of these characters. Though it also is more focused on Adrien Brody’s character and problems.

 I warn you this is not a happy film. It is very sad and depressing. It is worth watching for filmmaking and the performances. The film is definitely Worth Watching. An Addition to the film library you can come back and look from time to time. 
 GRADE: B

BLOOD TIES (2013)

bloodties

 

Directed By: Guillaume Canet
Written By: Guillaume Canet & James Gray
Based on the French Film ‘RIVALS’ (Les Liens Du Sang) Written By: Jacques Maillot, Pierre Chossen & Eric Veniard
Based On The Novel Written By: Bruno & Michel Papet
Cinematography By: Christophe Offenstein
Editor: Herve De Luze 


Cast: Clive Owen, Billy Crudup, Marion Cotillard, Noah Emmerich, Matthias Schoenaerts, Zoe Saldana, Dominick Lombardozzi, John Ventimiglia, Mila Kunis, Lili Taylor, James Caan, Griffen Dunne, Yul Vasquez, Jamie Hector, Eve Hewson, Olek Krupa

Two brothers, on either side of the law, face off over organized crime in Brooklyn during the 1970s.

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