FATHER STU (2022)

Written & Directed by Rosalind Ross
Cinematography: Jacques Jouffret 
Editor: Jeffrey M. Werner 

Cast: Mark Wahlberg, Mel Gibson, Jacki Weaver, Malcolm McDowell, Teresa Ruiz, Jack Kehler, Aaron Morten, Cody Fern, Carlos Leal

Follows the life of Father Stuart Long, a boxer-turned-priest who inspired countless people during his journey from self-destruction to redemption. Based on a true story. 


The film obviously speaks to the beliefs and sensibilities of the two stars of the film Mark Wahlberg and Mel Gibson. It’s a truly inspirational story that ends up redeeming itself in the end. 

The film takes a while to get started and Mark Wahlberg looks a bit old for the leading role, but he does what the role Calls for, staying self-deprecating.  yet charismatic and quite funny. Not to mention gets to play an extraordinary human character. 

Mel Gibson plays his father in a mode he is becoming quite familiar with. That is usually ex-alcoholic and/or white trash. Here he has a chance at a more dramatic role. Where at times he is thrown into stereotype and at others you truly can feel him as the character.

The romance angle is perfectly handled as it takes its time and by the time he has finally gotten what he wanted. Yet still hasn’t made a complete change a tragedy happens that makes him devote his life to god. 

What truly sets the film and story apart is that after that tragedy another tragedy is revealed and while it gives the film a curve from the by-numbers way it seems like it was going. It also adds dramatic depth that the film had already given us an abundance of, but then finally and truly felt.

Truthfully the film that seems lively at first truly doesn’t come alive and exciting until that second act when he is truly trying to strive for bigger and better things. Even throughout the film, his character seems to be searching and trying for something new to fulfill himself and change his life for the better.

Based on a true story you can only do so much, but this film is an uplifting story and a crowd-pleaser. It is hard to knock it, but it is definitely not a film I could imagine watching more than once.

Grade: C

POMS (2019)

Directed By: Zara Hayes
Written By: Shane Atkinson 
Story By: Zara Hayes & Shane Atkinson 
Cinematography: Tim Orr
Editor: Annette Davey 

Cast: Diane Keaton, Jacki Weaver, Celia Weston, Alisha Roe, Charlie Tahan, Rhea Perlman, Pam Grier, Phyllis Somerville, Patrica French, Bruce McGill 

POMS is a comedy about a group of women who form a cheerleading squad at their retirement community, proving that you’re never too old to ‘bring it!’


Usually every summer there are certain types of films that come towards the end of that season. There is the urban thriller that has something to do with domestication. There is a fantasy romance that somehow involves travel or older characters or both and there is the older ensemble movie. Which usually involves a group of older female or male characters whose characters get together for a cause.

Somehow have a setback or are underestimated because of their age. Then manages to impress and show off the young people. 

The film will usually involve the character doing things you wouldn’t expect them to do at that age. Usually, the cast will be filled with recognizable actors. Who will either all get a chance to shine or two of them will be more the focus. While the others fall by the wayside (Think the movie CALENDAR GIRLS) the other way is that it is an ensemble filled with all ages whereas a group they bond and we see the individual problems of each across the ages.

This film is the one that involves an ensemble and two of the actors take the lead. As well as having older characters doing something together that is only thought to be done by younger people. Here it is cheerleading. The two main leads are Diane Keaton and Jacki Weaver 

Jacki Weaver is more the flirty and rambunctious character. Who comes across like Blanche from THE GOLDEN GIRLS. She is also more the wild child and veteran of the retirement community they are part of.

Diane Keaton is the new resident who mainly came there to be alone and dies slowly from Cancer, but as she keeps being made to socialize and brought into her neighbors schemes. She decides to do an activity as a last hurrah, also to stick it to the community board and make a mark.

We see as they recruit new members and even has a touching side story. Where an older woman has bullying kids who won’t let her do what she wants. As they think they know what they want is best.

The film Is predictable but it’s Supposed to be it’s Light and is more for an audience to enjoy, not necessarily think about and more have the film affect their feelings. Not to mention be representative of the audience they want to attract and also for the younger audience members maybe remind them of their loved ones. 

While enjoyable, one is definitely bit the audience for this one. Not to mention it all feels too familiar. There is no attempt at anything new or original. So that most of the film feels like it’s On autopilot.

So while it’s Great to see these older actresses get a project and screen time. One only wishes it was either stronger or worthy of their time and talents. Then again they can’t all get the roles Susan Sarandon and Helen Mirren seem to get that offer more versatility and flexibility.

Grade: C-

MAGIC IN THE MOONLIGHT (2014)

Magic-in-the-Moonlight-DI-1

Written & Directed By: Woody Allen
Cinematography By: Darius Khondji
Editor: Alisa Lepselter 


Cast: Colin Firth, Emma Stone, Marcia Gay Harden, Jacki Weaver, Simon McBurney, Eileen Atkins, Catherine McCormick, Erica Leerhsen Hamish Linklater, Ute Lemper

Stanley is a magician who has dedicated his life to revealing fraudulent spiritualists. He plans to quickly uncover the truth behind celebrated spiritualist Sophie and her scheming mother. However, the more time he spends with her, he starts thinking that she might actually be able to communicate with the other world, but even worse, he might be falling in love with her.

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