ELLA MCCAY (2025)

Written & Directed By: James L. Brooks

Cinematography: Robert Elswit

Editor: Tracy Wadmore-Smith 

Cast: Ella Mackey, Woody Harrelson, Jamie Lee Curtis, Albert Brooks, Julie Kavner, Ayo Edebiri, Kumail Nanijani, Jack Lowden, Spike Fearn, Rebecca Hall, 

An idealistic young woman juggles her family and work life in a comedy about the people you love and how to survive them.


I really wanted to enjoy this film. As I have grown up watching James L. Brooks films or productions, not to mention Emma Mackey in one of her first big screen leading roles after making such an impact on the series SEX EDUCATION

but this was a film that was hard to take.

It might be as it is so idealistic. It would have worked in the 1950’s or before, but in today’s political climate. It comes across as more of a dream. A high concept movie that might have come along or been passable in the 1980’s but feels grating and off rhythm in today’s cinema. 

While it’s nice to watch a film that is idealistic and not so cynical in today’s climate. It can still be interesting, which unfortunately this film isn’t. It lacks an ingredient even though it has plenty of energy .  

The film feels overwritten. As one of the characters says in the movie “You don’t have to articulate everything” one wishes the movie had taken its own advice.  

As the film plays like more of a theatrical piece for the stage, especially with the characters saying their feelings out loud to one another. Theme there are so many plot threads that luckily revolve around the main character. So that they lead into one another. 

It ends up feeling way too scripted an never natural. So that the characters have all these neurosis. Though they never Come across as natural or believable. They are slaves to the directions of the screenplay

One can understand Writer/Director Brooks is doing what he does best and aiming for an old school classic dramatic comedy that is more grounded and adult. Like the One’s he might have grown up with. Which is similar to his last big screen film HOW DO YOU KNOW. Though as that film was star studded but a bomb. This is truly worse than that film. As it is questionable what he saw in this story or film.

The film feels endless and boring after awhile. Where you get to the point where you don’t care what happens, you just want the film to end. 

There Also seems to be some scenes missing as it sets up a romance for two characters. Which is obvious, but we never actually see them pursue it or watch it grow to show their chemistry. It’s implied and then in the end even them being a couple is presented in the same way. Was it controversial as it would be interracial? It’s just strange especially in a film that fees the need to over explain Everything else. That it gets modest there or leaves the audience to figure it out. As maybe the filmmaker feels he has been there way too many times before.

It plays like a romantic comedy but then tries to present itself as a comedic character study?

It’s ultimately like the film isn’t sure in which direction it should be or even wants to go. 

Though luckily it fits into James L. Brooks filmography pedigree. Just not up to the quality of his previous works. 

Grade: D

CALIBRE (2018)

Written & Directed By: Matt Palmer

Cinematography: Mark Gyori

Editor: Chris Wyatt

Cast: Jack Lowden, Martin McCann, Tony Curran, Ian Pirie, George Anton, Kate Bracken, Therese Bradley, Kitty Lovett 

A shocking deed turned their weekend trip into a nightmare. Now their only hope is to swallow their paranoia and act normal.


I knew very little about this film originally. Which is often best. Though wondered why it had gotten past my attention.

The film is a nice little atmospheric thriller. Whose premise played off as more all-knowing and clever or comedic. Here it is played deadly seriously.

While working as a thriller it also has more drama than you would expect. As not only fighting for survival but guilt that never truly lets up.

As it’s the worst that could happen scenario. That at first is shocking is played more realistic than expected. 

Throughout the film makes you feel uncomfortable as there is an uneasiness and sense of tragedy that hangs over the film. So much so that similarly like myself you might find you can hear or feel your heart beating faster as you wonder where the situations will lead or relieve the audience. 

The film Never wants to let the audience or characters off. At first, you wonder if they will get away with it and avoid trouble. Soon the villagers seem like the worst challenge you can have. Rather the. The supernatural or characters who are easily hateable 

The storyline might be familiar but the presentation style is noteworthy. Though this is quite an original vision. That never quite goes where you expect it to.

One only wishes the few female characters had a bit more to do. The troublemaker seems there only to add a bit of trouble early on and the compassionate one seems there to help humanize one of the characters in trouble and have someone in his corner once trouble arrives. 

The film will make some audience members as haunted as the ending leaves some characters 

Grade: B- 

FIGHTING WITH MY FAMILY (2019)

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Written & Directed By: Stephen Merchant
Cinematography By: Remi Adefarasin
Editor: Nancy Richardson 


Cast: Florence Pugh, Lena Headey, Nick Frost, Jack Lowden, Vince Vaughn, Dwayne “The Rock” Johnson, Stephen Merchant, Olivia Bernstone, Julia Davis, Paul Wight, Stephen Farrelly 


A former wrestler and his family make a living performing at small venues around the country while his kids dream of joining World Wrestling Entertainment.

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