MURPHY’S LAW (1986)

Directed By: J. Lee Thompson 

Written By: Gail Morgan Hickman

Cinematography: Alex Phillips

Editor: Peter Lee Thompson and Charles Simmons 

Cast: Charles Bronson, Kathleen Wilhoite, Carrie Snodgrass, Robert Romanus, Bill Henderson, Lawrence Tierney, Robert F. Lyons, Angel Tompkins, Janet Maclachlan, James Luisi 

Jack Murphy is a veteran police detective who is framed for the murder of his ex-wife. Although taken into custody, Murphy escapes from the police station handcuffed to a foul-mouthed car thief. Pursued by the police, Murphy must find the real killer before it is too late.


This is a Charles Bronson film. I was looking forward to it, as I will admit at first I thought it would be almost like a buddy comedy only with Charles Bronson with a smart ass, pickpocket, and maybe more of an action comedy. Who start off as enemies, but slowly need one another to survive their situation. That is not exactly what this film is.

While it has its lighthearted scenes, this film ultimately is very dark which is what I am finding a lot when it comes to Charles Bronson movies and characters. So there is no wisecracking as much on his part. 

As here, his main character is a sad sack police detective, who is a bit of an alcoholic, and can’t get over his ex-wife, who has clearly moved on, and has no feelings for him. Yet he still stalks her and punishes himself seeing her with new lovers and working as a stripper.

The film offers wisecracks galore, especially from Karen Wilhoite, as the pickpocket, which is refreshing compared to the eternally grumpy Charles Bronson. Her lines are hilarious, and they are even now a little outdated. Though she is the bright spot of the film and breathes life into it.

I wish I could call it an action comedy but they’re very few laughs in the film. She mainly is a comedic relief other than maybe some of the situations and scenes as the film like most Charles Bronson starring films of the 1980s seems a bit mean-spirited. Compared to other action films. Even here he lacks charisma and personality.

The female villain is over-the-top ridiculous. Yet captivating. Not for the fact that it is a female villain, but just her motivations. She is thoroughly coldhearted. Though her motivations seem a bit stupid, yet understandable. Especially if she has just stayed incognito. Though by a certain point exposes herself.

The film’s scope is surprisingly larger than expected, especially for a 1980’s movie starring Bronson. Where the locations keep changing and more and more vehicles get destroyed. 

The film doesn’t quite live up to expectations but manages to stay entertaining with plenty of action. Unfortunately, it’s not quite a fun ride but leaves you interested throughout and has plenty of fun playing with the title.

Grade: C+

10 TO MIDNIGHT (1983)

Story & Directed By: J. Lee Thompson 

Written By: William Roberts 

Cinematography: Adam Greenberg 

Editor: Peter Lee-Thompson 

Cast: Charles Bronson, Lisa Eilbacher, Andrew Stevens, Gene Davis, Geoffrey Lewis, Wilford Brimley, Robert Lyons, Ola Ray, Kelly Preston, Beau Billingslea, Bert Williams 

An LAPD detective and his rookie partner are on the trail of a psychopathic young man who is murdering young women.


I have recently been trying to catch up On Charles Bronson’s films besides his known classics. Glad I started with this one, where one can get an understanding of his appeal and charm. As he kind of Constantly Has a Clint Eastwood kind of stoicism where he must always be tough and gruff but always seems to have a good heart. 

The film has a cool-sounding title that unfortunately means nothing when it comes to the plot of the movie. Though As you watch the film this is a movie more built around a star and his image. 

Unfortunately, the films he was in he was usually better than the material and they weren’t as memorable as other films at the box office or less seen. As his films particularly in the 1980’s feel familiar and just cheaper than his contemporaries. Sort of like if there were Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis at the time. He would be the straight-to-home video version of them as a peer. Sort of like Chuck Norris films at the time. 

This film presents him more in his later years where he is in more in a modern time where things seem more disposable and cheap. 

While the film isn’t a western it feels like one with the anti-hero, a hero of very few words. He is smarter than most around him, but also a man of action more than anything. As he even does the right thing which is understandable in the film Context but horrible in reality. As he breaks the law for the right reasons but really for his own purposes. That has consequences and Places a moral quandary In the middle of the film. It also allows him to better set a trap.

Throughout Charles Bronson comes off as mroe subdued the opposite of Gene Davis who plays the killer as more over the top. Though the film offers good one-liners and good back and forth between characters especially Bronson, Andrew Stevens, and Lisa Eilbacher who plays his daughter. 

The film comes off as sleazy and exploitative. As whenever there is a murder. As the killer is naked to not leave behind any evidence supposedly. His victims usually young women are often killed in the nude. Which makes the killings feel More Cruel and sadistic more like sexual assaults than anything. The film Spells out Early and the film Doesn’t Present it subtlety Either with him even saying that the knife is like a penis and he gets to penetrate them. 

The film does have the feeling of 1980‘s excess with the graphic violence and nudity. Which seems there to please the Audience more than anything. Charles Bronson is so Cool though he can even be forgiven for his more comical running at the end. 

Happy to see that the film is more of a Thriller than an action film. Even if at times it feels more like an episode of a police procedural. Though it sets up Bronson’s tough attitude at the Beginning with a Scene that Is supposed to be comedic. As throughout the film Bronson is shown to be more old school and Seems Stuck in a time where everything is kind of new wave or a victim Of modern-day politics of law and order.

Kind of a little of the death wish Mentality that got him a fan base of more blue-collar guys with that same kind of mentality that modern-day Risks and culture are too soft and tie The hands of law enforcement and Seem To care more about the criminals’ feelings and rights.

The last act becomes more of a massacre that feels like it belongs more in a horror film. 

The film is pretty open and shut but stays entertaining throughout. The film ends up better than expected despite itself. I Hope More of his films are like this. 

Grade: B