MY BIG FAT GREEK WEDDING 2 (2016)

Directed By: Kirk Jones

Written By: Nia Vardalos

Cinematography: Jim Denault

Editor: Mark Czyzewski

Cast: Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan, Andrea Martin, Elena Kampouris, Gia Carides, Louis Mandylor, Alex Wolff, Joey Fatone, Bess Meisler, Rita Wilson, John Stamos, Rob Riggle, Mark Margolis, Ian Gomez, Bruce Gray, Jayne Eastwood

Still working in her parents’ Greek restaurant, Toula Portokalos’ daughter, Paris, is growing up. She is getting ready to graduate high school and Toula and Ian are experiencing marital issues. When Toula’s parents find out they were never officially married, another wedding is in the works. Can this big, fat, Greek event help to bring the family together?


It could be the fact that before this film a few year earlier Nia Vardalos tried to turn this into a franchise with a follow up television series 

Considering they tried s sitcom after the first film this feels like they just took story threads or ideas from there and tried to make a movie with a framing device and theme

As this film feels all over the place, like it want the audience to be updated on the families notice after all these years with her other film Connie and Carla not doing well wanted a guaranteed hit

It’s a feel good film with no real stakes. so while it’s nice to see the characters again they are left with little to nothing to really do as we just enjoy and laugh at their antics

The fil m can be considered fun for those who l led the original

Though the first film was better content wise as it had a love story and a story of self Confidence. That was familiar and well structured and could be identifiable by mining a culture under represented and giving them representation even with it’s stereotypes that come off as loving

It might have been seen as a clash in as the audience for the first film has come of age and are dealing with their teenage children and the prospect of them leaving the nest. So again a bit updated and identifiable for that generation 

The problem is as familiar as the first film was; this one jsit feels generic. A script that tries to have a best of or greatest hits quality to it’s scenes the first film the characters came off as quirky here they come off more as caricatures of their former selves playing it more for laughs. 

You could say that this feels like a victory lap. While it keeps it’s innocence and a little charm. That keeps it safe 

Grade: C 

RICHARD JEWELL (2019)

Directed By: Clint Eastwood
Written By: Billy Ray
Based Upon the article “American Nightmare: The Ballad Of Richard Jewell” By: Marie Brenner 
Based Upon The Book “The Suspect” By: Kent Alexander & Kevin Salwen 
Cinematography: Yves Belanger 
Editor: Joel Cox 

Cast: Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde, Ian Gomez, Nina Arianda, Mike Pniewski 

During the 1996 Summer Olympics in Atlanta, security guard Richard Jewell discovers a suspicious backpack under a bench in Centennial Park. With little time to spare, he helps to evacuate the area until the incendiary device inside the bag explodes. Hailed as a hero who saved lives, Jewell’s own life starts to unravel when the FBI names him the prime suspect in the bombing.


A film about a man who at first was a national hero than a suspect. Shows how fast admiration can turn on a person.

While this film is an interesting investigation and feels stronger than a television movie. It still feels like the handiwork of one just with better talent. It oddly also feels rushed throughout.

What saves the film is the tremendous cast. Especially Paul Walter Hauser in a more dramatic role than the comedic ones we are used to. This is the time where someone is more seen as a character actor. Gets a chance to not only star in a film but show they have the right stuff to play a lead in the movie.

This is a film about a man who has been raised to believe in the American dream. Only for it to turn its back on him and despite it all. While he is seen increasingly as a suspect and mistreated he still believes in due process and only seems to help incriminate himself. 

Olivia Wilde is over the top in the role as a reporter who seems out to ruin Richard Jewell. In her performance, she feels like she came from another movie. The film also treats her character as misogynistic. As she seems to use sex and sex appeal to get her stories more than research and talent. 

She also stands out, as most of the film and the characters come off as subdued and she comes off like a shining bright light comparatively. 

The film Is at least fright forward in its telling there is no fat here. It gets straight to the point. 

Again Paul Walter Hauser gives a strong performance that could be seen as both comedic as Dramatic. as this is a sad character whose world falls around him but still believes in law and order despite it all. He has bravado but proves to be quite delicate. Not necessarily likable especially these days but quite identifiable. 

As this is a character who could easily come off as slow or more comedic but Hauser gives him heart and a presence. Where he deserves more respect than most give him. 

Sam Rockwell’s character is a kind of frustrated standoffish type lawyer,  but believes in Richard and ends up being his closest and true ally. Even if he seems ornery or distrusting most times. 

The film feels like a thorough truthful docudrama. As there is little grandstanding. No overly dramatic scenes though based on a true story there is an end but not necessarily any closure or satisfying nature or narrative.

The film gives Jon Hamm’s character motivation to basically try to hide his leaking of info and trying to quickly close the case by trying to find a patsy who fit the Bill and to be a hero himself by solving the case as this crime happened on his watch.

This comes across as Another story of the people of the Midwest for director Clint Eastwood. Where the characters are more salt of the earth and face their destiny abs have to deal with the aftermath. As this film is a dramatization of a more recent evening witch hunt. Where the film villainized the press as the government to a degree. Showing the common man no matter how overzealous to be a pawn rather than letting them live their lives naturally and non-corrupt.

It also shows Eastwood’s passion to show a dying Americana from which he believes in and comes. Though his politics are old school and tricky. He’s not above showing the atrocities of those in power, but also like John Ford with his wearers where they showed the disappearing plains and modernization taking over. Eastwood does the same only with it seems American culture and values 

Grade: B-

THE ULTIMATE PLAYLIST OF NOISE (2021)

Directed by: Bennett Lasseter
Written By: Mitchell Winkie
Cinematography: Vincent Patin 
Editor: Robin Gonsalves 

Cast: Keean Johnson, Madeline Brewer, Bonnie Hunt, Ian Gomez, Rya Kihlstedt, Oliver Cooper, Carol Mansell, Emily Skeggs, Ariela Barer, Jake Weary 

Marcus, an audio-obsessed high school senior, learns he must undergo brain surgery that will render him deaf, and decides to seize control of his fate by recording the Ultimate Playlist of Noise.


As it goes down like a nice teen drama. It’s dramatic, funny, and heartwarming by the end. If this wasn’t already a young adult novel, it should have been.

We watch the natural growing pains, trials, and tribulations that most of us go through. Only here the main character is kind of an obsessive nerd. Whose main interests are music and putting together playlists. 

Then his passions come together in a cute young lady who is a musician and sends his heart flutter. Which happens to come into His life when he has learned of a condition that will rob him of his hearing and separating him from his favorite thing music.

While the film plays on romance it also becomes a road trip movie. So we get the eccentric, strange whimsy of the characters and traveling.

What is refreshing about this film is that it’s not a typical love story. As it has romantic moves but cuts them short offering genuine surprises from where you might think some moments are going in a good way. Like him having his first kiss.

It does try to show the beauty in supposedly the mundane. 

The film is more about bonding with a stranger and becoming so close that you can open up to them. The story more or less comes across as one of the connections between two people and inspiring one another to go face their fears and also learn to accept things. Deal with them and learn to live with it.

Even if staying somewhat predictable story-wise. There will be love involved, not romantic and not the kind where even if there was it could save you from yourself or help you outrun your problems. 

The film doesn’t offer a false or empty story. Where we are left to wonder what happens next or after that but should feel rest assured in just the here and now. 

Grade: B-