FAST & FURIOUS PRESENTS: HOBBS & SHAW (2019)



Directed By: David Leitch
Written By: Chris Morgan & Drew Pearce
Story By: Chris Morgan
Based on original characters created by: Gary Scott Thompson
Cinematography: Jonathan Sela
Editor: Christopher Rouse 


Cast: Jason Statham, Dwayne Johnson, Vanessa Kirby, Idris Elba, Helen Mirren, Eiza Gonzalez, Eddie Marsan, Cliff Curtis, Eliana Su’a, Rob Delaney 


Lawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity. This film is a spinoff for the most popular characters from the series who started off as villains and then became fan favorite heroes.

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ANNA (2019)

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Written & Directed By: Luc Besson
Cinematography By: Thierry Arbogast
Editor: Julien Rey 

Cast: Sasha Luss, Cillian Murphy, Luke Evans, Helen Mirren, Lera Abova, Alexander Petrov, Anna Krippa 

Anna is a young beautiful girl who managed to make a career in the fashion world. More recently, she was a simple model from Moscow, but in a very short time she was able to enter the elite. Once she entered the hotel of an influential and very dangerous person, after which a whole mountain of corpses was discovered there. The girl is being interrogated by special services, but she has absolutely nothing to tell on this fact. She looks scared, and no one suspects her. Anna goes free and begins preparing for a new business. Under the guise of a fragile beauty, is hiding the world’s most dangerous assassin, who has not yet misfired.

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HITCHCOCK (2012)

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Directed By: Sacha Gervasi
Written By: John J. McLaughlin
Based On The Book “ALFRED HITCHCOCK AND THE MAKING OF PSYCHO”: Stephen Rebello
Cinematography By: Jeff Cronenweth
Editor: Pamela Martin
Music By: Danny Elfman 



Cast: Anthony Hopkins, Helen Mirren, Jessica Biel, Scarlett Johansson, Danny Huston, Toni Colette, Michael Stuhlbarg, Michael Wincott, James D’Arcy, Richard Portnow, Kurtwood Smith, Wallace Langham, Ralph Macchio

In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth’s artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone’s misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred’s work even as the novel’s inspiration haunts his dreams.

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