Directed By: Susanna Fogel

Written By: Michelle Ashford

Based on the Short Story by: Kristen Roupenian

Cinematography: Manuel Billeter

Editor: Jacob Craycroft

Cast: Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Isabella Rossellini, Hope Davis, Christopher Shyer, Liza Koshy, Fred Melamed, Donald Elise Watkins, Michael Gandolfini

When Margot, a college sophomore goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts. A razor-sharp exploration of the horrors of dating.

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Well, I am a big fan of the short story and the book it’s part of I was looking forward to this film, and it’s no surprise, that your pails and comparison, and is ultimately a disappointment compared to the original short story, which is more ambiguous, and might be one of the short story strength or as this film it’s hard to be ambiguous, totally and keep the audience interested and engaged not saying it’s impossibleit’s just that that quality was not expressed.

In the third act, it seems like the filmmaker and film decided to make a thriller or add thriller elements to the film kind of making all the paranoia and awkwardness she felt before come true but also since it’s based on a short story, the first half of the film is based on that actual story, and this is more where the filmmaker decided to go, maybe as a narrative choice, or to start to make the film, seem conventional, taking some sort of inspiration from the movie adaptation, wherein the third act it’s questionable but it becomes more conventional

As before this, the film seems more like an alien, awkward romance between two awkward people, one just beginning their adult and one well in the middle of it, and not seeming to have any anchors 

This film, a modern generation film, that certainly could open up many conversations, especially in a battle of the sexes and dating would’ve been a bit more interesting, and a third act tries to break up the monotony of that, but feels right and wrong at the same time 

As you can see, both sides of the story, though it doesn’t allow itself to get there. Some of the behavior is so extreme that you can’t truly forgive it or give the character credit.

There is a challenging and interesting movie very deep inside here. Fortunately, it just doesn’t seem to be well. Translated as the film is kind of a chore at times to sit through as you feel it length throughout.

Some scenes do work, but they’re also scenes that you look forward to and should be highlights that seem to fall short the intimate evening, for instance, is one of them.

While it tries to be moody. It also seems to decide to be one-sided and then in the end broaden up its view but onto with a few details and still Makes her justified in her beliefs. 

The film delves into the paranoia and boundaries of modern dating from a woman’s perspective. Especially for a young woman who is not as seasoned making her way through the world. 

Though watching it, I kept thinking how much different or even better it might have been if this was made by a director like Todd Solodnz as it has a kind of coldness to it, but then again a sense of belonging or wouldn’t have been seen differently if Geraldine Viswanathan who plays the main characters best friend, had played the main role. Would the film then explore not only different sexes but also different cultures?

Isabella Rossellini doesn’t even really need to be in this movie. As her role comes off as a cameo and maybe a star name to add to the cast for a bigger budget. 

This could have been a defining movie though unfortunately it does itself in and sells itself short. As it dulls any sharpness it might have and makes the proceedings dull all around for the most part. 

Grace:  C-