Geoffrey Lewis – Cut To The Chase

Story & Directed By: J. Lee Thompson

Written By: William Roberts

Cinematography: Adam Greenberg

Editor: Peter Lee-Thompson

Cast: Charles Bronson, Lisa Eilbacher, Andrew Stevens, Gene Davis, Geoffrey Lewis, Wilford Brimley, Robert Lyons, Ola Ray, Kelly Preston, Beau Billingslea, Bert Williams

An LAPD detective and his rookie partner are on the trail of a psychopathic young man who is murdering young women.

I have recently been trying to catch up On Charles Bronson’s films besides his known classics. Glad I started with this one, where one can get an understanding of his appeal and charm. As he kind of Constantly Has a Clint Eastwood kind of stoicism where he must always be tough and gruff but always seems to have a good heart.

The film has a cool-sounding title that unfortunately means nothing when it comes to the plot of the movie. Though As you watch the film this is a movie more built around a star and his image.

Unfortunately, the films he was in he was usually better than the material and they weren’t as memorable as other films at the box office or less seen. As his films particularly in the 1980’s feel familiar and just cheaper than his contemporaries. Sort of like if there were Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis at the time. He would be the straight-to-home video version of them as a peer. Sort of like Chuck Norris films at the time.

This film presents him more in his later years where he is in more in a modern time where things seem more disposable and cheap.

While the film isn’t a western it feels like one with the anti-hero, a hero of very few words. He is smarter than most around him, but also a man of action more than anything. As he even does the right thing which is understandable in the film Context but horrible in reality. As he breaks the law for the right reasons but really for his own purposes. That has consequences and Places a moral quandary In the middle of the film. It also allows him to better set a trap.

Throughout Charles Bronson comes off as mroe subdued the opposite of Gene Davis who plays the killer as more over the top. Though the film offers good one-liners and good back and forth between characters especially Bronson, Andrew Stevens, and Lisa Eilbacher who plays his daughter.

The film comes off as sleazy and exploitative. As whenever there is a murder. As the killer is naked to not leave behind any evidence supposedly. His victims usually young women are often killed in the nude. Which makes the killings feel More Cruel and sadistic more like sexual assaults than anything. The film Spells out Early and the film Doesn’t Present it subtlety Either with him even saying that the knife is like a penis and he gets to penetrate them.

The film does have the feeling of 1980‘s excess with the graphic violence and nudity. Which seems there to please the Audience more than anything. Charles Bronson is so Cool though he can even be forgiven for his more comical running at the end.

Happy to see that the film is more of a Thriller than an action film. Even if at times it feels more like an episode of a police procedural. Though it sets up Bronson’s tough attitude at the Beginning with a Scene that Is supposed to be comedic. As throughout the film Bronson is shown to be more old school and Seems Stuck in a time where everything is kind of new wave or a victim Of modern-day politics of law and order.

Kind of a little of the death wish Mentality that got him a fan base of more blue-collar guys with that same kind of mentality that modern-day Risks and culture are too soft and tie The hands of law enforcement and Seem To care more about the criminals’ feelings and rights.

The last act becomes more of a massacre that feels like it belongs more in a horror film.

The film is pretty open and shut but stays entertaining throughout. The film ends up better than expected despite itself. I Hope More of his films are like this.

Grade: B

Directed By: Ed Decter
Written By: David Kendall
Cinematography: Michael D. O’Shea
Editor: David Rennie

Cast: DJ Qualls, Eliza Dushku, Zooey Deschanel, Parry Shen, Jerod Mixon, Sunny Mabrey, Ross Patterson, Lyle Lovett, Eddie Griffin, Ileana Douglas, Kurt fuller, Matt shogun, M.C. Gainey, Julius Carry, Geoffrey Lewis, Horatio Sanz, Gene Simmons, Kool Moe Dee, Tommy Lee, Henry Rollins, Jermaine Dupri, Jerry O’Connell, Charlie O’Connell, Tony Hawk, Rob Van Winkle

A high school senior branded uncool in the ninth grade gets himself expelled so he changes his image to cool kid at the town’s other high school.

The film is strange as it is a teen comedy that seems at times to be more of a spoof. Then it just becomes more of a wacky comedy that comes off more as abstract and slapstick but still makes little sense.

Though considering it is directed by a noted comedy writer. Who coincidentally didn’t write the script. So that the film feels cut up from a decidedly longer and more coherent film. Though it doesn’t matter as this is a film you just watch and have fun with what it offers.

It’s also a movie that is built to build off of trends of the time.

Which would explain the strange number of cameos by rock stars and skaters and recognizable celebrities playing themselves and others throughout for no real reason.

Though it might hint at, What does end up being truthful about the movie is the character’s passion for music. As it seems to almost be their everything.

For instance, Lyle Lovett’s Father character makes no sense at all, but he is in the movie throughout. As the Square dad who seems to try to relate and overreact to his son and his actions

While the film feels like it got cut to pieces as some storylines and characters disappear or are never resolved. So that instead of plot or character the film tries to give you a Greatest hits version of the story.

Which makes it feel more like a Frankenstein of teen film cliches. You have seen before Only more heightened and campy comedically. There is even a scene where Eliza Dushku’s character goes to apologize to an old friend who she has shunned and snubbed only for that friend to say “I know” before she can say anything

Most of the female roles here are more as sex objects and hook up’s. Even Dushku the female lead has two scenes of first her trying in various scantily Clad outfits like bikinis and another scene of her riding a mechanical bull suggestively. More for a male teenage audience. Though she is both the love interest and sex symbol of the film.

The film builds off star Dj Qualls fame from ROAD TRIP. As an early version of McLovin from SUPERBAD. As his character goes from

Dork to cool in a new attitude and look with a lot of Farrelly brothers style comedy. That is gross yet heartwarming and manages to win the Audience over.

The film gave DJ Qualls the rare odd Leading man role. Even if the film Tries to play like more of an ensemble at times.

Sure the film’s humor is lowbrow but still comes off as innocent or like it doesn’t know any better. Though with it’s juvenile humor it’s

Perfect for its intended audience. Though definitely a testament to the time period in which it was made.

It is filled to the brim with what was hip, but trends change so fast that by the time the film Actually was released. It felt a little past its Time to the audience and worse the film is so low stakes. It doesn’t Make its Mark.

If anything this movie is more. A guilty pleasure that gets by because of its Silly and fun attitude. This film is put together very loosely with plenty of gags meant to tie the story and characters together with a moral lesson of not labeling and not believing in whatever labels you are branded with.

GRADE: C

Tag: Geoffrey Lewis

10 TO MIDNIGHT (1983)

THE NEW GUY (2002)