Written & Directed By: Cord Jefferson 

Based on The Novel “ERASURE” By: Percival Everett

Cinematography: Cristina Dunlap

Editor: Hilda Rasula

Cast: Jeffrey Wright, Sterling K. Brown, Tracee Ellis-Ross, Issa Rae, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Miriam Shor, Myra Lucretia Taylor, Michael Cyril Creighton, Patrick Fischler

A novelist who’s fed up with the establishment profiting from “Black” entertainment uses a pen name to write a book that propels him to the heart of hypocrisy and the madness he claims to disdain.

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The cast is excellent and the screenplay is excellent Unfortunately the film has what feels like flat direction that sinks the material a bit. as it feels like the film is constantly searching for the right way to present itself, and how to live in the material 

As the writer of the film or Screenwriter of the film is also the Director, though, based on a novel by Everett McGill, entitled Erasure

The film is a satirical comedy as is the book which has some comedic elements and tone, but is definitely much darker than what we see on the screen. The film improves on certain aspects or gives the historian characters more hope, but could have had some of the stronger ones. The changes might be minor, but they are meaningful such as the way his sister passes away and the role of the maid of his mother. That would allow the film to be more acceptable than the book, taking away some of the sharper edges, but replacing those edges with some stronger commentary and dramatic issues

This is what makes the film so strong in dealing with prevalent social issues, especially for African-American artists, art, and a sense of self

Film keeps its world smaller, but makes it more personal, and still stays in vent allowing for the supporting characters to have stronger roles and much more range

The film also offers a bred, Jeffrey Wright, and a rare leading role. With Sterling K Brown as his coming-out-of-the-closet brother, Sterling Brown can never do wrong, even bad films. He is still sometimes one of the more interesting performances so he makes his screen time lively, and memorable. Never feeling out of place

Also, it’s nice to see Erika Alexander on the big screen again in an important role.

Something can be said when movies like this come out in theaters they mostly have a crossover audience as the intended audience rarely seems to go see it, and more discover it at home on streaming or from word of mouth. Which eventually helps its legacy, but does not help its box office at the time when it is needed.

It’s also nice to see the character have an inner life and family problems. This is what sets the plot forward and one of the reasons for the continuance of his situation that only grows the longer the facade goes on. 

The irony here is that what is playing on screen might be satirizing it but it feels like it’s the same situation that is happening when it comes to this film in the marketplace. 

It seems at times we will support others yet, not our own community. Even when it is telling stories meant for us, we will accept others telling us about ourselves rather than someone from our own culture at times. Which is disheartening, but still thankful that these movies, subjects, and material are out there for those who identify with it

GRADE: B