SICARIO (2015)

Directed By: Dennis Villeneuve 
Written By: Taylor Sheridan 
Cinematography By: Roger Deakins 
Editor: Joe Walker 

Cast: Emily Blunt, Josh Brolin, Benicio Del Toro, Jeffrey Donovan, Victor Garber, Jon Bernthal, Daniel Kaluuya, Maximilano Herandez, Raoul Trujillo

An idealistic FBI agent is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.


This film is where director Dennis Villeneuve style really comes alive. Now while PRISONERS is a well directed film. I always had problems with it. Here Villeneuve’s style is crucial to the story.

It can only be explained as he has a knack for making scenes feel alive with tension. Even simple ones. He manages to catch you off guard so many times. That at any moment in his films anything can happen. Especially in the world the characters inhabit. Violence can break out at any time. Tension which he excels makes everything feel urgent and powerfully delivered. Makes it feel like anything can happen

The film while having violent scenes manages the trick of not really showing any violence but making it feel like there is more in the film then there actually is. The few scenes of violence are either so shocking or graphic. That in other scenes that even suggest it. Your imagination is already at work going overboard.

That is certainly a skill in story telling.

Here Emily blunt is our protagonist so we learn things just as she does and through the first half of the film. We realize we are on a mission, but just like her the rules and true objective are confusing and the rules keep changing. So that we are constantly confused even when the audience thinks it knows where the film is going.

She makes a good lead as her character proves both tougher and more fragile then she is presented. Seeing her in EDGE OF TOMMOROW convinced most audiences of her ability to be tough. Which she uses here, but here she also reminds us of how deep and emotional she can be whole Doing or at least showing so little.

Initially, the director was asked to rewrite Emily Blunt’s part for a man. But, Denis Villeneuve wanted Emily Blunt for the role after he saw her in The Young Victoria.

The film could easily be compared to films like TRAFFIC. For how it mainly shows the government side of taking down drug cartels, but the film also manages to tell small Individual stories of different characters and their position in this trade. What it also manages to do is remind the audience yes we are in this films singular world, but there is a greater real bigger world out there. That is our reality that these characters live in also.

Some night even compare the film to ZERO DARK THIRTY. If they did the only reason I can see is that they both have a female protagonist who learns to become more cautious and tougher as the film goes along. As well as learning more information about her supposed target through various different governmental agencies. As well as working with special teams to extract certain people to get to main targets. Though that film is more fact based. This one deals with a real subject, but manages to create it’s own story. This film is truly it’s own Animal

No matter what is shown and not shown this film is brutal. It is a cutthroat world they operate in.

There are some nitpicking like why at first do they forbid her partner access to go with them. Then throughout they seem to not mind if he is there.

Josh Brolin is good as the charismatic leader of this force. Who seems to operate in bureaucracy and in shadows, but the films MVP is Benicio Del Toro as a badass man of mystery. Though his character is mostly quiet. There is an intensity and toughness about him. That makes him look world weary, but constantly sharp. He takes no prisoners and seems to have no moral guide. I missed this type of performance from del toro. He played this type in SAVAGES, but that character was more of a loud mouth and sadistic for fun. Here he does it because he has to and can. If it helps achieve whatever mission he is on.

Throughout the film. The story plays out slowly only revealing itself when it has to. Even when we are privy of scenes and information that blunt isn’t. There isn’t too much revealed. So we are still just as unsure as she is. History is more reveled slowly about the characters rather then present it as soon as we meet them.

The shots throughout are beautifully composed and framed. That makes the territories they govern and go through come Alive. Even in their plainness. They feel constantly full of mystery even though they are mostly plain.

Though the film is structured well and directed well. It doesn’t feel overly stylized.

This film is a doozy, it is wild, yet calm. Epic and far reaching yet small.

The acting that plays out constantly or at least the threat of it Is not the kind you expect in a film Like this. No big action set pieces that rely on the audience finding a thrill. Like it is a roller coaster. Often the violence is either surprising, quick or just plain unorganized in the manner that it happens. This isn’t a thrill seeking movie. It is a thrill feeling movie.

Though it more relies on a moral meter. Rather than having a clear political message or even discussing the politics of the situation. It is matter of fact, yet offers a deep reserve for the audience to ponder. As it Also doesn’t offer any answers. Leaving it more of an open ended film. It’s not even really too much of a political film More like an extreme procedural.

Now while this film could have been made with any director. I believe the reason the film excels is because of director Dennis Villeneuve his style totally fits in with the story and reminds one of the promise he showed with the film INCENDIES. As with his other films though acclaimed. The style for me never quite fit the stories. Or the stories never quite fit his style. They took too many wrong turns or all there seemed to be was that style and little to no substance at least nothing deep. As the direction seemed to suggest.

GRADE: B+

THE WOLFMAN (2010)

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Directed By: Joe Johnston
Written By: David Self & Andrew Kevin Walker
Cinematography By: Shelly Johnson
Editor: Walter Murch & Dennis Virkler

Cast: Benicio Del Toro, Emily Blunt, Anthony Hopkins, Guy Pearce, Art Malik

Lawrence Talbot’s childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother Ben’s fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father’s estate to learn that his brother’s mauled body has been found. Reunited with his estranged father Sir John Talbot, Lawrence sets out to find his brother’s killer, and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard Inspector named Aberline comes to investigate.

 

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INTO THE WOODS (2014)

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Directed By: Rob Marshall
Written By: James Lapine
Based On The Musical, Music & Lyrics By: Stephen Sondheim & James LaPine
Cinematography By: Dion Beebe
Editor: Wyatt Smith 


Cast: Meryl Streep, James Corden, Emily Blunt, Anna Kendrick, Tracy Ullman, Chris Pine, Johnny Depp, Christine Baranski, Tammy Blanchard, Lucy Punch, Daniel Huttlestone, Lilla Crawford, Billy Magnussen, Mackenzie Mauzy, Simon Russel Beale 

Into the Woods is a modern twist on the beloved Brothers Grimm fairy tales in a musical format that follows the classic tales of Cinderella, Little Red Riding Hood, Jack and the Beanstalk, and Rapunzel-all tied together by an original story involving a baker and his wife, their wish to begin a family and their interaction with the witch who has put a curse on them.

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