THE KING OF MARVIN GARDENS (1972)

Directed By: Bob Rafelson
Written By: Jacob Brackman
Story By: Bob Rafelson And Jacob Brackman
Cinematography: Laszlo Kovacs 
Editor: John F. Link II 

Cast: Jack Nicholson, Bruce Dern, Ellen Burstyn, Julia Anne Robinson, Benjamin “Scatman” Crothers, Arnold Williams, John Ryan, Sully Boyar, Josh Mostel 

A daydreamer convinces his radio personality brother to help fund one of his get-rich-quick schemes.


Will admit it took me quite some time to finally sit down and watch this film. Once I did it was probably brought upon by the director of the film. Which is a shame as this is a very powerful film. Not perfect but astonishing fun in what it achieves and also tries to do. 

Stories keep going on with no endings as they lead to another one. Yet never drop what came before. This film isn’t so much plot-oriented as character Oriented and the film allows for each of them to have their own little stories and dramas going along with one another and the narrative. 

Jack Nicholson here playing against type. As here he is more subtle, quiet, and sad as a character. He is the thinker of the two brothers. Even though they are both storytellers. Bruce Dern plays the more loud charismatic one. The problem is that they both tend to believe each other’s stories too much and soon find themselves in over their heads.

The film allows Jack Nicholson to show his range fully. 

Some might find this film slow or maybe even dull, but there are moments when the film comes alive. Though the other moments that are slower, bear more character building and help to build and showcase the characters’ dynamic. As well as illustrate the story. 

The film does offer an unexpected ending. Not much of it or the film is too predictable, at first but seems to like to throw misdirection.

Like Bruce Dern’s character. As none of the characters seems to really want to admit to what is happening or truly talk about it. 

This film is an increasing rarity of acting indulgence and taking chances with professional actors. Where they get to develop a character. As this film is more of a character study with a story to guide them to their fates. 

So that we can see their full emotional spectrum. As well as their true colors by the end. 

As the film is made up of simple moments that are lived in. 

A scheme that seems to be an ideal built of their mutual dreams. A palace or idea that they keep feeding into and want to control. A pipe dream to escape into to break up the monotony they are trying to escape.

Slowly getting seduced against better judgment and dragging two females along who are eye candy and intimates. Dangling sex and partnerships in front of the other brother, but have their own drama going on. So that the situation seems like a cult at times.

Ellen Burstyn’s Character slowly has a mental breakdown. As she realizes she might be being pushed aside for the younger model. 

The illusions drift, as both brothers are natural liars. Storytellers of some sort, one does professionally one does naturally to survive. Though all built on lies. Only one chooses to believe his own until the end. While others around them fall for it almost. As that is how charming and strong their devotion is.

The film is almost a ghost story. As these characters are free yet seem bound to their surrounding which is Atlantic City before it got renovated. So everything looks worn and beat down like the character’s Souls

An added bonus to The film is watching now legendary Actors we are used to seeing older in their younger days here.

Grade: B-

PIECES OF A WOMAN (2020)



Directed By: Kornel Mundruczo
Written By: Kata Weber
Cinematography: Benjamin Loeb
Editor: David Jancso

Cast: Vanessa Kirby, Shia Lebouf, Molly Parker, Ellen Burstyn, Iliza Shlesinger, Benny Safdie, Sarah Snook, Jimmie Fails 

When a young mother’s home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss.


This film has a tour de force lead performance by Vanessa Kirby. We see her in all of her glory and despair. The rest of the cast is great.

The opening third of the movie is intense emotionally and amazingly acted. Then in the second act while we see how each member of the couple deals with grief and the effect it has on those around them. In the background the film has a little courtroom drama brewing.

Then in the third act, we deal with only the aftermath but acceptance, especially of secrets revealed and acts that can’t be taken back. All the whole the film never wants to release the tension. As the film stays a docudrama in every sense of the term that it becomes Cassavetes-Esque in trying to expose raw nerves.

The problem is that it feels that way it feels more set up and more like an acting exercise than what it is trying to be. 

So much so that while you are watching it you can’t help but wonder if this is artistic storytelling it is it more trying hard to get awards. As this is a story that needs to be told, it is one that is told to conjure up an emotional story and conflict. 

Just as one character has an affair and it just so happens to be the other’s, family member. We are introduced to how they met, but it just feels more convenient to the film. Rather than natural. For all the naturalness emotionally the film tries to present. The situations feel more set up and false. Especially In What they are trying to present.

Even as another character seems to have an affair, but doesn’t make a show about it. It gives us enough information that we know what is going on and hints at the reasons why. Without spelling it out for us. Whereas the other is sloppy and we witness not the act and conversations afterwards. Though in each case it more matches the style of the characters. 

As the film doesn’t offer much happiness and joy. Let our characters make their mark or presence felt. Usually through despair.

The film’s piece-de-resistance is the 25 minute unbroken shot of Kirby’s character giving birth.

In the end this film is about painful truths and emotional intensity. That by the end does offer a release.

Grade: B