STRANGE DARLING (2024)

Written & Directed By: J.T. Mollner

Cinematography: Giovanni Ribisi

Editor: Christopher Robin Bell

Cast: Willa Fitzgerald, Kyle Gallner, Ed Beglely Jr., Barbara Hershey, Steven Michael Quezada, Madison Beaty, Bianca A. Santos, Denise Grayson, Sheri Foster

Nothing is what it seems when a twisted one-night stand spirals into a serial killer’s vicious murder spree.


This is a warning this review has spoilers and is best experienced fresh and going in blindly. So this is your warning.

This movie is beautiful and will remind the audience of movies from the 1970’s. As that is the aesthetic, look, and where its heart lies. As the film clearly states in the beginning it was shot on 35mm film. 

This is a film by design. It tells a non-linear story and that is how it unravels. Which works best. As it differs that element of surprises, as well as shocks throughout. 

Some might take away points or call it pretentious because of these reasons. Which would be justified if that was all there was to the film. There is a good story and performance. it’s indebted to a certain style and types of films. It comes through with its own identity. It offers up something original and can tell passion and thought went into it. 

What is noteworthy about the film is how it is put together. it says so much with very little dialogue or just in certain shots.

It has a relatively small cast but feels gripping and bigger than it is. Especially with the vivid shots from cinematographer Giovanni Ribisi (yes the actor).

Kyle Gallner is always great in whatever film he is in. Always feels believable and never over the top. He is in fine form in this film.

Willa Fitzgerald our other lead, will be honest this is the first time one has seen her in anything and she is great in this film. Switching from victim to psycho. Innocent to seducer and plain old crazy, but you believe her in each moment and beat. 

This is a film you watch in observance and amazement then tell your friends all about and want to go with them. So you can see it again but see their reactions to certain scenes and shots and want to discuss with after. 

Even if they don’t admire it as much as you do or at all. You want to see how they digested and dissected it for themselves. In other words a conversation starter 

One of the most memorable and engaging opening shots and scenes in quite some time. Throwing you in the middle but Presented as the beginning. 

Grade: B+

AMSTERDAM (2022)

Written & Directed By: David O. Russell 
Cinematography: Emmanuel Lubezki
Editor: Jay Cassidy 

Cast: Christian Bale, Margot Robbie, John David Washington, Chris Rock, Zoe Saldana, Robert DeNiro, Rami Malek, Michael Shannon, Mike Myers, Timothy Olyphant, Anya Taylor Joy, Alessandro Nivola, Andrea Riseborough, Matthias Schoenaerts, Taylor Swift, Max Perlich, Ed Begley Jr, Colleen Camp 

In the 1930s, three friends witness a murder, are framed for it, and uncover one of the most outrageous plots in American history.


This film had so much promise, an all-star cast, and a period-piece comedy. Somehow it all went so wrong. 

As it is big everything about it is big, but limits the places it can go and at least acknowledges that people have other elements to their lives other than the main plot as a focus. 

Director David O. Russell always likes to keep his films somewhat unpredictable and lovely as the camerawork is usually styled yet fluid and there are so many characters floating around who play important roles. That you never quite know who is going to drop in and out. He seems to like organized chaos so that by the end that is when you really notice the style or the plan. As it comes to light.

He also usually gets actors to play parts in his films as the roles are usually off the wall or quirky enough. That it allows the actors more to play than to necessarily act.

When it comes to this film though everything seems off. Not in his usual way though. As the film wants to say something about modern society and politics. As well as race and class relations to a degree, but also wants to mix in comedic elements that feel slapstick yet the laughs never come and nor the comedy exactly.

Here half the minor roles are played by recognizable actors who you wonder why they are even in the film. Though one of those big names Taylor Swift provides the only noteworthy and truly funny jaw-dropping scene. That someone who is not a fan of hers might enjoy it a little too much. 

It doesn’t help that you have a love story among friends and colleagues. Yet no one has any chemistry and they say the lines so blankly that there is no emotion at all and no real reason to truly care about the characters. Even as the situations get zanier and a conspiracy forms. The film stays steady and slow. Where the only actor who seems like they could be interesting is Christian Bale who seems stranded in this movie. His romance with Zoe Saldana is cute and her character is short-changed. As this is the most appealing she has been on screen in quite some time. As the film seems desperate for his character to have a love story as it keeps shining a light on Washinton.s and Robie.s  

As even the film tries to paint a love triangle but it is more of a love story between the two and he is just close to them. If the film had incorporated more of the triangle of the two characters both in love with the woman or them all in love with one another. That would have kept the dynamic more interesting. 

The characters all seem like they deserve their own film. Even though they aren’t playing passionately. They have backstories that would certainly fit a better film or be better used in one.

By the end, this film is about a conspiracy and is played by a caper. Feels like it was much ado about nothing. By the end, only two characters falling in love is the only true change throughout. So that by the end you feel like you went through an endurance test. A well-meaning one but still a chore 

It’s focused as it wants to be a lot of things all at once. It wants to be angry but also soft. As it is paced at times like a screwball comedy but intended to stick and not just go by. It just feels very unfocused. Yet wants to include a lot of details

Grade: C-

RENAISSANCE MAN (1994)

Renaissance_Man_1994_0

Directed By: Penny Marshall
Written By: Jim Buerstein
Cinematography: Adam Greenberg
Editor: George Bowers & Battle Davis 


Cast: Danny DeVito, Gregory Hines, Stacey Dash, Mark Wahlberg, Kadeem Hardison, Lilo Brancato, Khalil Kain, Ed Begley Jr., James Remar, Richard T. Jones, Cliff Robertson, Ann Cusack, Greg Sporleder, Alanna Ubach, Matt Kessler, Isabella Hoffman 


A down-on-his-luck businessman desperately takes the only job offered – a teacher in the U.S. Army. His mission: keep a ragtag bunch of underachieving misfits from flunking out of basic training! Be on alert as this unlikely new teacher and his underdog class unexpectedly inspire each other to be all they can be!

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