Directed By: Graham Moore Written By: Graham Moore & Jonathan McClain Cinematography: Dick Pope Editor: William Goldenberg
Cast: Mark Rylance, Zoey Deutch, Dylan O’Brien, Johnny Flynn, Simon Russell Beale, Alan Mehdizadeh, Nikki Amuka-Bird
An expert cutter must outwit a dangerous group of mobsters in order to survive a fateful night.
The film makes a nice attempt at trying to breathe life into a throwback gangster tale. The cast is willing to throw their hearts and efforts into it to seem authentic.
The film takes place mainly in one location and is dialogue-heavy. So that it feels more suited for the stage rather than the screen. The constant twists the characters and story take will keep the audience’s interest. The double crosses galore. Which is one of the film’s strengths. As if not for that the film might have been more of a display in dress-up and been somewhat stiff.
What saves the film overall is the performance of the lead Mark Rylance who takes over the role and the film. As he stays focused and is so mesmerizing to behold that you wish the rest of the film was up to his level.
This also leaves the cast just trying to catch up to him In Strength and charisma. Even if sometimes it feels like the younger cast members get lost in their costumes and various period-era accents. That places them more trying in the land of make-believe but good enough to keep the film going
The film is more of a dark tale but never feels like it wallows in it. It is a nice presentation but doesn’t rise to the level overall that various parts of it do. So it feels unbalanced but a pleasant experience.
Director: Michael Cuesta Written By: Stephen Schiff, Michael Finch, Edward Zwick & Marshall Herskovitz Based On The Novel By: Vince Flynn Cinematography: Enrique Chediak Editor: Conrad Buff IV
Cast: Dylan O’Brien, Michael Keaton, Sanna Lathan, Taylor Kitsch, Scott Adkins, Charlotte Vega, David Suchet, Shiva Negar
Twenty three-year-old Mitch lost his parents to a tragic car accident at the age of fourteen, and his girlfriend to a terrorist attack just as they were engaged. Seeking revenge, he is enlisted by CIA Deputy Director Irene Kennedy as a black ops recruit. Kennedy then assigns Cold War veteran Stan Hurley to train Mitch. Together they will later on investigate a wave of apparently random attacks on military and civilian targets. The discovery of a pattern in the violence leads them to a joint mission with a lethal Turkish agent to stop a mysterious operative intent on starting a world war in the Middle East.
Director Michael Cuesta has come along way since his debut films L.I.E. And 12 & HOLDING. He has proved himself to be a journeyman director. As he has come from coming of age independent films to studio dramas and nor a full fledged action film. His first which seems to try to become a franchise but works as a one off also.
The film was being planned for a while as quite a few directors were attached such as Ed Zwick, Antoine Fuqua and Jeffrey Nachmanoff. Just as many actors were either offered or considered for the leading role such as Chris Hemsworth, Colin Ferrell, Matthew Fox and Gerard Butler.
The films action sequences are serviceable. They just seem to be violent more in one on one encounters. As the scenes try to be more intimate in the violence but feel broad. As the film truly wants to show blood and guts. So that it plays more like an 1980’a type action film starring an actor you wouldn’t think of or consider for this type of film. Played by Dylan O’Brien Which is what might make his character easy to underestimate or even suspect.
Equally impressive is knowing what the star Dylan O’Brien went through in real life to make a come back the screen in an action film. With plenty of stunts. After suffering a war fatal accident on another movie that left him hospitalized for quite a while.
The film is a mix of espionage and revenge thriller. No one nor any of the story truly makes too much of an impact as the movie pretty much plays by the numbers.
The film has female characters who are all attractive but really have nothing to besides that. They give one character an action sequence where she loses the battle and Saana Lathan’s character while one of the authority figures is only there to authorize and put plans together.
This film is pure action with little to no sex and seduction. Though the film does involve a gory torture scene that was too much for me.
Taylor Kitsch as the villain unfortunately has no presence his character is vague and never quite makes an impression and feels very non descriptive. Though he does take his shirt off a lot. Which weakens the film as then it feels like a battle of the heartthrobs. The tough sensitive one and the bad boy. Which then makes it seem more intended for teenage girls.
Scott Adkins in a supporting role only seem to be late for scenes meant to show us how tough our lead is going toe to toe, skill to skill with him. Where as if that was what is supposed to be meant. Why not just make him the villain? Then again it seems best to have the heartthrobs against each other in the ends for a more violent tiger beat magazine stand off where only one can survive.
Michael Keaton seem here for star power more than anything. Also to maybe create an iconic mentor for the main character. As he is believable but deserves better. He replaced Bruce Willis who dropped out.
The main character has nothing and no one to tie him down or wonder what happened to him. Which seems more convenient while trying to infuse his characters loneliness and why having someone taken away from him matters so deeply. Though he does live off a inheritance which also seems to be a huge convenience. That seems to give him a Batman type scenario only with taking down terrorist for the government.
Cut To The Chase 