OUTCOME (2026)

Directed By Jonah Hill

Written By: Jonah Hill and Ezra Woods 

Cinematography: Benoit Debie 

Editor: Nick Houy and Nicholas Ramirez 

Cast: Keanu Reeves, Jonah Hill, Cameron Diaz, Matt Bomer, Susan Lucci, Martin Scorsese, Ivy Wolk, David Spade, Kaia Gerber, Drew Barrymore 

Follows Hollywood star Reef as he is forced to confront his problems and atone for his past after being threatened by a bizarre video footage from his past.


Let me start off by saying that this is one of the worst movies I have seen that has been released in 2026 which is surprise and consider considering the level of talent behind it

It’s not often a film lives up to its title so thoroughly. 

I will admit I am a fan of Jonah Hills. He doesn’t bother me as an actor and as a director, he has proven to be talented, surprisingly reaching upwards and showing range,  aspiring when everybody seems to usually write them off one note. As his debut directorial mid 90s was actually a really good film better than most expected one wishes this misfire was his debut so that with mid 90s he would be shown to be getting better instead of the reverse.

This film feels oddly personal or at least based on something he has experienced as it is about a star, searching for meaning and trying to explore what an apology means as we all know Jonah Hill has heard his problems, publicly mentally and emotionally and it feels like he’s trying to explore those feelings or given an explanation with this film

The problem is that this film is so lifeless, dill and even at under 90 minutes such torture to sit through. It still feels too long.

First of all, Jonah Hill gives himself a supporting role where it seems like he’s trying to out act his lead Keanu Reeves, and get all the attention which does work because there’s not much to any of the material here so if he’s loud brash in fact, he’s the only one who brings life into the film and the script other than Martin Scorsese playing someone from Keanu Reeves past

It feels like the script had a bunch of ideas that may be needed to be sharpened and explored as sometimes the film does come across at a good point or a good idea but the way it’s delivered so bad

The direction is lackluster as the film never seems to have any pacing nor do individual seeds. They just seem to lay there and play their without any momentum so they keep coming across flat even when they’re supposed to be hilarious.

Even the locations and filming all seem to be way too lit and look un appealing as everything almost seems like it’s artificial rather than natural and you’re filming in California, which makes the film look small and ugly almost like you wonder if half this film fell in the front of a green screen and filled in later. Especially when having a cinematographer like Benoit Debie. Who is a master when it comes to raw images and can still

Make them breathtaking. 

Keanu Reeves seems half the time embarrassed or uncomfortable in this film and even if it was for a character, we never get to see him actually have fun or be at peace as this is supposed to be a comedy and he’s playing more like a hard bitten drama even when we do see a glimpse of his past where he supposed to be this drug addicted party guy he gives the same delivery.

Also, the big tape that is supposed to be at the heart of the storm that they’re hunting down because it could prove to wreck his career embarrassing. Once we actually see what’s on it. It’s pretty time compared to what it could be or what maybe us in the audience might believe if anything it just shows a vulnerability that might actually discussed a few, but actually endeared him even more.

There are a bunch of celebrities in this movie playing small, smaller roles who just seemed like they’re there, waiting around to get their moment in the sun, and then move on as most of them are only there for a senior or two

Nor do I understand, Cameron Diaz or Matt boomers characters involvement in all this as Reeves best friends. His character already has an assistant, and these two are his best friends. I don’t know if they’re his entourage because neither one of these two seems to have jobs and they’re all about positivity and giving support, but what do they do with most of their day? when he’s actually out there doing things? they seem to be here  more to maybe give commentary, as seemingly his only friends and they are there to give positivity, but they never have dramatic scenes of their own or judgment. 

Not to mention while one loves Cameron Diaz as an actress. Her return to the big screen as of late has been in bad to lackluster films. Here reuniting with Keanu Reeves after starring in the disappointing 1996 crime thriller romantic comedy film STEALING MINNESOTA. Which I for one had great hopes for and had great ideas and characters but no story or anything new or interesting to bring to the table. So here together another disappointment.

Also wonder if it was intentional that his PR team of image makers to help him through what might be an upcoming tragedy are all played by minorities. 

Also strange seeing Joey Lawrence as a kid performing on THE TONIGHT SHOW. Being a Stand-in for Keanu Reeves character as a kid. 

In the end, other than a spare to turn by Martin Scorsese and Jonah Hill’s  Way overacting it seems to try and make a memorable character of himself in a film based on himself, but not playing himself. This film seems very disposable and like a bunch of Apple plus movies seems a reason to get a bunch of big name actors together but not have the material to support them or entertain the audience

This even comes across more disappointing than the usual streaming offerings which it seems perfect for this is not something I could imagine being that great on the big screen.

It’s hard to understand how a film that has so many people I actually enjoy involved came out so terrible.

Grade: F

BAD GIRLS (1994)

Directed by: Jonathan Kaplan
Story By: Albert S. Ruddy, Charles Finch & Gary Frederickson
Written By: Ken Friedman & Yolande Finch
Cinematography: Ralf Bode
Editor: Jane Kurson
Score: Jerry Goldsmith

Cast: Madeline Stowe, Drew Barrymore, Mary Stuart Masterson, Andie Macdowell, Dermot Mulroney James Russo, James Le Gros, Jim Beaver, Robert Loggia, Nick Chinlund

When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O’Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody’s old partner Kid Jarrett takes Cody’s money when his gang robs the bank, and so the four so-called “Honky- Tonk Harlots” set out to recover the money, with the Pinkertons hot on their trail.


This doesn’t feel like the classic westerns of yore. It feels more like a revisionist look at the genre. It feels more like a female-centered thriller with a western motif or like it is trapped in the western genre. That allows for no one to expect anything from these female characters and underestimate them

At every turn. As we watch them overcome the odds of every situation because of it. Show they are just as dangerous and ruthless if not more than the men.

This film is also beautifully shot. It is a western more an ensemble picture that seems more interested in its fashion and seeking to be somewhat cutting edge more than anything else at times.

The film has it’s fair share of history as at one point it was meant to be directed by Tamra Davis (HALF BAKED) who developed it and was subsequently replaced on the film by director Jonathan Kaplan by the studio. Where after a few days of filming the studio didn’t Like what it saw? So they got rid of Actress Cynda Williams who had the leading role. Had a whole new script written and dumped the old screenplay but kept the general idea of a female western tale. They began filming again two weeks later with new production design making the film more colorful and expansive than Originally envisioned. 

Director Jonathan Kaplan does a good job but by replacing the female director it seems the studio also took what was supposed to be the film’s point in the first place by having a female-centric western action film directed by a female for one of the first times with a noted mostly Female cast. Then all of a sudden the female director is brushed aside and replaced for an experienced older white male director. He does a decent job but it feels like a tone-deaf decision. Where the studio wanted to make something more mainstream and commercial and was worried at the time the film would be too female-centric and more about feminism in a genre women aren’t noted to see but men are. 

This might be why the film seems sexier than it needs to be and seems to use Drew Barrymore more or less as pure eye candy. Though one has to also look at the fact women might not be fans of westerns and action films at the time because they were barely represented other then. Damsels in distress, pure innocence, wives, mothers sexual objects, femme Fatales or just evil and old.

The film keeps your interest, nothing awe-inspiring but it is nice to see a film that feels routine try something different when it comes to formula adding a little something new to the typical.

There are some sharp images and beautiful imagery as well as a stylistic approach to the scenes and outfits. 

The characters and setting especially the costumes feel a little too clean and polished but downright orderly. Not to mention the story just feels average more then it should. It just happens to be that the main characters are female. They still mostly depend on men in most of the film. Only get a chance to stand up on their own and for themselves at the end 

It was one of the last times it seems Madeline Stowe plays a leading role. Which is a shame. She was one of my favorite actresses. She has beauty but also always seemed to bring intelligence and dignity to her roles. She always seemed tough and no-nonsense. She was never a pushover or a total damsel. Here she plays the leader of the female gang and tends to dress and have the demeanor of a male desperado.

Again Drew Barrymore plays the sexy one who is the ruthless right-hand woman to Stowe’s character. This was at the height of Barrymore’s popularity.

It’s a shame that this film was only a modest hit at the time and none of the cast really got more lucrative offers or films. Nor did the studio green light more female-centric genre films at the time. One can only guess because though they put a film like this out. It’s to test the wants and to seek to serve what they believe is a niche audience and once it becomes a hit they figure it’s a fluke more an anomaly with not enough evidence to make more films like them. This shocks me as you would figure a studio could corner the market on that type of film before other studios copy the idea. Then once the market is flooded it can be more about quality. If the box office on the films goes down then blame it on the abundance of the product but for then as well as now. If you make something of quality it will find an audience eventually but also there is such a drought if these films that this audience waiting for films like these will flock to it. As it is like water finally coming to them. Representation matters, if it’s decent they will convince others to come while coming back themselves. 

It’s an example of the movie BRIDESMAIDS brought to light. When it comes to female-centered films. Which they will use the excuse of it being an ensemble cast. Yes, the whole cast who all play their roles brilliantly and that you want to see each character and actress have their own movie though there is a clear lead.

The film plays more like an enjoyable crowd-pleasing action film that happens to be a Western. As the film only seems to note a little of what it was like to be a woman surrounded by men in that type of environment and time.

GRADE: C+

BLENDED (2014)

BLENDED

Directed By: Frank Coraci
Written By: Ivan Menchell & Clare Sara
Cinematography: Julio Macat
Editor: Tom Costain 

Cast: Adam Sandler, Drew Barrymore, Bella Thorne, Kevin Nealon, Terry Crews, Wendi Mclendon-Covey, Shaquille O’Neal, Joel McHale, Abdoulaye N’Gom, Jessica Lowe, Braxton Beckham, Emma Fuhrmann, Alyvia Alyn Lind, Allen Covert, Dan Patrick, Tim Herlihy, Alexis Arquette, Lauren Lapkus, Michael Buscemi, Rob Moran, Jonathan Loughran 


After a blind date gone horribly wrong, Jim and Lauren agree they never, ever want to see each other again. Well, that’s all about to change when the two find themselves and their respective families (including children) all stuck together in one suite at an African Safari vacation spot.

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POISON IVY (1992)

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Directed By: Katt Shea
Story By: Melissa Goddard
Written By: Katt Shea &  Andy Ruben
Cinematography By: Phedon Papamichael
Editor: Gina Mittelman 


Cast: Drew Barrymore, Sara Gilbert, Tom Skeritt, Cynthia Gibb

Ivy a sexy teen who lives with her aunt, moves in with a reclusive teen and slowly works her way into the lives of her adopted family. The mother is sickly and can’t sexually satisfy her husband any more, and to the daughter’s horror, Ivy begins seducing her father.

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