Tag: DRAMA

SHITHOUSE (2020)

~ jbg ~ Leave a comment

Written & Directed by: Cooper Riaff Cinematography: Rachel Klein

Editor: Autumn Dea & Cooper Raif

Cast: Cooper Riaff, Dylan Gelula, Amy Landecker, Logan Miller, Juan Wolf, Olivia Welch, Joy Sunday, Abby Quinn

Among thousands of kids trying their best to make college work, Alex feels alone and depressed. Home is 1500 miles away and he’s struggling to find a reason not to go back. Maggie, Alex’s sophomore RA, has been crushing college since day one. Today though, Maggie is dealt an unexpected loss. After a party at Shithouse, Maggie wants some company and finds it in Alex. Two young people raised in very different households, Alex and Maggie challenge each other and grow up together.

This film is Personal but feels universal definitely something those who have experienced going away to college can identify with and about being young and away from. Home and making. Your way in the world alone. I

As well as a film that offers a follow-up to movies where you spend a great night with a person and make a connection. You just can’t help but care about these characters. 

The film moves naturally. Where it deals with being new in a new place and situation trying to relate with strangers when you are naturally shy and introverted. Then once you do meet someone new and make a connection and hook up. The day after Or the aftermath of what happens when someone doesn’t feel the same way or avoids it all Together When you Might feel that it was more then it was to the other oerson

As at times you can be more open to strangers you just met and not have to worry about being judged as much Metaphorically when he decides to finally clean his room. He is cleaning up his life and his problems.

The film is awkward and sincere and speaks in the way only someone that age and still there and knows the territory can. It might be a singular piece of sorts though can definitely be identifiable for those who are lonely at any age only here through the filter of a young male alone at college. The film and the lead are not afraid to humiliate themselves for an honest emotional moment or reveal.

Though shows growth and not one-sided I was hoping maybe that we would see her side more like the first half of this tale the second half her’s. The film kept taking turns that were more unexpected 

Doesn’t make himself necessarily look the coolest. But actually oversensitive and gets the girl in a woody Allen Esque way. Where as he is more emotional and sentimental and her guarded but when she listens to her feelings she actually falls for him but slowly More as a fondness then as a comfort, then romantically

I didn’t want to believe the hype when it came to this film but was totally charmed by this film as maybe I could relate at this age. The fantasy of this dream comes true. As it isn’t a hard-hitting drama but the type of story and characters that an audience can relate to in some kind of way. As either somewhat personal or know somebody like them.

This reminds me of the indies from my youth (the 1990s) where you would hear the heavy buzz about a film and then go to the theater to see it and it feels more like a privilege to see more than anything. Like someone showing you something personal or sharing their journal or art

It’s not the first time or the last we will see a movie like this. it feels all the more genuine done by not someone looking back in nostalgia at it but by a filmmaker who experienced it more recently and trying to tell the tale.

Even if many his age or film students are making films like this one feels the most sincere. Look forward to more films from writer/director/star Cooper Riaff

As it seems as he develops and gets more experiences. So will his films and body of work. 

Grade: A-

THE FAMILY FANG (2016)

~ jbg ~ Leave a comment

Directed By: Jason Bateman 
Written By: David Lindsay-Abaire 
Based On The book By: Kevin Wilson 
Cinematography By: Ken Seng 
Editor: Robert Frazen 

Cast: Jason Bateman, Nicole Kidman, Christopher Walken, Kathryn Hahn, Marin Ireland, Harris Yulin, Josh Pais, Michael Chernus, Danny Burnstein, Steve Barrish, Steve Witting

The first trailer for the film wasn’t released until three weeks before the release date. So the film never really had a chance. Which is strange considering the film’s pedigree.

Whatever I write about this film. It will come off as seeming bitter. As I read the book first and was a big fan of the book. I looked forward to watching this film as, after all, I liked Jason Bateman’s directorial debut BAD WORDS. And since the book was also a dark comedy. I thought it was a match that made sense. The film speeds up the story. Realized that most likely the book’s story would have to be condensed and the dynamics of the story reworked. Not necessarily changing details but leaving less informed turns and losing a certain context hurts the story overall.

It certainly hurt my appreciation of the story presented here. Probably because I read it so recently We would of course expect what you enjoyed being on display. If not in the story then at least in the mood. A film that you would expect more from or certainly handled by a director who had more of a reputation and history with similar material.

I believe I would have enjoyed the film more if I wasn’t so familiar with the material. The films seem smaller-scaled then needed. Shrinking the story to a degree. As it seems to try and be more intimate with the characters to be like a study by not moving the story forward as the book did with so many actions and distractions.

The novel ranked among Time’s “Top Ten Fiction Books of 2011”.

In the translation, it feels like certain layers are lost. The book could have made a great movie. Just. It. This is not this film, unfortunately. As the changes also impact the story. But makes it feel more grounded in reality and not so fantastic in the situations and parts. It never seems to have the impact that it should. As things happen and the film just seems to let them slide off the character’s soldiers. Never taking the time or accepting the consequences. Jason Bateman seems to be playing his usual type of characters. So that it doesn’t seem like much of a stretch. Maybe he wanted it to be easier as he also must direct the film. He plays the role with as many issues or sensitivity as the story provides for his character. His character here is more put together and takes charge. Not as distraught as he should be.

He moves forward as a filmmaker showing more depth and talent. Though I thoroughly enjoyed his first film as a director. Here it seems he is more interested in making a strange story more conventional. Understand he must condense, cut scenes and characters as well as events.

Nicole Kidman seems to wear her character on her sleeves, but she is good in the role of the damaged sister who becomes an actress. She gives a good performance that is more serious and how’s how grounded and good an actress she can be if given the right material. As she comes off less recognizable and less of a star even though she is playing one.

Jason Bateman and Nicole Kidman both have several credits on the project. Bateman is the director, star, and producer of the film, while Kidman brought the rights to the book, served as a producer, and as the leading lady.

This is a project that is obviously very close and personal to both the stars. Who I wonder if they didn’t let their influence and their own visions of what they felt the story was really about and letting them reach a catharsis to challenge themselves. As well as letting it be their own homecoming and look at their careers For instance, it has a reunion of Steve Witting and Jason Bateman. The earlier collaboration was the Television series ‘Valerie’. Thought hey share no scenes together. He also casts Kathryn Hahn in a small role. This is their third time working together including being his romantic interest in his directorial debut. As well as Kidman hiring David Lindsay-Abaire who previously wrote the film RABBIT HOLE which she starred in

Trying to condense an epic story into a confined space that limits it and it’s beauty as well as shortening it’s reach.

The film maintains it’s questioning of art and artists throughout. The argument of life and art and what exactly is art is never answered. Which I believe is intentional to make the audience constantly wonder. As the film seems more nostalgic tinged and twee like a dysfunctional family as quirky more than devastating.

Feelings and emotions are on display as the story seems to be about overcoming your passion. Making reactions of others the real art. Turning it on the audience to make them more the performers. As the film puts an essential mystery in the middle of the film, but as the characters get more clues to try and solve it the film. Doesn’t make it feel urgent at all and seems like it is more of an annoyance than anything else. The film goes for a look of southern gothic.

The film is disappointing, both as a representation of the book and as a film on it’s own. Not a bad film as it has it’s own strengths of note, though the story feels more rushed then it should. It barely takes it’s time before it is off on another lead.

So many details that could have been explored or slowed down instead seem more plot-oriented then necessary. Characters that had a darkness to them to match where the story goes are lightened up. So it feels more upbeat. Though truthfully there is nothing wrong with the film technically.

It’s nice to see the cast is filled with naturalistic looking actors rather than unbelievably good looking stars.

Maybe as the adaptation of the book is written by a playwright. The film ends up feeling more like a play or at least more a theatrical piece than necessary The film lacks the depth of what made the original so magical and a delight to read. As well as softening the ending. Making the film feel too cut and dry. Though it seems like a quirky film that normally would be Oscar bait. That comes across as slight more than anything.

Grade: C

A HIDDEN LIFE (2019)

~ jbg ~ Leave a comment

Written & Directed by: Terrence Malick

Cinematography: Joerg Widmer

Editor: Rehman Nizarali, Joe Gleason & Sebastian Jorsi 

Cast: August Diehl, Maria Simon, Karin Neuhauser, Tobias Moretti, Ulrich Matthias, Matthias Schoenaerts, Bruno Ganz, Michael Nyqvist 

Based on real events, A Hidden Life is the story of an unsung hero, Bl. Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife, Fani, and children that keeps his spirit alive.

This film is a love story of life and family itself. 

One of the reasons this film is so much more enjoyable or ranks  above Terrence Malick’s more recent films is that it is not as abstract. Still visually beautiful but doesn’t rely on things such as narration and voice over to tell It’s Tale. It doesn’t feel like a puzzle to be be solved.

The film is a tragedy but it is a film full of life and excitement. As it slowly dwindles down to hopelessness but in there there is hope and a fulfillment of spirit.

It’s based on a true story and let’s the strength of character be told there. It doesn’t have as much existential and philosophical angst and questions. There is a strong story as well as telling a story based on actual things that happens and offers a look at a historical event. So that it feels stronger and put together like more of his classic films rather then KNIGHT OF CUPS, TREE OF LIFE  and SONG TO SONG story a lesser degree TO THE WONDER. Which felt like Director Malick run amuck with his creativity or his poetry period.

This film might be stronger as it is based on a true story and makes the director stay within certain guidelines. Where he has space can can’t deter too off or too free form. This works in his historical tales and adaptations of novels.

Like most of his films this film feels spiritual above all else. They feel like they are taking you on a journey even when they might not be moving anywhere and pretty much have the characters in their regular day to day activities

He makes films that are much more powerful on the big screen and feels like you can get into the same wavelength if you have no other option and are surrounded giving into it’s will so to speak.  Not letting it do so much of the storytelling. If there is it is in the form of letters bit inner thoughts 

It helps Fill in certain aspects of the story. That might not be that interesting to Show or out on screen. but it shouldn’t Take Over the narrative and do most of the work And allows for the philosophical standing up for one’s beliefs is at the heart of the story. 

When the modern intrudes in the ills classic way of life. How then religion chooses to respect those in power instead of staying by its principles.

It also feels like a film that hits harder and is more relatable in the current political and world climate. 

Grade: B+

THE BAND’S VISIT (2007)

~ jbg ~ Leave a comment

Written & Directed by: Eran Kolirin Cinematography: Shai Goldman

Editor: Arik Leibovitch

Cast: Sasson Gabai, Ronit Elkabatz, Saleh Bakri, Khalifa Najour, Rubi Moskovitz, Uri Gavriel, Hilla Sarjon 

A band comprised of members of the Egyptian police force head to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves lost in the wrong town.

It took me some time to finally watch this movie. Now I am kicking myself for talking so long. As this film is low key magical. That might be best to discover without knowing too much. Even as the title says it all.

The film sneaks up on you the more you spend time with the film and it’s characters. The more depth you realize and feel underneath all the layers That you are charmed. 

Yet the film is filled with a quiet dignity and sadness. That maintains a distance yet leaves itself at times to be vulnerable.

One of the characters realizes who they want to be but also realizes that he is set in his sadness and no matter how he tries he will never be brought out of it. So he focuses on career as that is all he has to the point of obsession and when he is partly separated. He can see what he is missing and is overcome by the kindness shown when he has not been. 

The woman who tries to help them on his travels and takes an interest in him particularly is the first person he has opened up to. As she seems bored in her day to day and him or at least breaking him might be the first amount of excitement she has had In a while. Even as she is more outgoing and extroverted.

The leader of the band refuses her advances and tries to set up a younger Many to carry out the passion he can’t for her physically.

This film hits you like an alcoholic drink that is caffeinated. Throws you off balance but you can’t help but pay attention.

The film takes it’s time as each of the members of the band goes on a visit and has their own little adventure. That would seem more like footnotes In most film, But all add up to a grand experience 

The film stays quirky yet always seems dipped in sadness. As most characters seem longing for something and that leading to them being stilted emotionally.

Used to a certain Comfort yet longing for more even if just a simple gesture. 

Like the music itself, the film has it’s own rhythm and it’s own beats that makes the film not only visually lyrical. It’s a masterpiece of it’s own. Especially as what seems to be said and done with so little. 

Grade: A

OFFSIDE (2006)

~ jbg ~ Leave a comment

Directed & Edited By: Jafar Panahi
Written By: Jafar Panahi & Shadmehr Restin
Cinematography By: Yuval Berazani & Korosh Bozorgpour

Cast: Sima Mobarak-Shahi, Shayesteh Ireni, Ayda Sadeqi, Golanz Parmani, Mahnaz Zabini

 “Offside” is about a group of Iranian girls who attempts to enter Tehran’s Azadi Stadium dressed as boys in order to watch a big football match but some get caught and arrested. After the establishment of the Islamic Republic in Iran, women are not allowed to enter the stadiums. 

The women here are not very convincing dressed up as men, Some could pass. Here we follow a first-timer tries and is caught and detained with other women. We get to see their passion for the sport. The camaraderie that develops between them. The hypocrisy involved in this law prohibiting women. Which even some of the men attending the game see as stupid or don’t really care.

It’s rare the movie that can involve social commentary and still be a light-hearted comedy, But this movie succeeds and scores.

This film involves characters you grow to love and are astonished at their rebellious nature. For what can be a trivial pastime but they are willing to lay it all on the line for football or what we in America would call soccer. The beauty of this film is that even though it’s a dramedy. It feels more like a documentary due to the realness. The camera work and the fact that it was filmed during an actual world cup qualifying match.

There is nothing outrageous it is more the comedy that comes from real-life situations. I like the fact that the film doesn’t make anyone out to be evil or a villain. Even the guards who are there to reinforce the rules are three-dimensional characters. Not one-dimensional zealots, that you see a lot of times in a lot of other movies.

This is definitely a must-see. It’s not propaganda or a political film drowned in messages and symbolism. In fact if not for the politics involved this could be a nice breezy comedy. I mean it is rated PG after all.

An Addition to the home library.

GRADE: A

THE FITS (2016)

~ jbg ~ Leave a comment

Directed By: Anna Rose Holmer 
Story By: Saela Davis, Anna Rose Holmer & Lisa Kjerulff 
Cinematography By: Paul Yee 
Editor: Saela Davis 

Cast: Royalty Hightower, Alexis Neblett, Makyla Burnam, Da’Sean Minor, Lauren Gibson

The Fits is a psychological portrait of 11-year-old Toni-a tomboy assimilating to a tight-knit dance team in Cincinnati’s West End. Enamored by the power and confidence of this strong community of girls, Toni eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. When a mysterious outbreak of fainting spells plagues the team, Toni’s desire for acceptance is twisted.

The opening images and scene immediately grabs our attention. It isn’t necessarily involve what the film is is about at first but the character is introduced to the audience in that way and she stays with us throughout.

This production of this film was entirely funded through grants.

The entire cast was given the opportunity to add, delete, or change dialogue in the script.

This one of those confusing films, that is cerebral and very open To interpretation while being relateable. The film never offers a clear definition which might keep some people from truly appreciating this film.

As the film Goes along it always grabs the audience’s attention as we are never quite sure what to expect.

The director definitely has a style that makes all of the framing and camerawork seem perfect revealing and planned out.

As the film has minimal dialogue and instead tells the story through action and defines the characters more from Moments and usually from reactions and body language of the actors. Which is no small feat considering most of the cast is made up of teenagers and children. The few adult characters are usually never given a close-up or really In focus so like they might be for children they are so defined in their roles that to children who are still children and growing and have the possibilities to change they are out of focus for them. As children focus on so many things. The cast is made up of Non-professional newcomers which gives the film a raw edge

This movie stars a real drill team and was filmed in Cincinnati, Ohio. They were given part Ownership of the film

Each of the “fits” were choreographed separately, and performed in front of the cast for the first time on the day of shooting.

What really is noteworthy is that the film has a haunting feel about it. It can at times come off as scary though remains a mystery throughout. Never quite clearly defined, yet we in the audience can be ok with that. As it still manages to tell a story.

The title rightly is what describes the phenomena that goes on with these girls as they are slowly stricken with what seems like seizures, but while scary st first come to embrace as soon it also seems like a rite of passage for the group. As noticeably none of the boys are victims of this. As the film shows our main character coming into her femininity as earlier we see her surrounded by her brother and his male friends at the boxing gym. This film could easily be a metaphor for girls turning into women and beginning their menstrual cycle. As it does require a physical change that can be quite scary and dramatic. Then after you might feel different more adult and look at those around you who haven’t experienced it as outsider, not as mature still children. Which would explain the characters sudden feelings of exclusion after slowly bonding with the group and after some got through the change she is given the cold shoulder.

Just as the characters develop their roles here and are going through a mysterious change. We see Toni’s character played by Royalty Hightower develop in her dancing skills as at first she is horrible but throughout finally begins to get her footing.

Though the film deals with the subject in a vivid way visually. It also feels kind of clinical as there are emotions involved yet the film never had a warmness. For a coming of age story it is a revelation as usually most films of the genre go for nostalgia or some kind of warmth and sweetness somewhere in the story or are hair a series of calamities and here it presents something identifiable as well as mysterious. Though still making us care about the characters.

The ending is mysterious as it can be interpreted in many different ways

The film offers shots of reality and the beauty of everyday shape the world around the lead. This is her normal but the directors still manage to make it seem new and mysterious. Like we are traveling a land we have never been accustomed to. Though also manage to make it seem otherworldly, mysterious and magical.  Which is a feat in of itself. As the movie moves along. You are always questioning as these seizures come along and surprise the characters and audience. This throws us off as to what might happen or can happen in a moments notice. Never scary but keeps things fascinating

SPOILERS

As I am not quite sure once she is supposedly struck with her seizure of it was real or was she faking it to fit in. As it seems like she is having visions of a perfect future and fitting in and floating, but her fit is remarkably different then the others as hers is more a dance. Where as the other girls always seems looks they were in the middle of a dance when struck and then a full on seizure like they were possessed. So the ending is kind of ambiguous.

SPOILERS END

The film is thought provoking and strangely short. Which is only a relief as since the films rests on only this plot thread there are only so many places to go before the film becomes repetitive and dull. As it already feels like a stretch to a degree at times.

Grade: B+

DEMOLITION (2016)

~ jbg ~ Leave a comment

Directed By: Jean Marc-Vallee
Written By: Bryan Sipe
Cinematography By: Yves Balenger
Editor: Jay M.Glen

Cast: Jake Gyllenhaal, Naomi Watts, Chris Cooper, Judah Lewis, Polly Draper, Debra Monk, Heather Lind 

A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.

The screenplay for this film was featured in the 2007 Blacklist; a list of the “most liked” unmade scripts of the year.

This is one of those almost movies. That feels like it is almost o to something but seems to get lost before it can say ultimately what it wants to or before actually saying something profound.

The film stays off-center yet always pretty in its presentations the films end up feeling too designed like the products he dismantled to see how they work. Which the film tries to work in the same way. But seems too on the nose to be quirky and accepting as it seems to want to be offbeat.

A character study where the protagonist tries to find himself and ends up attracting other so-called misfits fighting to find and be themselves. While also trying to be seen as normal and fit in. Though really questioning what that is.

It is basically the main character having to dismantle and destroy his life to rebuild and start again. Which is why his character seeks to take things apart and study them. To see how they work and how they function.

The film is meant to be more of a character study which it achieves and as usual unfortunately also introduces characters more interesting than the lead. Who get scenes of depth and drama, but ultimately seem more like ornaments meant to distract and beautify the film add some flavor, but never really get to shine themselves.

Which is becoming more common in director Jean Marc-Vallee oveure of films. Presenting a kind of reality that always comes with some quirk or bigger than life or life-affirming meaning that seems more magnified than normal. Her he seems to go through realistic characters take on life and challenges as we watch to see their journey through it to the other side. More like emotional action movies with a sharp eye for visuals

It feels more a film about trying to win awards. Though there is some heart in here and tries to say something about the human condition. More about finding yourself. Here it seems like the character was already on that path. Only a tragedy happened that really opened his eyes and lead him to it.

The film feels transparent. It speaks to the audience as the film asks how are you supposed to react to tragedy? Is it disrespectful if in your reaction you aren’t emotional enough or know how exactly to feel? It’s not exactly Always textbook. As we are all individuals. So it Aldo’s how do you feel when what came before was almost on autopilot of what was expected but. Ever felt fulfilling, deserving so that it was almost a lie.

It feels like a film as all of the things that happen seem more announced. I can go with the suspension of disbelief, but when made so obvious it is hard.

This is a feel-good film, yet it becomes what it seems to want to avoid by becoming overbearing after a while.

Jake Gyllenhaal’s detached performance is what will win you over. As he is at total opposites at times but he keeps the film spirited and lively. Where he not only becomes the center of attention, but the most entertaining aspect of the film.

What is at least original is that the film doesn’t paint the main character as some kind of saint or hero. He freely admits his faults and the bad things in the past. It doesn’t praise his wife but makes them look more like a human coup going through the motions of a relationship and never really talking about their problems or dealing with them before this accident happens.

I wish the same could be said of Naomi watts character who is interesting. As her problems are laid bare, but her wrong decisions make her at least interesting when it comes to her character’s psychology. Even as we are used to Naomi watts playing these complicated characters. The character is there but the performance never quite catches on as it feels too plain when it might be better to showcase more of her at war with herself. Here her character keeps it maintained maybe due to her pot smoking. Which might regulate those feelings.

As his late wife throughout the movie haunts him and the other characters but we learn little about her though by the end she becomes more real for us in the audience to get more of a sense of her and not exactly the saint she has been made to be at the beginning. Just that something bad happened to her that she didn’t deserve. As with most of the characters. She was just trying to figure things out and all the people who believe they have it all figured out have comfort but aren’t necessarily being truthful to themselves or are rather simple The other aspect of the film that is eye-catching is the more modern designed clothing and appliances. That comes off shiny and smooth and provide the perfect facade, before revealing their grungy and dirty insides once explored.

Other Than the tragedy the film easily comes off as more middle-aged wish fulfillment than anything else.

Though the film does manage to win you over at certain points and feels personal to a degree when it’s supposed to.

GRADE: B-

THE KING OF STATEN ISLAND (2020)

~ jbg ~ Leave a comment

Directed By: Judd Apatow

Written By: Judd Apatow, Pete Davidson & Dave Sirus

Cinematography: Robert Elswit

Editor: Jay Cassidy, William Kerr & Brian Olds

Cast: Pete Davidson, Bill Burr, Marisa Tomei, Steve Buscemi, Bel Powley, Moises Arias, Carly Aquilino, Maude Apatow, Kevin Corrigan, Pamela Adlon, Rich Vos, Keith Robinson, Jimmy Tatro, Dominick Lombardozzi, Colson Baker, Ricky Velez, Lou Wilson

Scott has been a case of arrested development since his firefighter dad died. He spends his days smoking weed and dreaming of being a tattoo artist until events force him to grapple with his grief and take his first steps forward in life.

This is not Writer/Director Judd Apatow’s worst or most disappointing movie, but disappointing to a certain degree.

Saw the somewhat similar BIG TIME ADOLESCENCE where Pete Davidson played a similar aimless character who seems stuck in arrested development and mental illness. That film had a more straight to the point story whereas this seems to be comfortable in the moments. Wherever they go. Which is great for the performers, for the audience it can go either way. Which might be why this film isn’t as good as I had hoped as it feels a little familiar.

One of Judd Apatow’s talent is always getting comedic actors who he wants to work with to kind of write their own stories and movies that are a bit autobiographical and then they can try to tie it to a more central plot-oriented conceit. Allowing them to bring out the talents and charm of the actors. As well as make it feel more real as it is partly based in the leads life. This helping to bring out the best in them and showcase their talents. Usually giving them more depth and heart then they have ever been allowed before. 

He has become so good at mixing comedy and drama he feels like a modern-day James L. Brooks. Strangely Judd Apatow movies are also always reminiscent of John Cassavettes films. As he always wants to cut to the truth of the scenes and characters. Where he also let’s then scenes flow freely from comedy to devastating drama. This usually works when his films are further away from formula. 

It also helps that the characters in these movies might be more comedic and therefore humor but they also feel loved in more than just actorly in performance. 

This is one of the few films he has made that is less high concept. Usually there is a concept and users the comedians personality, charm and instincts to make it more of a character piece.

The film is big yet the main character is aimless. Things happen throughout making the film more eventful but leaving the film still kind of formless. Even with a skeleton underneath. As the film is too long. 

Pete Davidson is pretty much playing a less successful version of himself or his public persona. He is a charming knucklehead who seems charming and fun. Yet has presence and you would be friends with. It never totally understands. 

The cast gives it all but feels like a pilot. As it seems to set up a lot but never quite pull the trigger. so that there seems to be more room for development amongst the characters. 

The film offers comedian Bill Burr a great role close to the leading man and he is excellent in the role.

One wishes Pamela Adlon was in the film more and had more to do. The same with Marisa Tomei. As the film comes off more like a boy’s club. It’s the same fate As well for bel Powley as she is funny and sexy in her role. As a sometimes love interest who gets tired of being used and taken for granted.

The film doesn’t seem to know where it wants to go. As it leads us to various places. Sometimes it stays around, but often makes a pit stop and then moves forward going along and not really looking back too much and it doesn’t really have an ending. An Especially  satisfying one 

Once a plot does rear its head. The film stays with it then takes a turn to allow for some more wandering. Which leaves the film entertaining but makes it feel endless. 

The film leaves a lot of plates spinning. Where some characters appear and then disappear. Which works as it shows once away from the lead their influence is on existent. Their lack of importance to the main character is that small of an important overall to the Film and they almost come off as forgotten by the end. 

Grade: C

YES, GOD, YES (2020)

~ jbg ~ Leave a comment

Written & Directed By: Karen Maine
Cinematography: Todd Antonio Somodevilla
Editor: Jennifer Lee

Cast: Natalia Dyer, Timothy Simons, Donna Lynne Champlin, Wolfgang Novogratz, Alisha Boe, Francesca Reale, Susan Blackwell, Parker Wierling

After an innocent AOL chat turns racy, a Catholic teenager in the early 00s discovers masturbating and struggles to suppress her new urges in the face of eternal damnation.

A star vehicle of sorts for actress Natalia Dyer of the television show STRANGER THINGS. That seems a little controversial but by the end might be shocked at how human and tame it ends up being.

The film is short but makes it presence filled just enough.

This presents itself as a kind of teen comedy about sex or at least puberty and feelings of sexuality and masturbation in particular. 

Though the film is small scale and feels a lot more Personal. As it presents a bunch of different problems for the characters but doesn’t offer all the answers. As the ones it does provide can be seen as right or wrong depending on the individual.

It takes it’s time but doesn’t offer much in the form of energy. As it plays more dramatic at times and has it’s own moments to ponder and take into account what has just happened.

Not a typical teen coming of age comedy. As the characters have a Hypocritical nature but you can understand the characters somewhat and see that they mean well 

What is honorable about the film is that not every character is good or evil. They are not right or wrong. They go with what they believe is the truth even if not living by those rules.

They live by what they believe is best for all. They aren’t doing it to be cruel just to help in their own way. 

The characters are allowed to be flawed and not totally good or evil. Though some might be more annoying and some just don’t know any better. Even the ones who are going to have it all together and know what they are talking about and strong, in the beginning, prove to be weak by the end. 

Finally what works is that even though some of the events come off as cynical throughout the film like it’s lead character never seems to go that route. They have faith and belief that they stick to despite it all throughout and by the end have their own kind of acceptance.

Grade: C+

PATTI CAKE$ (2017)

~ jbg ~ Leave a comment

Written & Directed By: Geremy Jasper
Cinematography By: Federico Cesca
Editor: Brad Turner
Music By: Geremy Jasper & Jason Binnick

Cast: Danielle Macdonald, Bridget Everett, Cathy Moriarty, Siddharth Dhananjay, Mamoudou Athie, MC Lyte


PATTI CAKE$ is centered on aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, who is fighting an unlikely quest for glory in her downtrodden hometown in New Jersey.

I remember in the past where a movie like this that was a hit at Sundance and had a strong word of mouth from critics would do respectable business after being gobbled up by an independent studio and be well placed. As well as given a lot of exposure and publicity.

This film just seems to be put out at random to little and no fanfare. Not even playing in the usual art houses (at least as far as New York goes)

It’s a shame as this movie is a strong crowd-pleaser. That has heavy mainstream appeal. That I am shocked it wasn’t promoted more. As it doesn’t seem to be a hard sell as some independent films of its ilk might be.

The film is predictable and plays like 8 MILE only a little lighter in theme and not quite as serious. Though it does have a white female who dreams of being a rapper.

What the film does right is that it fills the film with reality but also adds in the absurdities that even when down and depressing it adds humor and a lightness of mood.

The characters are all outcasts in their own way. Especially from what is expected of them. With a positive comedic middle eastern hype man. Who works for a pharmacy by day and is a weed smoker. A producer who is a black goth and musician. The main character is an overweight bartender rapper on the search for a permanent job. To help pay the bills at home as well as help pay the medical bills for her grandmother (played by an unrecognizable Cathy Moriarty) meanwhile having to deal with a mother who was a wannabe singer and is now a lush who sings at karaoke and slides up to any man who treats her nicely.

So as you can see the cast is diverse and plays to a wide audience. Mainly anyone who feels different or ostracized. That makes the film kind of empowering.

You know where the film will end up and that victory of some kind is inevitable. Though the film has something to say about struggle, artistry, and talent.

The filmmaking isn’t awe-inspiring but it is solid. Watching the journey is fun if at times rough. But the film is rough around the edges but always has a sweetness. Even when the film chooses to be cruel or bitter to the characters at times.

The ensemble is strong, though it is rounded by a good performance by Bridget Everett as her alcoholic mother. Who is convinced sex appeal always works. Watching her here especially if you ever get to see her one-woman cabaret show is a marvel. As is the performance by the lead actress Danielle Macdonald who is actually Australian but gives off a flawless jersey accent. She had to learn to rap and master the New Jersey accent for her role. Though the writer-director wrote all the rap lyrics

The films cast being so diverse adds to the eclectic quality of the movie and its soundtrack. As well as acknowledging that most communities in society intersect.

The film does bring up race in a few scenes and even explores how real she is or isn’t in a scene with her idol a legendary hip hop record producer who tells her about realness and commodification of a race and it’s culture. So these films at least go there and acknowledge it.

The question of cultural appropriation does come up. More as an accusation from a person of color tho at first was an inspiration then drawn more to represent a villain or at least an adversary. Now by putting that opinion into a character who ends up representing bad is already bias especially when This film is written and directed by a caucasian. Making it even more questionable by kind of dismissing the idea and even more villainizibg The person go color for stating it.

The film already makes one question that invisibly this is a story about overcoming fear and following your dream a kind of rags to riches story that covers an overweight white girl and making herself feel good and overcoming her problems but the question remains would an audience or even critics like it feel the same way if the film was about an overweight African American female or would it be seen as familiar or typical. Would there be an interest or audience?

This is a film definitely worth your time. Though it will seem a bit familiar. Just as it is following a trend I am a fan of and hope to see more of, having more coming of age, uplifting stories about women and not being about romantic relationships. More films about empowering themselves and following their dreams with very little sex involved. Not tom mention a great soundtrack

Grade: B-