ENTER LAUGHING (1969)

Directed By: Carl Reiner 

Written By: Carl Reiner and Joseph Stein

Based on the Novel by: Carl Reiner

Based on the play By: Joseph Stein 

Cinematography: Joseph Biroc

Editor: Charles Nelson 

Cast: Reni Santoni, Elaine May, Jose Ferrer, Shirley Winters, Janet Margolin, Jack Gilford, Michael J. Pollard, Rob Reiner, Don Rickles, Nancy Kovack, David Opatoshu 

A young would-be actor seeks his first break.


This is the directorial debut of Carl Reiner after a long career intelligence. Based upon the play of the same name, this is a coming-of-age story that has screwball comedic elements at times but mostly stays on that fine line of comedy and trauma, though a little more lighthearted

Watching it under a modern lens, it feels a little flat, but it constantly has jokes a mile a minute and the film does have highlights. It’s quite a production.

It has a strong cast. Elaine May is sexy and hilarious one of the bigger and more memorable roles that she has played where she’s usually hilarious but this is one of a few times where she has truly lit up the screen and been sexy, sensual, goofy, and nice. A lead actress in the play hires the kid because she is attracted to him even though she knows he’s a horrible actor, she has a soft spot for him.

The lead is played by Renni Santoni, these days a well-known character actor, but then just starting out, and while he does look a little long in the tooth for the main role, who is supposed to be someone just out of high school he role out in the best of ways.

Don Rickles steals his brief scenes as he is fun and full of spirit not necessarily insulting as much as anything man does it is believable.

Jose Ferrer is also a stand-out as he is yet can be funny and is just a master of the dead. This is one of the first of his where one truly remembers him and he truly stands out.

The film leaves a long build-up that is worth it as the second half is where the film comes alive in the play that it builds up to that the characters performing in is a hilarious comedy of errors. 

It reminds one of the movies, We used to see on the cable channel Flix, which showed films from yesterday that weren’t necessarily well-known cinematic classics but are actually hidden gems that you can appreciate watching now.

In the end, the film is kind of sacred, and might find it corny or too safe humor and it’s not as funny as expected, especially with all the talent involved, but it is enjoyable and has a sweetness to it.

Though at heart contains that wild spirit of youth to make your future. Only having at times to come back down to earth when it comes to responsibilities. However, that doesn’t mean it won’t be a meaningful ride. 

Grade: C+

CASINO (1995)

Directed by: Martin Scorsese
Written By: Nicholas Pileggi & Martin Scorsese
Based on the Book “Casino” By: Nicholas Pileggi
Cinematography: Robert Richardson 
Editor: Thelma Schoonmaker 

Cast: Robert DeNiro, Joe Pesci, Sharon Stone, James Woods, Frank Vincent, Don Rickles, Alan King, Kevin Pollak, Pasquale Cajano, Richard Riehle, L.Q. Jones, John Bloom, Dick Smothers, Vinny Vella, Melissa Prophet, Bill Allison, Steve Allen, Jayne Meadows, Frankie Avalon, Jerry Vale, 

A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast-living and fast-loving socialite.


This movie is a grand opera. Though its stage seems grand, you can tell at heart it has a central story that is a drama. That concerns a core small group but their actions affect way too many for it to barely be noticed. It charts everyone’s downfall. As really the film is a tragedy.

It feels like it might pack too much into the story and take as it tries to be partially a history lesson. As well as tell a story to these particular characters and how their Affairs and behavior brought down or exposed the mafia in Las Vegas. 

Now while this film is epic and told In Quite the same way what makes it so strong and magical is how much in the small details everything feels right and paid close attention to. It might not be as satisfying a gangster film as his previous film GOODFELLAS, but this is more a tale of greed and corruption that happens to have gangsters in it.

Everything presented here is over the top, even the cast. Which is peppered with Las Vegas entertainers in various roles. As well as big names sprinkled throughout. 

The film stays true to the true story being told but also has many subplots that might seem like distractions at first but eventually come together to show that these minute seeming trivialities are what makes everything come together to a clash eventually. 

Sharon Stone has never been better than Playing ginger. The hustler wife to Robert DeNiro’s casino runner. At first idealistic beauty and then is slowly addicted to alcohol and drugs who proves to be a bad bet for him. Who has always been a winner and picked them and as soon as he gets involved with her. Slowly things begin to crumble due to excess and ego.

It has been a little too familiar for Joe Pesci playing a likable killer sociopath again who is as funny as he is scary. Even though a different temperament and Robert DeNiro is quieter and less violent a character but more know it. Whose ego is his worst problem.

While this film Shows how Las Vegas and the mob rules Las Vegas with an iron fist. So that the house always won. It also shows how things have changed over time and how drugs and morals began to affect everything. Went so far as to include an ending where at the time they show how my body Vegas has changed and that the time they ruled was the end of an era. Even if corrupt how much fun it was or could be.

This film is certainly a grand vision painted with a paintbrush of all colors. As cinematographer Robert Richardson seems to go all out with lenses, filters, scopes to emphasize how crazy and exact things were at the time. At that point usually worked for director Oliver Stone. This was his first collaboration with Martin Scorsese and it seems a match made it. Heaven especially with this tale.

Though for as big as the film is it couldn’t be told any other way. Even when it tries to stay on certain stories and characters it can’t help but give the audience the whole picture so that they can understand exactly what all went into actions and decisions. Even throughout the film the narration changes to certain characters, even minor ones to help explain situations.

The soundtrack almost runs over each other in the changing scenes, moods, and tones. Though always seem to be playing the right song and cue 

While not exactly a masterpiece this is a big picture. That is hard to describe but it has all the elements that are needed for a soap opera only here treated more seriously. Filled with flawed and shady characters where the only close to innocent ones are just less shady than others.

The film tries to show that not all that glitters is gold and even if you try and gold plate it the tarnish is never quite fixed.

GRADE: B