CANNERY ROW (1982)

Written & Directed By: David S. Ward
Based on the novels “Cannery Row” and “Sweet Thursday” By: John Steinbeck
Cinematography: Sven Nykvist
Editor: David Bretherton 

Cast: Nick Nolte, Debra Winger, M. Emmet Walsh, Audra Lindley, Frank McRae, James Keane, Kathleen Doyle, Art LaFleur, John Huston 

A depressed section of Monterey, California, known as Cannery Row from its string of now-empty canning plants is the backdrop for an offbeat romantic comedy about a pair of mismatched lovers. Doc is a lonely marine biologist (and former baseball star) who supplies specimens for science labs and classrooms. Suzy is a scrappy drifter who can’t even succeed as a prostitute because of her abrasive manner. When the two get together, it’s fireworks, though not the romantic kind. Not to worry, everything is in the hands of Cannery Row’s resident guardian angels, Mack and the boys, a band of drunken derelicts whose hearts are in the right place, even though their brains are not.


The film is atmospheric and feels enriched in culture but like John Steinbeck’s writing, it is based. It feels dull yet full of depth. It is a particular slice of life. 

The film has certain scenes that are full of charm and feel inventive. As well as a romance that feels like it takes place in real-time.

The character feels full and lived in and not necessarily caricatures. Where you could actually set stories around them individually. Which the film tries to do by giving them each time to shine. 

Debra winger comes off as charming. Especially as we learn more about her as the film goes along.

The film offers itself up more as a slice of life that feels like not too much happens. Thought the film will have A scene that will wake you up and then go back to being mundane. As the film in exchange for feeling lived in, never decides what or where it wants to go or to be.

Frank McRae plays another stereotypical mentally simple role but is meant to be more the lovable giant. This might be one of the first times he played the type. Before moving on to angry police captains in other films. 

The film feels like POPEYE the movie spin-off with a whole new set of characters but leftover similar sets.

As the film feels episodic. The film feels like a set of short stories coming Together to tie together the ensemble and focus on friendships and relationships.

Each character is lived in and feels like they have more to offer. As the film has scenes of absolute slapstick ingenuity and a hard-won romance.

One can see why the film might not have been a success, but also easily can be seen as a product of a bygone era. Even as the time period shows this more as a character-heavy periodic, episodic, and ensemble finding the story, character and themes 

This film works like that invention from the beginning of PEE WEE’S BIG ADVENTURE. Where we see the invention and its mechanics, the nuts and bolts of it all, and are amazed at its assembly d how it works as it seems to put in a lot of synchronization for it all to work at certain intervals. 

Even entertaining to watch themselves until finally at the end. All of that for something so simple. Where the mechanics are more interesting or captivating than the act. A lot of work for something basic, that is how this film feels. 

GRADE: C+

KAJILLIONAIRE (2020)

Written & Directed By: Miranda July
Cinematography: Sebastian Wintero
Editor: Jennifer Vecchiarello

Cast: Evan Rachel Wood, Richard Jenkins, Debra Winger, Gina Rodriguez, Da’Vine Joy Randolph, Kim Estes, Patricia Belcher 

A woman’s life is turned upside down when her criminal parents invite an outsider to join them on a major heist they’re planning.


This film is another winner for writer/director Miranda July that is unique and artistic. Where the details are both grand yet universal and direct. Her best film since her debut ME YOU AND EVERYONE WE KNOW. The first one she doesn’t star in also.

This is a Coming of age movie of sorts. As the lead character is clearly a victim of arrested development. This film is about Teaching and learning lessons. Not so much through traditional means. As truly there is nothing traditional about this movie. 

For the lead character, there is so much to learn even though she is an expert at conning. Just as once they gain a new member to their crew. The parents are kind of updated a little to the ways of the world and technology.

We can see early on that she lacks feeling and nurturing when even when getting a massage and the person not really touching her it makes her emotional and feels like too much pressure 

Her parents raised her in their own values and her striving to be independent and her own person. Though doesn’t know she needs it until she is put out or more put to the back of her parent’s concerns once a new person joins the gang.

Once a new person is introduced it becomes like siblings at first. she is jealous of the new addition who is used to in her own way getting whatever she wants as men always coming onto her. She sees joining this crew as a new adventure and getting back at the world. Though she more meets the criteria of a femme fatale. She brings in more victims who are more trusting of her looks and nature.

The movie despite all of this strangeness and con games Still has a love story buried within it. Family love and romantic love.

The parents no matter what always offer a surprise and twist on whatever commThey are going for but everything must be done as a group exercise. Even when it comes to seduction and maybe having an affair 

Evan Rachel wood gives an outstanding performance here and she is all in. Fully immersed and injected. As she plays a character who is always awkward, even in her own skin, and has had to play so many roles. She never really knows who she is. 

Gina Rodriguez gives a vulnerable performance that is sexy Fatale and innocent who catches on quick so that once she realizes she is In Over her head she worries if she is getting conned herself.

The scene at the gas station is a new awakening for her to be free amongst people not in a role and on her own. She doesn’t have to worry about messing up and failing. Though it also shows that she has a lot to learn about the real world and its rules and boundaries.

That scene also is infectious as it leads her to see things in a new light and enjoy freedoms that so many of us take for granted. So seeing that joy also reminds the audience of how precious, unpredictable, and fun life can be.

Even the ending is kind of bittersweet. As one last act front he parents seem like a graduation gift of sorts. Leaving her to be free but still trust little 

Grade: B+