THE FROZEN GROUND (2013)

Written & Directed By: Scott Walker 
Cinematography By: Patrick Murguia 
Editor: Sarah Boyd 

Cast: Nicolas Cage, John Cusack, Vanessa Hudgens, Dean Norris, Gia Mantegna, Brad William Henke, Curtis Jackson, Kevin Dunn, Radha Mitchell, Jodi Lyn O’Keefe


Alaska Trooper Jack Holcombe believes Robert Hansen is a serial killer who abducts young girls, tortures and sexually assaults them, then kills them. But Holcombe doesn’t have enough evidence to get a search warrant for Hansen’s premises. Holcombe knows that one victim, Cyndy Paulsen, somehow survived, so he decides to seek her help, but he finds that she’s now a junkie with trust issues. Holcombe has to earn her trust; meanwhile, Hansen is still hunting and killing girls.

The film luckily offers not as many Nicolas cage cliche freakouts as he plays his role here more straight and narrow.

John Cusack is the surprise here even though He plays it straight which might turn a typical audience away from the film as it isn’t going to have the payoff that is expected. He doesn’t really get to shine until the last act of the film. Before it is purely facial and physical. That makes you wonder if he is just a face to inhabit the Villain.

We follow not only the detective, but the killer a little less would have been nice to see the killer’s day-to-day life and see if it particularly tortures him like an addiction or if he had any questions about his actions.

We also follow the survivor played by Vanessa Hudgens as she tries to go on With her life with plenty of bumps along the way as the case isn’t publicized and she isn’t some celebrated victim or even protected. In fact, as she was previously a prostitute no one really takes her too seriously, and now has to go back to a dangerous lifestyle that got her nearly killed in the first place. She gives it her all, again might have been nice to see her try and go straight it get a better life. It’s strange but telling of the film’s quality and the changing face of distribution that while the film has a high caliber cast and director of today and not so long ago this film never made it to theaters and instead premiered on direct to DVD/streaming.

Though it’s off-putting funny when she begins to talk street-tough all of a sudden with a pimp. But at least she gives it an honest try and does not go into cliche. Though the bonding of the characters would have been nice gradual over time instead of exposing history all in one scene.

50 cent (credited under his real name Curtis Jackson) is also one of the film’s producers. Is getting to be a better actor playing the smarmy/seamier type of roles. Though his appearance is more of a surprise.

Though due to the casting we already know when the killer is and what we are to expect. It’s only in his they catch him. It’s less s thriller than trying to finally get him and for her to testify. Though in scenes with his family. You sense darkness and vitality about him.

The suspense comes in towards the third act. As it finally gets thrilling. As there is some before that but it truly intensifies in the last act.

The film taking place in such a remote land. Help make the action feel small scale even though tawdry. And as the film sticks to more of the real-life story. The film is absent of scenes of hunting or chases or even graphic violence. More focusing like a LAW & ORDER episode on catching the killer before he kills again. Rather than seeing his violent actions. Maybe as it is based on a true story they could only go with known Information and not flesh out the characters that the story could have had more than one would expect. The film doesn’t seem to break out of its own procedural ways. Should feel a bit bigger or more meaningful to a degree. The film keeps your interest but never truly engages you emotionally

In the final scenes, the suspense is felt as Cage gets frustrated as no evidence can be found. Which questioning him and keeps getting updates and upset. That is when the film manages to get a reaction out of the audience.

The film reminds me of the early days of so-called serial killing investigations. Before they were known to the general public. The hard work out in so that research was there and available for the private investigation Barely and at times In the film that comes in time and again. The ending hammers home the tragedy of the story for all of its entertainment

Grade: C

STARSHIP TROOPERS (1997)

Directed By: Paul Verhoeven 
Written By: Ed Neumeier 
Based on the book by: Robert A. Heinlein 
Cinematography: Jost Vacano 
Editor: Mark Goldblatt & Caroline Ross 

Cast: Casper Van Dien, Denise Richards, Dina Meyer, Clancy Brown, Jake Busey, Michael Ironside, Neil Patrick Harris, Seth Gilliam, Patrick Muldoon, Dean Norris, Rue McClanahan, Marshall Bell, Matt Levin, Brenda Strong, Amy Smart, Greg Travis, Dale Dye

In the distant future, high school kids are encouraged to become citizens by joining the military. What they don’t know is that they’ll soon be engaged in a full-scale war against a planet of alien insects. The fight is on to ensure the safety of humanity.


a film about and presented in parts as a war propaganda epic, but it’s also an out-and-out war film. As well as a melodrama that all feels like a video game. As it also has a science fiction element.

This is an epic war film that focuses more on the battlefield and action than anything else. It ultimately becomes a satire on war films. 

The film follows a group of high school students who sign up for military service for various reasons though the love triangle introduced at the beginning seems to show that each of them signed up to follow the other. These will be the ones we mostly stay with throughout. So that it has a coming of age and mildly romantic element. Which is the only time the film has any sweet moments.

Most of the characters come from Buenos Aires and are mostly caucasian. As the story goes along we are introduced to various characters most of them look straight out of a soap opera and are visually appealing. Which only strengthens when it comes to melodrama. It also clues you into who will most likely survive.

Even though the film does throw in plenty of surprises it also serves up plenty of cliches it manages to also throw in some ridiculous measures of subversion. Like seeing Neil Patrick Harris famous at the time mroe for playing teen doctor DOOGIE HOWSER on television. As a high-ranking military scientist and strategist prone to wearing German SS army gear as a uniform without any swastikas and when the main character of Johnny Rico is punished for insubordination, his punishment is to get whipped and he is punished when applying the whipping is an African American man. 

The film is hyper-violent and gory. Even the boot camp scenes manage to have death and plenty of violence. 

Once the battle begins we see the soldiers fight off against the deadly enemies bigs that’s right the enemy is giant insects. So that when there is violence against the enemy there is carnage but mostly goo rather than blood. Only when Humans are killed is there really bloody gore. 

When it comes to the style scenes grand and small there is so much action in battles and in casualties that is where it more feels like a video game other than in the premise. So while not based on one this is an early example of what a movie based on a video game should feel like. Before, where they feel like they could easily interchange. 

The film knows that this is pretty much a campy big-budget B-Movie that doesn’t take itself deadly seriously. It knows what it is and offers the audience thrills and chills, but knows it is there more to entertain over all else. 

It knows how far-fetched the premise is but makes you care and get involved anyway. It has breaks of propaganda where it shows news reports, commercials, and ad campaigns that are all overacted. Which not only like Director Paul Verhoven’s previous film ROBOCOP satirizes but also manages to world build and give background information of how this war is affecting all aspects of life on the battlefield.

The film is hard-edged and dark throughout. Even when it comes to its humor. 

It’s obviously a film that could only be made at the time it was. As it asks us to watch a war film that doesn’t really have any political agenda and is more born out of entertainment than being too serious and to show off special effects but not make it overbearing and what the film focuses on.

This is a film that at times is easy to forget about but feels like a film of a different time. It’s a film where you won’t forget the first time you see it and it might come off as silly at first but the more you think about it the more Impressed you are by it 

Even though most of his films have been wild and structured. This film seems to be one of the bigger films of Director Paul Verhoeven’s career where he seeks to go more full balls to the wall. Rather than trying to be too subtle or create a more intimate atmosphere. While not necessarily a classic along the lines of TOTAL RECALL or ROBOCOP which he directed. He doesn’t embarrass himself or shows any restraint even as this comes off as one of his more mainstream and crowd-pleasing films. 

As I will admit when I first saw it in theaters I felt it was ridiculous but kept me entertained. 

That seems to be more for a blockbuster audience and not so much the artistic crowd. 

Grade: B

THE ONE (2001)

Directed By: James Wong 
Written By: James Wong &Glen Morgan 
Cinematography By: Robert McLachlan 
Editor: James Coblentz 


Cast: Jet Li, Carla Gugino, Delroy Lindo, Jason Statham, Dylan Bruno, James Morrisson, Dean Norris 


This movie postulates what if there is more than one universe. And that all of these universes are held together by one single stream of energy and that energy is equally distributed to every living in each universe and if one of these beings die, that energy is reallocated equally to each other surviving member. And with each allocation, a person becomes stronger. Now one universe has master the ability of crossing into another universe, and a man named Shulaw who believes that if he can kill all of his counterparts, he will become invincible, but there are those who believe that it might have detrimental effects, so try and stop him. Unfortunately, he just has one more person to kill, Gabe Law, but the officers follow Shulaw but Shulaw has committed some crimes and Gabe is accused and is wanted. But Gabe discovers that he has changed and only wants to kill Shulaw not realizing what could happen.

Even for experienced writer-directors James Wong and Glenn Morgan who were also showrunners for THE X-FILES, this film feels especially weak for a science-fiction tale though I realize it is more action. That element could have been played up more. I am not even blaming the lackluster effects. It’s just that everything about this film feels uninspired.
This is a film I have seen beige and pretty much forgotten about until I re-watched it recently and all the old feelings and impressions came rushing back.

It feels uninspired though it takes elements from a bunch of different sci-fi films it never settles to use any of those inspirations to come up with spent anything different and original. I can accept that.

It also seems like a film where the directors were either fans or in awe of the star of the film Jet-Li and seem to just hang back on film ad let him do what he does best. Which would be fine of hey a least set him up with scenes that were somewhat Interesting and set up the action so that we can be amazed by his skills.

For the martial arts aficionados: Jet Li uses two distinct kung fu styles when portraying Gabe and Yulaw. The evil Yulaw uses Xingyi Quan, or “Mind-Form Fist” (loosely translated). As can be seen, when he is training, it is a very linear, offensive style. Gabe on the other hand practices Bagua Zhang, or the “Eight Trigrams Palm”. It is characterized by open palm fighting, with circular footwork. Both styles are two of the three main “internal” styles of Chinese kung fu – the third being Taiji Quan (Tai Chi).

The film LETHAL WEAPON 4 did it and look at how. Underwhelming that film was. He only played a supporting part and amazed audiences with his martial arts skills so much that soon after he was making film after film in the United States though he Barry spoke any English and most of those films while disappointing at least knew how to use him to his advantage and have at least one memorable scene with him.

This is a shame as Jet-li never really found his niche in America sure he starred In many American films though he never found a project that really defined him nor pinpointed his skills. None were truly showcases or even highlights. They all looked kind of like bargain-basement productions and paired him with a musician of some kind. They also seemed more to advertise him to more of an urban audience. (CRADLE TO THE GRAVE, ROMEO MUST DIE) Though usually, the films were multiracial. Though the films he made just as always from overseas were usually excellent to passable (HERO, FEARLESS)

This film feels like it could have been written for any action star. To use their skills in the role only here it happened to be martial arts. Truly this could have started anyone that is how much the lead character and the villain have no real personality or general-purpose other than to fill out their roles and work within the mechanics of the film.

When Dwayne Johnson’s’ The Rock’ was attached to a star, this film was known as The Rock Movie. When he left to work on THE MUMMY RETURNS, it was listed for a short while as Untitled Sci-Fi Project, and when Jet Li came aboard, it became The One. Now I will admit I can be a snob and at times hard on the action, that might be because growing up with action films I grew used to them and I just can’t take the run of the mill. There must be something special or some kind of passion about the film for me I appreciate it. Even of the film is lackluster there must be something in it even iconic that might bring me memories of yesteryear ones. This one though truly feels like a waste of time and talent. That seemed doomed from the beginning.

Skip it

 Grade: F

SCARY STORIES TO TELL IN THE DARK (2019)

Directed by: Andre Ovredal
Written by: Dan Hageman & Kevin Hageman
Screen story by: Guillermo Del Toro, Marcus Dunstan & Patrick Melton
Based on the series of stories by: Alvin Schwartz 
Cinematography: Roman Osin
Editor: Patrick Larsgaard

Cast: Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Austin Zajur, Natalie Gamzharn, Dean Norris, Lorraine Toussaint, Gil Bellows 

On Halloween 1968, Stella and her two friends meet a mysterious drifter, Ramón, and uncover a sinister notebook of stories.


I remember reading this book when I was young and the book is a children’s classic and finding out that they were making it into a film

Seems more like a decision that would excite many generations and bring them nostalgia. As the film finds a way to include certain stories that then become part of an overall narrative.

What might be a little problematic for the film is that it plays more to a younger audience as that is who will generally be scared, but for others who might be of a certain older age. They may find the film a bit dull and too nostalgic. As the film is made with great grandiosity and set in the 1960’s 

Most of the protagonists are teenagers and while there are adults around them very few become the center of the story or that important to it. Even Dean Norris’s character seems here more as a symbol. Though doesn’t have much to do.

Though it feels more like what the Goosebumps movie should have been. Don’t get me wrong the film is macabre for a film. More set for children, but it also comes off as almost feeling like a light version of a Stephen kind adaptation. As the material feels rich but the way it is presented feels a bit juvenile. Where it can’t make up it’s mind who it would rather serve.

The editing also gets a little too annoying at times with it’s Rapid cuts that aren’t Needed especially in early dialogue scenes.  The film rarely shows a death or any real violence but does show or hint at gruesome fates for certain characters.

The film itself is entertaining but considering Guillermo del Toro produced the film you might expect more then what is offered. As again the film offers a certain richness and even good special effects. It even knows how to build tension but maybe as some of us grew up on it. It also feels too familiar to really feel different or too original. This is a minor problem whereas it is perfectly fine it feels like it could have been better. 

The film sets itself Up for a sequel that sadly doesn’t seem Like it is ever coming but could be an effective television series. Even if not it has a nice ending that leaves just enough wonder and sympathy as well as satisfaction at a story well told.

Grade: C+

DEATH WISH (2018)

death-wish

Directed By: Eli Roth
Written By: Joe Carnahan
Based On The Novel By: Brian Garfield
Based On the original Motion Picture Screenplay By: Wendell Mayes
Cinematography: Rogier Stoffers
Editor: Mark Goldblatt & Yvonne Valdez 


Cast: Bruce Willis, Elisabeth Shue, Vincent D’Onofrio, Camilla Morrone, Dean Norris, Beau Knapp, Kimberly Elise, Kirby Bliss Blanton, Len Cariou, Jack Kesy, Stephen McHattie, Jaslene Gonzalez

 
Dr. Paul Kersey is a surgeon who only sees the aftermath of his city’s violence as it’s rushed into his ER -until his wife and college-age daughter are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts for his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly avenger is a guardian angel…or a grim reaper.

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FIST FIGHT (2017)

FISTFIGHT1

Directed By: Richie Keen
Written By: Van Robichaux & Evan Susser
Story By: Max Greenfield, Van Robichaux & Evan Susser
Cinematography By: Eric Edwards
Editor: Matthew Freund 


Cast: Charlie Day, Ice Cube, Jillian Bell, Tracy Morgan, Dean Norris, Kumail Nanjani, JoAnna Garcia-Swisher, Dennis Haysbert, Christina Hendricks, Kym Whitley, Stephne Weir, Alexa Nisenson, Max Carver, Charlie Carver, Nolan Bateman 


When one school teacher unwittingly causes another teacher’s dismissal, he is challenged to an after-school fight.

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