A MAN OF NO IMPORTANCE (1994)

Directed By: Suri Krishnamma 

Written By: Barry Devlin 

Cinematography: Ashley Rowe

Editor: David Freeman

Cast: Albert Finney, Brenda Fricker, Tara Fitzgerald, Michael Gambon, Rufus Sewell, David Kelly, Patrick Malahide, Mick Lally 

Alfred Byrne is a middle-aged bus conductor in Dublin, Ireland in 1963. He would appear to live a life of quiet desperation: he’s gay, but firmly closeted, and his sister is always trying to find him “the right girl”. His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.


Honestly if not for some course language and a particular scene of sexual nature. This could have been a television movie. Thankfully it is a feature film for the big screen which explains the high quality cast.

I will admit I came for actress Tara Fitzgerald who I had a teenage crush on in the 1990’s and whitening e always wanted to watch this film. It took me so long. Because it reminded me of the film BRASSED OFF with her in it.

Watching this film after it being out 30 years truly shows how times have changed. As this might have been a bit stirring at the time, but watching it now seems almost quaint.

As we watch Albert Finney as an effeminate older man who is obsessed with theater. Plays in particular and puts together the locals I. Whichever place is obsessed with that time of year. His friends think he should find a nice girl to settle down with, others think he is eccentric and passionate only about his interests. 

Though we can tell that he is gay or has feelings for men. Even as he coddles and curates a local female who he has star in his play and it looks like it could be a cute little love story of acceptance and being about more than physical love.

Then he third act happens and everything goes toosy turbulence and what he and we thought of certain people is exposed. By the light of day and their true ide tires come out in the open. 

Honestly that is when the film seems to come alive or at least gets a lot more interesting whereas it feels like there was a ton of buildup just to get to this and it works effectively as a kind of shock but also of everyone showing their cards good and bad

What does work for this film is how deeply rooted the film and characters are in the community who offer a kind of chorus for all the moods and feelings and most of them might not get their time in the sunlight, but they certainly get to shine and help influence and entertain the audience. They are at the heart of the film that has its obvious stars, though luckily it’s quite ensemble.

It’s shocking again that they got the cast that they did Albert Finney, Michael Gambon, Brenda Fricker, David Kelly and a young Rufus Sewell and of course the enchanting Tara Fitzgerald. All for a coming out story.

Then again we all have our stories and coming out can be a defining moment in one’s life, so why not tell it with the best cast that you can get of acting superstars even at the time even if they are way above the quality of the material as Michael Gambin is more supporting and feels almost like an extended cameo throughout.

Give the film a chance but don’t expect too many fireworks. It’s like Levi’s blue jeans in fact, dependable durable something you can count on, but not necessarily a brand you go on and on about, but you’re glad exist and is there

Grade: C+

THE FULL MONTY (1997)

Directed By: Peter Cattaneo
Written By: Simon Beaufoy
Cinematography By: John De borman
Editor: David Freeman & Nick Moore

Cast: Robert Carlyle, Mark Addy, Tom Wilkinson, Emily Woof, Tom Speer, William Snape, Steve Huison, Paul Barber, Hugo Speer, Lesley Sharp, Paul Buttersworth, Dave Hill

Six unemployed steel workers form a male striptease act. The women cheer them on to go for “the full monty” – total nudity.


This film was part of a wave of British films (Usually Romantic Comedies) that became Surprise hits in the united states. I remember this one being so popular when it first came out it made me resent it and not want to see it at all. I avoided it on purpose in theaters. I waited for the home video and then only rented it because my mother wanted to see it badly. Needless to say, she loved it and can say one was entertained by it. At its heart is really a man’s movie that was made for a female audience. The film touches on the need to take care of a family and how powerful you can become if you can’t

The premise is so simple and full of sentiment While it is built around depressing subject matter. That it remembers to touch on now and then, But not too much of a downer. Luckily not over-the-top sugary sweet either. it finds a nice balance. it never feels false, sour, or like it is pandering to the audience like a film such as THE BUCKET LIST, yet it is so crowd-pleasing, That one is surprised that no American studio thought it up.

It is the rare crowd-pleaser one can stand and recommend because it’s easy to watch. Though it offers some eye candy for the ladies. While none truly have additional on-screen bodies. They do come in all sizes, shapes, and colors

One of the original aspects of the film is that not all men are hunky they come in all shapes, colors, sizes, and ages. Some are even in the closet gay. The film does represent each demographic to appeal to the audience without them realizing it. The film moves along quickly, but the events happen at a natural pace that makes the film feel smooth.

You can feel the film pull you in certain directions and try to dictate how you should feel and react, it does manage to do in subtle ways instead of blunt.

The film has a great cast. Each character has their own reason and a dramatic situation that they are dealing with. It was especially shocking that one of the main stars was Robert Carlyle who one can remember playing the sadistic Begbie in TRAINSPOTTING. He made one hell of a transformation as one totally forgot his previous role and believed him in this one.

The film Has a strong retro soundtrack to bring the audience into the good times when the songs were originally released, Adding to their memories. That works almost like a Jukebox Musical only not devoted to one particular singer or time period. ironically the film would have a Broadway version. Which truly showed how beloved the movie, story, and characters were.  

The characters are all working class from different aspects of life. So they are steadily identifiable to the audience. As we learn enough about each character to care about their plight and discover their particular quirks. Almost like members of a Heist crew. Where there is the recruitment for their gifts and what they bring to the table under the leadership of the leader who planned the heist in the first place.  

Each has its romantic history and mojo that needs kindling or rekindling. There is even an LGBTQ blossoming romance 

While there are clearly leading performers who we follow. The whole team is needed to complete the tasks and overcome the roadblocks. 

GRADE: B