Tag: David Dastmalchain

THE LAST VOYAGE OF THE DEMETER (2023)

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Directed By: Andre Ovredal

Written By: Bragi Schut Jr. And Zack Olkewicz

Based on Log Of The Demeter “DRACULA” By Bram Stoker

Cinematography: Tom Stern 

Editor: Julian Clarke, Patrick Larsgaard and Christian Wagner 

Cast: Corey Hawkins, Liam Cunningham, David Dastmalchain, Aisling Franciosi, Chris Walley, Jon jon Briones, Stefan Kepicic, Martin Furland 

A crew sailing from Varna (Bulgaria) by the Black Sea to England finds that they are carrying very dangerous cargo.

This is not a bad film, but it does feel like a lost opportunity where the audience keeps thinking how much better it could be if it used practical effects so there wasn’t so much CGI. Also if the movie was filmed on actual film and not digital, it wouldn’t look so dark and feel more of the period. And if it had been made in the 1980s, it would feel more like either an adaptation or a surprise filled with more imagination, and a studio would maybe Mohr put its full weight behind it either in theaters or even if it was a movie that was faded to end up straight to home video.

As it stands now, it feels too slick and not quite sincere enough to be a success which it should be. 

This is another film, directed by Andre Ovredal. Who adds a black lead to a supernatural historical tale. Which does add excitement and some color to the proceedings. Though here The film remains predictable.

I have seen some audience members attack the film because of the beginning And readers of Bram Stoker’s Dracula, the novel, which lets us know what happens or the fate of the crew and characters, but truthfully, that is what most slasher and horror films are guilty of we watch for the how wise and who’s we most likely what will happen? We just come to see how it happens, though. The same can be true of action films and sequels. Especially with stars and specialized starring in those types of films and playing virtually the same character or the same type. So picking on this film for the same reason feels like low-hanging fruit that you know coming in what it would be like and most likely that would be predictable. 

At least the screenwriters and filmmakers offer to flash out that chapter of the book and use their own imagination to ramp up, not only the characters and suspense but, ultimately their fates also try to create a claustrophobic atmosphere on the ship.

Stay entertaining, filled with characters that could have easily failed as this film obviously has passion and quality behind it.

Unfortunately, it comes off as a well-intentioned B-movie. With competing and battling accents among the actors to see who can be the most authentic to a certain rogue or region.

The film has a cast, and Cory Hawkins deserves more leading roles. As well as Aisling Franciosi who always seems to play characters who are surviving in pain.

Though the film seems to be trying to offer an origin to a franchise. we know unfortunately isn’t coming or the beginning of a fruitless search for justice. It’s a shame as the film has all the right ingredients. It’s just that the meal or main course isn’t as tasty as it should be. 

Grade: C

BOSTON STRANGLER (2023)

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Written & Directed By: Matt Ruskin 
Cinematography: Ben Kutchins 
Editor: Anne McCabe

Cast: Keira Knightley, Carrie Coon, Chris Cooper, Alessandro Nivola, Rory Cochrane, David Dastmalchain, Peter Gerety, Robert John Burke, Ryan Winkles, Morgan Spector 

Loretta McLaughlin was the reporter who first connected the murders and broke the story of the Boston Strangler. She and Jean Cole challenged the sexism of the early 1960s to report on the city’s most notorious serial killer.

The film is well shot almost like an episode of the show MINDHUNTER. This might be why it feels like an R-rated tv-movie, but it lacks the drama, tension, and strength of that television show. 

In fact, it ends up representing those made for cable movies of the 1990s and 2000s. That was meant to be an event. where they got an all-star or established cast of recognizable names.

The movie plays like it’s own version of SHE SAID, though instead of tackling the Harvey Weinstein case. There is two female reporters who are looked down upon. One established and one rookie, cracking a case wide open that established reporters didn’t. As they are even the first to notice a pattern. 

Similar to that film we get to see their domestic lives while also tackling this story. Only here Kiera Knightley gets more screen time. As the rookie and how this case is also disrupting her domestic situation. 

The film short changes Carrie Coon a bit. As she is the mentor to Knightley’s character. We learn a bit less about her. She also doesn’t have as much screen time or moments. 

I can admit so far I have never been a fan of the movies based on this true crime case. Including the film THE BOSTON STRANGLER from 1968 

Directed by Richard Fleischer and starred Henry Fonda, Tony Curtis, and George Kennedy. Though that movie focused more on the killer and the police detectives. 

As a true crime movie, you could easily look up the case to discover the ending as well as the ins and outs. What the film does actually do successfully is offered up the surprise of the suspects and the realization of how many men got away with murder using the M.O. of the strangler, but when not being able to be linked with the other crime of the strangler were let go.

As towards the end, a character pretty much defines what the movie is about and sums up the point of this dramatization. Which is the changing times and realizations of things either kept hidden, quiet or never acknowledged. That was unfortunately showing that society could never go back to being so innocent. 

Though the film at least offers some hope for two female reporters challenging the status quo and finding courageousness and leading a way for females in the future. Even as they are pretty much the prey out there at that time. 

Grade: C+