SICARIO (2015)

Directed By: Dennis Villeneuve 
Written By: Taylor Sheridan 
Cinematography By: Roger Deakins 
Editor: Joe Walker 

Cast: Emily Blunt, Josh Brolin, Benicio Del Toro, Jeffrey Donovan, Victor Garber, Jon Bernthal, Daniel Kaluuya, Maximilano Herandez, Raoul Trujillo

An idealistic FBI agent is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.


This film is where director Dennis Villeneuve style really comes alive. Now while PRISONERS is a well directed film. I always had problems with it. Here Villeneuve’s style is crucial to the story.

It can only be explained as he has a knack for making scenes feel alive with tension. Even simple ones. He manages to catch you off guard so many times. That at any moment in his films anything can happen. Especially in the world the characters inhabit. Violence can break out at any time. Tension which he excels makes everything feel urgent and powerfully delivered. Makes it feel like anything can happen

The film while having violent scenes manages the trick of not really showing any violence but making it feel like there is more in the film then there actually is. The few scenes of violence are either so shocking or graphic. That in other scenes that even suggest it. Your imagination is already at work going overboard.

That is certainly a skill in story telling.

Here Emily blunt is our protagonist so we learn things just as she does and through the first half of the film. We realize we are on a mission, but just like her the rules and true objective are confusing and the rules keep changing. So that we are constantly confused even when the audience thinks it knows where the film is going.

She makes a good lead as her character proves both tougher and more fragile then she is presented. Seeing her in EDGE OF TOMMOROW convinced most audiences of her ability to be tough. Which she uses here, but here she also reminds us of how deep and emotional she can be whole Doing or at least showing so little.

Initially, the director was asked to rewrite Emily Blunt’s part for a man. But, Denis Villeneuve wanted Emily Blunt for the role after he saw her in The Young Victoria.

The film could easily be compared to films like TRAFFIC. For how it mainly shows the government side of taking down drug cartels, but the film also manages to tell small Individual stories of different characters and their position in this trade. What it also manages to do is remind the audience yes we are in this films singular world, but there is a greater real bigger world out there. That is our reality that these characters live in also.

Some night even compare the film to ZERO DARK THIRTY. If they did the only reason I can see is that they both have a female protagonist who learns to become more cautious and tougher as the film goes along. As well as learning more information about her supposed target through various different governmental agencies. As well as working with special teams to extract certain people to get to main targets. Though that film is more fact based. This one deals with a real subject, but manages to create it’s own story. This film is truly it’s own Animal

No matter what is shown and not shown this film is brutal. It is a cutthroat world they operate in.

There are some nitpicking like why at first do they forbid her partner access to go with them. Then throughout they seem to not mind if he is there.

Josh Brolin is good as the charismatic leader of this force. Who seems to operate in bureaucracy and in shadows, but the films MVP is Benicio Del Toro as a badass man of mystery. Though his character is mostly quiet. There is an intensity and toughness about him. That makes him look world weary, but constantly sharp. He takes no prisoners and seems to have no moral guide. I missed this type of performance from del toro. He played this type in SAVAGES, but that character was more of a loud mouth and sadistic for fun. Here he does it because he has to and can. If it helps achieve whatever mission he is on.

Throughout the film. The story plays out slowly only revealing itself when it has to. Even when we are privy of scenes and information that blunt isn’t. There isn’t too much revealed. So we are still just as unsure as she is. History is more reveled slowly about the characters rather then present it as soon as we meet them.

The shots throughout are beautifully composed and framed. That makes the territories they govern and go through come Alive. Even in their plainness. They feel constantly full of mystery even though they are mostly plain.

Though the film is structured well and directed well. It doesn’t feel overly stylized.

This film is a doozy, it is wild, yet calm. Epic and far reaching yet small.

The acting that plays out constantly or at least the threat of it Is not the kind you expect in a film Like this. No big action set pieces that rely on the audience finding a thrill. Like it is a roller coaster. Often the violence is either surprising, quick or just plain unorganized in the manner that it happens. This isn’t a thrill seeking movie. It is a thrill feeling movie.

Though it more relies on a moral meter. Rather than having a clear political message or even discussing the politics of the situation. It is matter of fact, yet offers a deep reserve for the audience to ponder. As it Also doesn’t offer any answers. Leaving it more of an open ended film. It’s not even really too much of a political film More like an extreme procedural.

Now while this film could have been made with any director. I believe the reason the film excels is because of director Dennis Villeneuve his style totally fits in with the story and reminds one of the promise he showed with the film INCENDIES. As with his other films though acclaimed. The style for me never quite fit the stories. Or the stories never quite fit his style. They took too many wrong turns or all there seemed to be was that style and little to no substance at least nothing deep. As the direction seemed to suggest.

GRADE: B+

JUDAS AND THE BLACK MESSIAH (2021)

Directed By: Shaka King
Written By: Shaka King & Will Berson
Story By: Shaka King, Will Berson, Kenneth Lucas & Keith Lucas
Cinematography: Sean Bobbitt
Editor: Kristin Sprague

Cast: LaKeith Stanfield, Daniel Kaluuya, Jesse Plemons, Dominique Fishback, Ashton Sanders, Algee Smith, Lil Rel Howery, Martin Sheen, Darrell Britt-Gibson, Dominique Thorne, Robert Longstreet, Jermaine Fowler 

Fred Hampton, a young, charismatic activist, becomes Chairman of the Illinois chapter of the Black Panther Party – putting him directly in the crosshairs of the government, the FBI, and the Chicago Police. But to destroy the revolution, the authorities are going to need a man on the inside.


This movie is so much more than one might think. It is a historical account of the cos piracy behind the assassination of Fred Hampton who was 21 at the time, but instead of just recreating and renacting moments that lead to his downfall.

The film offers a character piece of sorts not only of Fred Hampton but also of the man who worked as a confidential informant to get intel about him and the black panthers.

The film shows Hampton to be a hero and revolutionary but also a human being. Trying to fight for his people and civil rights. While it seemed at every turn the government was eagerly planning and arranging his downfall. Where it seems that after he is released from jail the weight of everything really starts to hit him and he seems to know that his time might be coming to an end, but still so more concerned for Those around him and the people he is trying to save. All do this and he was only 21 years old. If he achieved all of this at such a young age imagine what he could have accomplished had he lived. 

That is sort of the tragedy imagine what could have been accomplished if there wasn’t a conspiracy against minorities whenever they try to stand up for themselves.

The film doesn’t shy away, As it never does with showing how demeaning black people were treated and unjust and antagonized that they are. It shows that he even inspired street gangs to come together to form a community to help their own communities.

The film does show some of the behind-the-scenes of the F.B.I and their tactics to take him down. It even Shows the point of view of an idealistic agent who actually believes that the black Panther party is more of a terrorist group and he believes in civil rights for all and becomes dismayed by what he see’s continuously as unjust but keeps following orders with no kind of resistance until he has an awakening that jailing Hampton is not enough and what his superiors want. As jail just empowers freedom fighters. The end goal is death and while he likes to think he and the agency are better than that. He is questioned how would he feel if his daughter brought a black man home and he then comes face to face with his own prejudice and realizes he is just as bad and will tow the company line.

The difference between this movie and some others is that in other films he would gain his soul back and ask us to be sympathetic towards him. This film doesn’t do that it allows to show that he has a choice between right and wrong which he knows and he chooses the wrong knowing it is bad and against what he supposedly stands for. Making him worse than those he and his co-workers choose to take down. 

This film is beautifully and masterfully directed and you feel every moment and every scene. Every performance even smaller ones make you take notice and care.

Daniel Kaliuya is mesmerizing in the role of Fred Hampton which he inhabits with strength and swagger commanding your attention in every scene he is in and making you feel sympathy when he is faced with challenges beyond his control. 

He has played leads before and is usually memorable in films, but this is the first time it feels like has gone above and beyond.

Lakeith Stansfeld continues to impress he is more the lead here as William O’Neil who is a hustler and minor criminal who gets roped into this to avoid jail time at first and then realizes he can’t walk away. Especially as his loyalties get stronger more towards Hampton and the cause. A kind of Donnie Brasco situation only here the panthers aren’t the criminals and are trying to better things. We can see the despair it places on him and in the end the pittance he is given for sacrificing someone who actually became a friend 

Stansfeld shows all the emotions and complexities of his character and the inner destruction his actions cause. He shows off his cunningness and skills of thinking on his feet and ultimately the defeat of his soul. Even in the alter scenes his paranoia.

This is refreshing as get to see him play a solid character and not the quirky roles that he has gotten pigeonholed with in the past. Showing he has leading man chops and quite a wide range.

Though these two are at the center of the story and film. The film does allow for side stories and characters. Like two best friends who join and meet unfortunate violent ends away from one another. One is purposely assassinated the other goes full-on vigilante after his death.

This is a film that is powerful and humanizes names and people you might have heard about in history books and while they are legends abd martyrs this film allows them to be recognized and humanized. 

Ultimately this film is a tragedy. It hits all the more as it is based on truth. So that by the end you are devastated, but you marvel at what you have just watched and sat through

Grade: A

QUEEN & SLIM (2019)

QUEEN & SLIM

Directed By: Melina Matsoukas
Written By: Lena Waithe
Story By: Lena Waithe & James Frey
Cinematography By: Tat Radcliffe
Editor: Pete Beaudreau 


Cast: Daniel Kaluuya, Jodie Turner-Smith, Bokeen Woodbine, Sturgill Simpson, Indya Moore, Flea, Chloe Sevingy, Benito Martinez, Jahai Di’allo

Winston 


Slim and Queen’s first date takes an unexpected turn when a policeman pulls them over for a minor traffic violation. When the situation escalates, Slim takes the officer’s gun and shoots him in self-defence. Now labelled cop killers in the media, Slim and Queen feel that they have no choice but to go on the run and evade the law. When a video of the incident goes viral, the unwitting outlaws soon become a symbol of trauma, terror, grief and pain for people all across the country.

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WIDOWS (2018)

widows1

Directed By: Steve McQueen
Written By: Gillian Flynn & Steve McQueen
Based On “Widows” By: Lynda La Plante
Cinematography By: Sean Bobbitt
Editor: Joe Walker 

Cast: Viola Davis, Colin Farrell, Robert Duvall, Brian Tyree Henry, Daniel Kaluuya, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Liam Neeson, Lukas Haas, Jon Bernthal, Carrie Coon, Jacki Weaver, Ann Mitchell, Garret Dillahunt, Kevin J O’Connor 


 “Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica, Alice, Linda and Belle take their fate into their own hands and conspire to forge a future on their own terms.


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