BUDDY (2026)

Directed By: Casper Kelly

Written By: Casper Kelly and Jamie King

Cinematography: Zach Kuperstein

Editor: Josh Ethier 

Cast: Delaney Quinn, Caleb Williams, Cristin Milioti, Topher Grace, Keegan-Michael Key, Patton Oswalt, Michael Shannon, Clint Howard

A brave girl and her friends must escape a kids television show.


There are some movies where the less you know going in, the better. BUDDY is definitely one of them.

This is a film that can be ambiguous and awkward, but always feels just a bit off and creepy. Yet somewhat comfortable 

If you’re familiar with writer-director Casper Kelly’s short for ADULT SWIM, TOO MANY COOKS you may already have an idea of the kind of strange, unsettling sense of humor he brings to the table. That short took something as harmless and familiar as television opening themes and slowly revealed something much darker bubbling underneath. This film plays with that same idea of innocence turning increasingly… well, not so innocent. And this film is definitely out there.

The first fifteen minutes might test your patience or your willingness to go along with it. As we’re introduced to what appears to be an actual children’s television show. Episode after episode, everything seems cute, cheerful and perfectly harmless. Then, almost imperceptibly, things begin to feel a little wrong. And then a little more wrong. Before long, you realize you’re not watching the movie you thought you were watching.

I won’t say much more, because discovering where BUDDY goes is part of the fun. The film has an unusual way of withholding information, and by the time it reaches the end, it leaves you with more questions than answers. Normally that might frustrate me, but here I found myself wanting to know more.

That’s probably the nicest thing I can say about the film: I wanted more.

The recognizable adult cast is used barely, with the kids essentially carrying the movie. And despite the innocent looking premise, this is absolutely not a movie for children. There is some disturbing violence involving kids that will understandably be difficult for some viewers.

But what makes the film refreshing is that it never seems particularly interested in giving you exactly what you expect.

This isn’t your typical horror movie. In fact, some people may find that disappointing. There are moments when you expect the film to push things further, only for it to pull back and leave you wondering what exactly you just watched.

Personally, I appreciated that restraint.

BUDDY is disturbing, strange and occasionally bizarre, but there’s something wonderfully curious about it. It feels like a movie that wants you to think about it afterward rather than simply move on to the next thing.

Is it for everybody? Absolutely not, But maybe that’s part of why I liked it.

There’s something to be said for a movie that doesn’t completely explain itself, doesn’t follow the usual rules and leaves you just curious enough to want to step back into its world.

So if you’re looking for something familiar, predictable and comfortably within the lines, this  probably isn’t your movie. But if you’re willing to take a chance on something weird? Give it a try.

No matter what, I have a feeling you’ll remember it.

Grade: B+

THE WOLF OF WALL STREET (2013)

Directed by: Martin Scorsese 
Written By: Terence Winter 
Based on the Book “The Wolf Of Wall Street” By: Jordan Belfort 
Cinematography: Rodrigo Prieto
Editor: Thelma Schoonmaker

Cast: Leonardo DiCaprio, Jonah Hill, Margot Robie, Matthew McConaughey, Jon Bernthal, Kyle Chandler, Rob Reiner, Jon Favreau, Shea Whigham, Jean Dujardin, Joanna Lumley, Cristin Milioti, Aya Cash, Christine Ebersole, Ethan Suplee,  P.J. Byrne, Kenneth Choi, Jake Hoffman, Rizwan Manji, Thomas Middleditch, Fran Lebowitz 

Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.


This film at heart is more of a dark comedy than a drama. Yes, it’s based on a true story and there are many victims in this tale who barely get any attention. As the film’s protagonist is the con-man who ripped them off, but the film feels like no matter what it wants us to root for him and feel for him overall.

Leonardo DiCaprio gives one of his best performances and one of his out-and-out funny comedic performances. As we have never seen him this loose and open in a performance. that truly astonishes

 It’s not only him the film is filled with recognizable actors playing real-life people but while they are characters and three-dimensional they are also played so big that they come off naturally more comedic. Even though their crimes hurt many. As Jonah Hill, Matthew McConaughey, and Jon Berenthal all have their times to shine and at least a scene to highlight. 

At a certain point, they are doing so many illegal things that you can barely tell what is right and what is wrong. As the business they build seems to get off on debauchery and the film treats it as both revelatory letting us participate In The mayhem and experience the 1980’s excess but also giving us enough details to see it as a cautionary tale and see the harsh aftermath for some.

This also is Margot Robbie’s debut and introduction to the public as a sex symbol. Just as Charlize Theron made her debut in the movie 2 DAYS IN THE VALLEY. Here at first, you notice Ms. Robbie’s looks then you notice she is actually quite a good actress and one of the memorable ingredients to this movie. 

Now this tale could have been told in a smaller way but just like the main character it must be told larger than life and feel rather epic in size. As it is a rare film where we kind of root for the bad guys. Even if we know they are horrible. As we have been following them from the beginning and in essence living the life of excess with them in the film. So that even when we see them do bad things we have a weakness for them and want to see them succeed even at the expense of others. 

The film feels like a crime spree as it is episodic as we are taken throughout the crimes and how the businessmen stay afloat and the deals they have to make to keep laundering their money and stay on top. The film even follows their international adventures that open up the film to be more global and have more consequences. As they have their overseas adventures. Even with the law on their tails embodied by a character played by Kyle Chandler who seems to be incorruptible and always right behind.

The film even though his character later In The film asks if it is worth it. Being honest and in the straight and narrow. Still having to scrape by when you could easily turn a blind eye, do the wrong thing, and live in Luxury. 

This is the most electrifying and energetic director Martin Scorsese has been with a film. Also, his first film has come close to a comedy since AFTER HOURS. Though the film condemns the characters. The film also has a lot of fun with them. Leaving behind plenty of classic moments. 

The film gets to glorify and highlight the 80’s and 90’s excess and over-the-top nature of business and the stock market. A kind of juvenile version of the movie WALL STREET, but just as powerful and memorable. Only here do you see more behavior outside of the office than necessarily the more business side. Which marks the film all the more attractive. 

In the end, even for a somber tale,  the film is a good time. A misogynistic fantasy that offers what happens after you wake up from the dream and have to pay for it. As the film presents its a tale with the highs like being on drugs but then eventually you have to come down and sober up and the pain of what sobering up feels like. 

GRADE: A