TWINLESS (2025)

Written & Directed By: James Sweeney

Cinematography: Greg Cotten

Editor: Nik Boyanov

Cast: James Sweeney, Dylan O’Brian, Aisling Franciosi, Lauren Graham, Chris Perfetti, Tasha Smith, Cree, Katie Findlay, Kody Harvard

In Twinless, two young men meet in a twin support group and form an unlikely friendship. Roman and Dennis both search for solace and an identity without their other halves and soon become inseparable outside the group. But when Roman meets Dennis’ ebullient co-worker, Marcie all is revealed to be not what it seems, as each man harbors secrets that could unravel everything.


This is a buddy comedy, but not a traditional one. Nor is it romantic, but it does involve intimacy. This also seems the type that film festival is like Sundance love. Though at least this film truly does earn it.

The film feels more with emotional humor and situational humor, all at once, as well as the absurdities of life and almost a comedy of errors that leave things awkward throughout the madcap situations the lead characters find themselves in. While dealing in loneliness and how when in that state any connection large or small might feel deeper and bigger to one individual. While the other might find it more casual or fleeting. 

Though for all of it comedic persona or personality, it gets deeply dramatic at times as a cloud of melancholy hangs over most of the film as the film looks at loneliness and the power of bonding in friendship. 

Dylan O’Brien gives a great performance in this film playing two roles and you believe him as two totally different characters. Even though they are related as they are both different and unique. As even though he is phenomenal in this film, kind of wanted to see more of him as the twin who has the shorter amount of Screen Time, who is the more entertaining in charismatic one.

Speaking of dazzling performances Aisling Franciosi again manages to transform herself to an almost unrecognizable character than she has played before emotionally and physically. So that throughout you can’t Take your eyes off of her. While you understand why she is fallen for 

Don’t get me wrong. The film is very quirky but at times it feels all too real not necessarily identifiable because of how deep the characters dig themselves but again there’s an awkwardness to it that is undeniable and feels very cringe while you watch.

The film can be understated and it stars the Writer/Director James Sweeney. Who also definitely comes across as memorable throughout the film. I’m playing the depressive yet obsessed lead but you appreciate his performance. As he seems to be smart, but makes all the wrong decisions and isn’t afraid to admit to and indulge in his dark side.

This is a film that is hard to describe or categorize exactly. As it does take you on quite the journey, even while It seems like it’s standing still though can say that it explores friendship, like any other relationship, but not one that mature is overtime more one that is intense though just as strong

GRADE: B+

TURTLES ALL THE WAY DOWN (2024)

Directed By: Hannah Marks

Written By: Elizabeth Berger and Issac Aptaker

Based On The Novel By: John Green

Cinematography: Brian Burgoyne 

Editor: Andrea Bottigliero

Cast: Isabela Merced, Cree, Judy Reyes, Felix Mollard, Maliq Johnson, J. Smith-Cameron, Poorna Jagannathan, Tim Gooch, Hannah Marks, Debby Ryan 

Aza Holmes. It’s not easy being Aza, but she’s trying… trying to be a good daughter, a good friend, and a good student, all while navigating an endless barrage of invasive, obsessive thoughts that she cannot control. When she reconnects with Davis, her childhood crush, Aza is confronted with fundamental questions about her potential for love, happiness, friendship, and hope in the face of her mental illness.


A nice coming-of-age story that deals with mental health primarily OCD.

Though at times the film does feel a little wish fulfillment It does feel a bit more real emotionally than some of its peers.

What I really enjoyed is that the film starts off introducing the characters and giving us what looks to be a mystery and investigation and uses it as an introduction to take us on a different journey and a different type of film and story and then kind of bring it back to our initial adventure that closure but also further the other story that was in the middle.

It’s refreshing that all of these issues and drama are tackled with a cast. That is the verse, but the main characters are mostly of Hispanic origin so there are more people of color within this film.

One thing I have to credit is that this film is based on the book by John Green and I have not read this book. I have seen most of the film adaptations of his books and each one while summer better than the others. They have all been heart-wrenching and heartbreaking and well done and I feel it because his books are a wealth of material that is easily identifiable and have an everlasting ring of truth in tragedy is still uplifting and romantic.

One has to give Director Hannah Marks great as she is an actress and Director, and for someone so young has knocked it out of the park with the films that she has directed usually our stories are always so well acted quirky, and memorable that she is a great talent that deserves to recognize more.

No, it does show that maybe I’m getting older as the lead character’s best friend I found it continuously annoying and was glad half the time when she wasn’t in scenes, but by the end, her character is so so endearing that I couldn’t imagine the film without her character without her.

As these films used to be catnip for me, and I used to be one of the first people, crying and being emotional over these films and while it still gets to a part of me, I don’t find myself as emotionally invested as I used to. I still these types of films. 

What I appreciate is that there was no big cure at the end there’s an ending that works, but there’s also the truth about the condition and the characters in that it may never be solved. Simply, you have to keep living your life and deal with it as it comes.

It’s also the first time that maybe I’ve noticed where a romantic comedy kind of looks at the male love interest through a female gaze as they’re not the center of the story, but more towards the side and are unbelievably helpful and good-looking and are there to provide moral support and the film goes out of its way to make them just the perfect love interest for the character where they’re tall their good looking they’re rich they give them what any woman would want. 

The only thing in the way is the female character and confidence. So the male here is more in the role of the dream partner in the flesh and willing and waiting. While only having eyes for them.

Grade: B