Conor Murphy – Cut To The Chase

Written & Directed By: Sophie Brooks

Story By: Molly Gordon

Cinematography: Conor Murphy

Editor: Kayla M. Emter

Cast: Molly Gordon, Logan Lerman, Geraldine Viswanathan, John Reynolds, David Cross, Polly Draper, Desmin Borges, Jim Gary Jr.

Iris and Isaac’s first romantic weekend getaway goes awry in a most unexpected way.

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This is a disarming and strange film only because at first you think you know where it’s going, and while it plays that way, for the most part, it offers different directions mindsets and present us with characters rather than relying only on its plotting

Originally thought this would be more of a two hander.

the first half of the film Is really enjoyable Which was more conventional, by the second half it starts to fall apart a little. As it becomes Less conventional and while not expected it works on it’s Own Even if not necessarily fulfilling in the way that you had hoped

Would have liked it, if it was more ambiguous at the end, but it is a romance after all so has to have that kind of ending. No matter where the film goes

So much so, that you care what actually happens and will this resolve itself. While wondering what will happen? Even the supporting characters only add to the films charm.

While the two leads played with wit by Molly Gordon and Logan Lerman are such a cute couple, who are hiding issues and deep, dark secrets that they have to take a look at themselves. As well as each other to truly move forward in general. Though who knows if this would’ve even happened if not for the films inciting incident.

This is the type of romantic comedy. They don’t make anymore. It’s a little bit more formula, but you can identify with the characters you’re rooting for the characters. it’s not overly cute nor painstakingly unbelievable that feels more like a dream scenario. It deals with real issues minor and mighty that actually come up in more modern relationships.

The stakes aren’t that mighty, but there enough for you to pay attention and care. Where you want to see what’s going to happen. where this is gonna go and how will this resolve itself and while the film isn’t a star showcase. One has to give props to star Molly Gordon, who also came up with the story for the film. As she continuously keeps making projects that give her a showcase for her range and talents in leading to supporting roles, just as she did with the film THEATER CAMP, which she co-wrote and Co-Directed

This is-one of those films that is subtle enough that you admire it for what it is and really taking a deep look at these characters plus the relationship. As well as what might be in the future for each of them.

The visuals of the film are broad with a single location. It’s almost a two hander. The only thing that keeps it from being that way, is quite a few supporting characters, though this could’ve easily been a play and that’s not a bad thing.

Then again, maybe one was just blinded by the mood and the actors. With a film that can be cynical, but chooses not to be most of the time

Grade: B

Story By & Directed By: Sophie Kargman

Written By: William Day Frank

Cinematography: Conor Murphy

Editor: Christine Park

Cast: Kiersey Clemons, Alex Wolff, Jim Gaffigan, David Walton, Rachel Sennott, Ken Marino, Isaac Powell, Geoffrey Owens, Alex Moffat, Dolly Wells, Jared Gilman, Kat Foster

An awkward college student who seizes the opportunity to bolster her popularity and her under-the-radar true-crime podcast by solving the disappearance of a classmate.

This is a perfect starring vehicle for actress Kiersey Clemons who hasn’t gotten a role this rich and expressive since SWEETHEART. She ends up being the major reason to watch the film. She is not only the star of the film but It’s heart.

The film starts off as quirky before taking more of a dark spin that even at its darkest stays a bit light. It seems like a film that will be Smile but by the end, it becomes more of a character study.

It offers some twists though eagle-eyed viewers will be able to predict certain elements and revelations, but you can’t see the emotions attached to them.

What at first seems like a movie that could easily be made into a franchise ala MURDER SHE WROTE only younger and with a goody too shoes who is socially awkward at its center. Maybe even on a smaller scale KNIVES OUT Slowly turns into a thriller that slowly becomes thrilling and strangling. Even if for us in the audience the consequences aren’t as daring.

It does stay tight. The only weakness it has is that it never feels like we are that involved and we are held at a distance. Just as we get to know Susie’s day-to-day before she starts investigating. There could have been more scenes to flesh everyone out. Instead of just moments. Where we are not quite sure what the meaning of them exactly are.

The film stays colorful and a bit odd at times. it never breaks into feeling bigger. Even though it takes place in a small town. The film stays feeling minute throughout.

However, it should be noted that race never plays into the film. Her being one of the few minorities in the film and being one of the smartest characters. Also helps her stand out and be more of interest.

It is a perfectly quirky film to watch and be a kind of time waster. Though by the end for all that it succeeds. You just wish it had a bit more impact. You want to give the film the goodwill it seems to want and deserve. Just as the main character seems to desire and lack.

By the end it is ambiguous though it leaves you quite sad. As a kind of melancholy begins to take over.

Grade: C+

Tag: Conor Murphy

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