KRAZY HOUSE (2024)

Written & Directed By: Steffan Haars & Flip Ban Der Kuil 

Cinematography: Joris Kerbosch 

Editor: Rene Van Henegouwen and Flip Ban Der Kuil 

Cast: Nick Frost, Alicia Silverstone, Jan Bijvoet, Gaite Jansen, Walt Klink, Kevin Connolly,

Chris Peters, Matti Stooker 

Set in the 1990s, Krazy House follows religious homemaker Bernie and his sitcom family. When Russian workers in Bernie’s house turn out to be wanted criminals, Bernie has to man up and save his imprisoned family, while slowly going crazy.


This film plays like an extended and demented adult swim short film. Only trying to be as cynical and nasty as it could be well also being anti-religious.

At first, it comes across as a satire of living inside a kind of fantasy sitcom world. Before getting darker and darker a bunch of criminals are introduced into this fantasy and start to literally wreck everything..

This causes the father character head of the family to Sometimes flash into a reality that is much slicker, but also much more violent and cruel. 

The lead glimpses into the main character’s fractured psyche. then can easily figure out what will happen when he finally breaks more often.

Though the film is 90 minutes, it takes so long to get there. It feels like punishment for the audience, as well as the characters finally have the bad guys get their comeuppance.

It still manages his surprise at times it would help if we cared enough about the characters once eight finally starts to move.

This film just feels very low rent, even though the filmmakers have made a cult comedy series of movies with the new kids in gross Norwegian exploit of comedies. 

They also made another horror film starring Nick Frost, who stars. The other film GET AWAY Fairs, is much better as it is a bit more conventional and traditional with a twist. Nick Frost co-wrote that film. This film feels more experimental and inspired to try an expand on an idea and material and not quite being successful at it

Grade: D+

BOY KILLS WORLD (2024)

Directed By: Moritz Mohr 

Written By: Tyler Burton Smith and Arend Remmers

Story By: Moritz Mohr and Arend Remmers 

Cinematography: Peter Matjasko 

Editor: Lucien Barnard 

Cast: Bill Skarsgard, Jessica Rothe. Yayan Ruhian, Andrew Koji, Isiah Mustafa, Famke Janssen, Brett Gelman, Sharito Copley, Michelle Dockery 

Boy, a mayhem machine with a hilarious inner voice, has been trained from childhood by his mentor to assassinate the bloodthirsty Hilda Van Der Koy and avenge his family’s murder. Guided by his little sister’s mischievous spirit, Boy uncovers one stunning revelation after another as he barrels toward Hilda, leading to a shocking, carnage-crazed finale.


Though not quite a b-movie, this film would go well on a double feature with a hobo with a shotgun. As both films have their own extremes, but both feel more like a comic book or a video game watching them,  this one is less exploited and filled with more action and violence. However, the film does create quite a crazy world and builds somewhat from there.

Even if it still always feels a little bit like a Third World country. 

Ultimately, a revenge tale in a totalitarian land far off from any reality, the film combines all types of action, hands, hand weapons, and knives, and Wiley does have plenty of comedy and adrenaline impact action that is literally balls to the wall that can become ridiculous. It’s a film where so much keeps happening, and there are so many quick cuts that you kind of get used to it and it constantly tries to up the auntie though not quite to its best  advantage

It has quite an impressive cast, and Bill Skarsgård does his all to be an action hero, who literally is mute but is voiced by the narrator of his favorite video game, who gives voice to his thoughts, even though he can’t really talk. Though he comes more as an action character here than he did in JOHN WICK 4

It also costars Andrew Koji, who is almost unrecognizable, and his role, though is quite hilarious, handles his action scenes as usual.

It has the man Yayan Ruhian from THE RAID movies and he proves as usual to be just as dangerous and badass here as he was in those films and it’s just amazing in the action sequences. Even if more in a supporting role. 

The film is inspired. I heard the soundtrack before I saw the film which hyped me up for the movie unfortunately it doesn’t quite match.

this is a movie that is more about style and feels a bit long as one can appreciate them building the story in the beginning, but it didn’t need to take that long to get to the real heart of the film and what the audience came for just a bit too long it is worth your time

The action sequences are breathtaking and quite impressive as it is the film’s bread and butter. it’s quite imaginative and very inspired.

Though this might be a case where all that you wanted, and it’s not measuring up or being as magical as you had hoped or thought it  would be

This is definitely a film for those action junkies out there who will probably love it, though others might find it a little monotonous at times as it keeps seeking to impress the target audience

Grade: C 

JACKPOT! (2024)

Directed By: Paul Feig 

Written By: Rob Yescombe 

Cinematography: John Schwartzman 

Editor: Brent White

Cast: Awkwafina, John Cena, Simu Liu, Sam Asghari, Ayden Mayeri, Becky Ann Baker, Michael Hitchcock, Leslie David Baker, Colson Baker (Machine Gun Kelly), Seann William Scott, Dolly De Leon

In the near future, a ‘Grand Lottery’ has been newly established in California – the catch: kill the winner before sundown to legally claim their multi-billion dollar jackpot.


This film feels like a live-action version of Michael Jackson’s SPEED DEMON, a music video only here with more details. Which should tell you how random and cartoonish this movie is throughout.

If you can get past the ridiculous setup, you find yourself in a film that is never boring and has entertaining popcorn fare. 

That seems to throw some action and comedy into each new scene that comes along.

Truthfully, you will probably forget most of this film after you finish watching it.

a film directed by noted director Paul Feig who keeps things moving, but offers many scenes that would be memorable if they were just a bit stronger at heart.

The cast is strong as both Awkwafina and John Cena seem to be Hulu channel original stars as each seems to have a movie or two come out on the channel each year and are usually a buddy comedy. Dwayne “The Rock” Johnson, Chris Evans, and Ryan Reynolds seem to be Netflix original stars to mix and match throughout their productions. It seems the scripts and stories come later than the big names they can get to be attached.

This is the same kind of high-concept 1980s script that comes across as basic and could have made it to theaters but might leave many disappointed if they had to pay to see it. Even though what you see is what you get from the trailers alone.

Aquafina while funny gives a good performance. It feels like the role could’ve been played in any way it doesn’t give her room to do anything special or new.

John Cena always seems enthusiastic in his performances and his hair usually tells you all you need to know about the characters he plays and where it might be going.

Ayden Mayri is a stand-out amongst the supporting cast. As she is hilarious, deadly, and believable.

The comedic cameos throughout don’t hurt the film, but they don’t help much except for the audience to take them in and be done with them, just as fast as they appear. 

What helps the film coast along is in a pleasurable way is that the action sequences are so good while also managing to be organically funny.

Grade: C+

YES, MADAM! (1985)

Directed By: Corey Yuen

Written By: James Clouse and Barry Wong

Cinematography: Bill Wong

Editor: Peter Cheung

Cast: Michelle Yeoh, Cynthia Rothrock, John Sham, Hoi Mang, Hark Tsui, James Tien, Dick Wei, Fat Chung 

Two unlucky thieves break into a just murdered man’s hotel room and steal his passport with a hidden microfilm wanted by a triad boss. Two hard-kicking women cops from HK and the UK get the case.


I didn’t know much about this film going in. That only added to the surprises and pleasures that this film offers.

This is an enjoyable action film starring Michelle Yeoh and Cynthia Rothrock as a kind of buddy comedic film. Though the laughs mainly come from the con-man trio they are chasing throughout and working with on deals to catch bigger villains. The film allows them to be human and a bit more than just types. 

There are plenty of action set pieces. As the film is mostly easy though towards theme becomes a bit more dramatic and tragic.

There is plenty of stunt work and scenes that amaze as far as their choreography. Not surprising when you know the the director is master fight choreographer Corey Yeun. Which truthfully is one of the reasons one finally checked this movie out. 

The film moves quickly, though some jokes and scenes go on for a bit too long. Overall, it is a joyous affair that never quite runs out of energy.

Grade: B 

A REAL PAIN (2024)

Written & Directed By: Jesse Eisenberg 

Cinematography: Michal Dymek

Editor: Robert Nassau

Cast: Jesse Eisenberg, Kieran Culkin, Jennifer Grey, Will Sharpe, Daniel Oreskes, Liza Sadovy, Kurt Egyiawan, Ellora Torchia 

Mismatched cousins reunite for a tour through Poland to honor their beloved grandmother, but their old tensions resurface against the backdrop of their family history.


One wonders as he writes, directs, and stars in the film. If Jesse Eisenberg wrote this film specifically for Kieran Culkin and his talents or just a dynamic role and character that culminated easily fits. As he has played versions of this type before. Only here he has softer edges to offer the character. He still is good at playing these types of characters and roles. His performance comes off more natural not clearly scripted and more off of instinct. 

As it gives Eisenberg a perfect partner to bounce off of and play the exact opposite of. Eisenberg’s character is his usual nerdish, nebbish, and afraid of life. Overly polite and settled down with a wife and child. So he is responsible. who resents but is amazed by his cousin. Who is charming, resourceful, and troubled.

This trip is catching up for both of them. Not to mention an adventure. To honor their grandmother. 

As it goes along you wonder exactly what is going on. As the film and main character grow more Intense you wonder exactly what she is after and hoping to achieve. As it comes off more an intellectual’s adventure. Which is pleasant but always seems At odds. Even when there is no reason for there to be 

So that the film constantly ends up and feels like a mystery. That sometimes gets explained but other times, lets it flow and we hope will work itself out and find closure, but we will always wonder.

One can appreciate the end. As an ending an end to this adventure for both of these characters. Where they go from here we will have to wonder or at least wait and see. As it’s not clearly defined. 

Though have to admit for such a short film, it feels like it drags a lot of time and is a bit like the whimsical indie films of the early 2000’s. It tries to register characters in a foreign environment that is picturesque historical and oddly Poetic filled with conversations and tries to be on the wavelength of visual Poetry. 

Though from Someone who knows how to do it but feels way too Technical Than actually passionate.

Grade: B-

HAPPINESS FOR BEGINNERS (2023)

Written & Directed By: Vicky Wright 

Based on the novel by: Katherine Center

Cinematography: Daniel Vecchione 

Editor: Suzanne Spangler 

Cast: Ellie Kemper, Luke Grimes, Nico Santos, Blythe Danner, Julia Shiplett, Ben Cook, Shayvawn Webster, Gus Birney 

A year after getting divorced, Helen Carpenter, thirty-two, lets her annoying, ten years younger brother talk her into signing up for a wilderness survival course. It’s supposed to be a chance for her to pull herself together again, but when she discovers that her brother’s even more annoying best friend is also coming on the trip, she can’t imagine how it will be anything other than a disaster.


This has been a trend for Netflix recently releasing romantic movies that seem like they more belong on the hallmark network. That would seem like in the old days the type of TV- movie a network would put all of its show stars into one to win ratings for the night. Not to mention keep their salaries down by making them do the television movie rather than a big screen role that might be a hit and increase their asking price 

This film is simple enough and it’s romantic and heartwarming. So that it has its charms and laughs even though you never are in doubt as to where it is going. 

Happy to see Ellie Kemper in something. Though there are many things here that just nag you in the audience. The characters other than the roads seem to be one-dimensional they get mroe dimensions by the amount of screen time they have.

Most of the cast are good looking at least the ones who are either the romantic leads or might be distractions for them. 

Never quite understand why Kemper’s character would marry a guy who is such an idiot and has no chemistry with him. To set her characters ark and then when it’s obvious who she is supposed to be with they have moderate chemistry but still seem a bit put off. 

Despite the film’s many problems and situational humor. It still has a charm. It’s not impressive but it’s a nice enough viewing.

Grade: C

#STUCK (AKA THE MORNING AFTER) (2014)

Written, Directed & Edited By: Stuart Acher

Story By: Dana Waxman and Neil Pollner 

Cinematography: John Matysiak 

Cast: Joel David Moore, Madeline Zima, Abraham Benrubi, Jayson Blair, Joanna Canton, Joel Michaely 

A hot one-night stand turns into an awkward morning after when GUY and HOLLY get STUCK in a dead-stopped traffic jam. As they begrudgingly get to know each other, we learn of their sexually raucous evening and then they’re led to their surprising destiny.


One might label this an MTV version of the BEFORE SUNRISE films as we watch characters learn about each other only after they have had a one-night stand and are stuck in Never-ending traffic.

While there are plenty of conversations throughout the film. There are also plenty of cutaways of other passengers and flashbacks of the precious night. Where we get to see how they got together in the first place.

So that we learn about each of the characters. As they do, which helps us in the audience to become more invested in the characters and their fates. 

The film does tend to people in other cars stuck in the traffic jam as well. Though only for minutes that feel more like filler and some distractions to keep the film from being a two-hander. Even though in the flashbacks we do see plenty of others. However, it also makes the independent production feel bigger in scope to a degree. 

It’s a cute romantic indie film with plenty of humor and the leads will charm the audience. I enjoy both lead actors but really watched the film for Madeline Zima and wasn’t disappointed.

At times the film is a bit mroe risqué than expected year manages to stay sweet throughout. Even when it tries to be cynical. It still manages to leave you with a smile on your face.

Grade: C+

WE BROKE UP (2023)

Directed by: Jeff Rosenberg 

Written By: Jeff Rosenberg and Laura Jacqmin 

Cinematography: Andrew Aiello

Editor: Stephanie Kaznocha 

Cast: William Jackson Harper, Aya Cash, Sarah Bolger, Tony Cavalero, Peri Gilpin, Azita Ghanizada, Kobi Libii, Larisa Oleynik, Eduardo Franco 

Longtime couple Lori and Doug break up just days before Lori’s little sister Bea’s wedding to Jayson. In order to not disrupt the fun, they decide to pretend they’re still together until the weekend is over.


This is The second movie I have watched with William Jackson Harper about an African-American breaking up with a white woman, but also played by a good underrated actress here played by Aya Cash. both of them can pull off this material in their sleep.

We’ve seen this type of story and film before a comedy-drama with romance where a couple is forced to attend a wedding and act like nothing happened to say face in front of family and friends and for the special occasion 

Like most relationships, the same in many ways, but are significantly special in the details, locations, and structures of their own

Going through the break up with one another, and so close to the time was all already sudden we are watching them deal with the ramifications and emotions while being forced to be around one another

The film is artistically, directed, and pasted while going for comedy or humor, but not too outlandish at times

It’s a joy to either of the actors and anything as they have shown their versatility and can be quite charming.

As it’s actually more enjoyable than expected, and it gets deeper as it goes along and offers a mature look at relationship relationships they will admit it is filled with sitcom situations and humor at times.

It’s a satisfying watch that will ring true for some viewers as it is the cast that pulls it across the finish line and makes it somewhat memorable.

Grade: C+

THE CHUMSCRUBBER (2005)

Directed By: Arie Posen 

Story By: Arie Posen and Zac Stanford 

Written By: Zac Stanford

Cinematography: Lawrence Sher 

Editor: William Scharf And Arthur Schmidt 

Cast: Jamie Bell, Camilla Belle, Justin Chatwin, Lou Taylor Pucci, Rory Culkin, Glenn Close, Carrie Anne Moss, Ralph Fiennes, Jason Isaacs, Lauren Holly, Caroline Goodall, William Fichtner, John Heard, Allison Janney, Rita Wilson 

a dark comedy about the lives of people who live in upper-class suburbia. It all begins when Dean Stiffle finds the body of his friend, Troy. He doesn’t bother telling any of the adults because he knows they won’t care. Everyone in town is too self-consumed to worry about anything else than themselves. And everybody is on some form of drug just to get themselves through the day. After Troy’s death, local drug dealers at the school run out of their stash. They convince Dean to get Troy’s stash or they are going to kill his brother that they kidnapped, but they grabbed the wrong kid.


This show is an intriguing failure that seems to be some sort of statement or satire on disaffected teens coming apart at the seams in suburbia after tranquilizing themselves on recreational drugs for so long that they seem to be scared of their own emotions. I wish the film played and explored more of what I just described.

Instead, the film seems more interested in the adult characters, who are not as deep and as types. This only makes their stories seem melodramatic or the product of a soap opera. Which makes one wonder how the film got such a powerful cast for a film that feels more like a desperate Housewives spin-off

The film seems to shy away from too much depth to focus more on the quirks and offbeat comedy.

The film is all surface but tries too hard at times to seem deep almost like a pretty girl reading an intellectual book and you notice over weeks each time you see her she is on the same page as she only does it for the attention or seems smarter than she might actually be

The ending feels too. The end feels too clean cut which one could see if this was based on pre-existing material but as it is an original production, it could’ve been worked on a bit more. It feels too self-serving, trying to please an audience instead of going for emotional truth.

It ends up playing more like a studio version of an independent coming-of-age film. With the parents so busy with themselves, they never pay attention to their own kids, even after one commits suicide, which might be blatant science for attention and help or even subconscious ones.. though the adults seem to anodize themselves with Work and each other as a form of hiding.

The film tries to tighten it like video games and not feeling real trying to achieve a numbness or doing things so that they can feel something. Not fall into the same traps and behavior as their parents, though it seems they easily follow suit.

Has a good score which other than the cast seems to be the most accomplished thing about it.

Grade: C

ONE OF THEM DAYS (2025)

Directed By: Lawrence Lamont 

Written By: Syreeta Singleton 

Cinematography: Ava Berkofsky 

Editor: Kim Boritz-Brehm And Tia Nolan 

Cast: Keke Palmer, Sza, Vanessa Bell Calloway, Maude Apatow, Katt Williams, Patrick Cage, Lil Rel Howery, Gabrielle Dennis, Janelle James, Amin Joseph 

When best friends and roommates Dreux and Alyssa discover Alyssa’s boyfriend has blown their rent money, the duo finds themselves going to extremes in a race against the clock to avoid eviction and keep their friendship intact.


At first, this film Feels like it’s Going to be the female version of FRIDAY. It’s not so much a hang-out movie as the characters keep running around the city. Though like that film there are plenty of colorful characters.

The humor is also a little More Lightweight and goofy. as at times it feels like it could go further but it keeps holding itself back to be less wacky and a bit more Realistic. 

The film is entertaining and likable enough. Though the comedy there is. Nothing exceptional except Again it’s nice to see two female Characters in a comedy. They get into all sorts of adventures and shenanigans and aren’t necessarily Portrayed as angels, but as good at heart.

Especially one staring at two African American females that are as smart as it is silly and doesn’t feel like it’s Talking down nor above the audience. 

The Film Stays fun throughout. Though both the leads are way better than the material they make it work with their chemistry and energy. Keke Palmer deserves better scripts and roles. She clearly is having the time of her life.

One admires her for her natural charisma On Screen and has usually been solid in her roles. As she is a former child Star has kept working over the years and only recently started getting recognized for her talent and getting bigger and better roles. As here she is the more responsible of the duo.

Sza plays the second lead the more free-spirited of the duo. Also the more comedic one and she makes a memorable acting debit 

As always in comedies some Of the best things about the film And script are the supporting characters those who are predictable and unpredictable.

The only part that could have been worked on or tighter could have been the third-act villain out of nowhere. 

It’s a film that moves fast and isn’t too deep keeps Up the momentum, and never slows down 

Grade: B-