NEXT FRIDAY (2000)

Directed By: Steve Carr
Written By: Ice Cube
Based On Characters Created By: Ice Cube & DJ Pooh
Cinematography By: Christopher Baffa
Editor: Elena Maganini


CAST: Ice Cube, Mike Epps, John Witherspoon, Sticky Fingaz, Don D.C. Curry, Tamala Jones, Lisa Rodriguez, Amy Hill, Clifton Powell, Kym Whitley, Jacob Vargas, Tommy “Tiny” Lister, Michael Rappaport 

This time the film follows Craig, as he is sent to live with his uncle in the suburbs. Who has just won the lottery after his nemesis from the first film breaks out of prison to look for him. 


The problem with this film is that there seems to be a void with this film compared to the original. Half the cast is gone. The new cast seems to give it their all but comes up very short. Since most of the cast are comedians. It seems like they are improvising their routines in the context of their scenes. Where the first film had original and inspired comedic characters. This one seems to wallow in stereotypes. It is occasionally humorous but not hilarious. 

The Standout is the character of Pinky Played By Clifton Powell and the female lead Played by Lisa Rodriguez, who is so gorgeous and talented that I am shocked she never went on to bigger and better. Not even smaller roles in big films or indie films. 

 John Witherspoon seems to be being punished for being In this film as he spends most of it running around with dog shit stuck to him. Why? It’s not funny nor does it have anything to further the story along. 

 The film tries but lacks a certain energy that the first film had it tries here to replace it with enthusiasm but it doesn’t work. It was the combined talent used in the first film that made it such a winning success here. Ice Cube loses the original director and Co-star. Who obviously make the crucial difference between the two films.

This is a nice attempt but maybe Ice Cube should have refined it a little before making it. Instead of just taking a first draft and assuming the masses will take what they can get from the franchise. He was partially correct as the film was a hit. Especially with a stoner audience that doesn’t ask too much for the quality, but for regular fans that is a big problem.

The film lacks quality which makes it an empty enterprise. I just don’t find Mike Epps that engaging actor or that funny. So he is a sub-par replacement for the charismatic Chris Tucker as a Sidekick.

The film has its moments but never quite measures up and wise seems more like it is pandering. As it has a good set-up but takes the main characters and leaves them as fish out of water but also cleansing half the characters that made the original great and somewhat identifiable here the characters feel more like caricatures then anything purely there for jokes that don’t work

GRADE: D+

ALPHABET CITY (1984)

Directed By: Amos Poe
Written By: Amos Poe & Gregory K. Heller
Story By: Gregory K. Heller
Cinematography: Oliver Wood 
Editor: Grahame Weinbran 

Cast: Vincent Spano, Kate Vernon, Michael Winslow, Jami Gertz, Clifton Powell, Ray Serra, Daniel Jordano, Zohra Lempert, Tom Mardirosian, Tom Wright 

A New York City drug dealer decides to get out of the business, but has to flee from mobsters.


It took a while for me to watch this film. As the DVD and video cover made it look like some revenge movie from a third-world country all bathed in brown and gold.

Once I finally saw a trailer for the film it intrigued my interests.

One of the odd times that actor Vincent Spano played a leading role. Usually whenever he does the film almost comes off as an oddity, a memorable film, and performance.

This film is stylish and goes for a kind of gritty neon-noir look that takes place all in one night, but it comes off more shiny than deep. As it plays almost like a MIAMI VICE episode style only in New York. Even though it came out before that show. So maybe it influenced that show. 

As it is episodic, the character is working on a kind of countdown that seems to have started as more of a regular night. As it seems he is given a job to do in one night that would help set him up in the mob higher. Yes, he is more than just some street dealer. He has aspirations and a family.

It seems episodic as most characters he seems to only deal with on one or two scenes and then never heard from Or at least seen again except for when it is convenient. The ones we Do keep seeing are his adversaries and his best friend/top dealer/drug addict played by Michael Winslow in a strange off-kilter nihilistic dramatic Performance. Which strangely comes off reminding one of Chris Tucker in tone.

The film keeps your interest up. Even if it is more a fascinating look at early 1980’s New York before it got cleaned up. So that it works as a kind of nostalgic time capsule of the city mainly in the neighborhood of the title.

There are of course its fair share of ridiculous scenes like how Long it takes him to realize he is being set up by one of his clients. How his girlfriend refuses to leave. When he explains why they have to leave town even though she understands why he does. She expects his gangster bosses to spare her and their child.

Though there is some action it’s not awe-inspiring even though in one scene you can see the director John Singleton used it in 2 FAST 2 FURIOUS. Though in that movie it Was used as an impressive sequence of seduction and cool. Here it is more used as a means of intimidation and cool. 

Proving that this film is more influential than anyone expected and seems to be a well-Kept secret.

By now if you have watched enough films the story Will be predictable with a happier ending than you Would normally expect. That is an act that makes no sense but works for the end.

The film comes off as a nice attempt to make something a little more artistic even with a familiar storyline at the time. It comes off as hip more than anything. 

Grade: B-

NORBIT (2007)

norbit

Directed By: Brian Robbins
Written By: Eddie Murphy, Charles Murphy, Jay Scherick & David Ronn
Story By: Eddie Murphy & Charles Murphy
Cinematography By: Clark Mathis
Editor: Ned Bastille

CAST: Eddie Murphy, Thandie Newton, Cuba Gooding Jr, Terry Crews, Clifton Powell, Eddie Griffin, Katt Williams, Marlon Wayans, Michael Colyar, Kristen Schaal, Rob Huebel

Norbit is a normal person, who after being adopted by Mr. Wong, ends up being married to the very large, Rasputia. Norbit’s childhood love, Kate Thomas arrives back in town to buy the orphanage. Norbit sees this as his chance to get back together with Kate, until he discovers that she is in fact engaged to Deion Hughes. Norbit isn’t going to lay this to rest, whilst he tries to survive life with Rasputia, and it looks like Deion also has something he would like to keep secret.

Continue reading “NORBIT (2007)”

ALL EYEZ ON ME (2017)

tupac_1498770010_crop_550x335

Directed By: Benny Boom
Written By: Jeremy Haft, Eddie Gonzalez & Steven Bagatourian
Cinematography: Peter Menzies Jr.
Editor: Joel Cox 

Cast: Demetrius Shipp Jr., Kat Graham, Hill Harper, Danai Gurira, Annie Ilonzeh, Lauren Cohan, Keith Robinson, Jamal Woolard, Cory Hardict, Clifton Powell, Jamie Hector, Deray Davis   

Tells the true and untold story of prolific rapper, actor, poet and activist Tupac Shakur. The film follows Shakur from his early days in New York City to his evolution into being one of the world’s most recognized and influential voices before his untimely death at the age of 25. Against all odds, Shakur’s raw talent, powerful lyrics and revolutionary mind-set propelled him into becoming a cultural icon whose legacy continues to grow long after his passing.

Continue reading “ALL EYEZ ON ME (2017)”

NEVER DIE ALONE (2004)

neverdiealone_pic5

Directed By: Ernest R. Dickerson
Written By: James Gibson
Based On The Novel By Donald Goines
Cinematography By: Matthew Labitque
Editor: Stephen Lovejoy 


Cast: DMX, David Arquette, Michael Ealy, Reagan Gomez-Preston, Drew Sidora, Antwon Tanner, Luenell, Clifton Powell, Tommy “Tiny” Lister, Jennifer Sky, Aisha Tyler

A film noir centering around a hard-boiled, stylish kingpin drug dealer, called King David, who returns to his hometown seeking redemption but ends up only finding violent death. King David’s final moments are spent with Paul, an aspiring journalist who knew him for just a few minutes; yet King David would forever more have an impact on Paul’s life. Half preacher, half Satan, and all street smarts, King David had recorded the story of his exploits on audiotape, leaving behind an often-poetic sermon on villainy and its consequences. The tapes reveal that the cycle of violence and retribution, which his actions have spawned, has come back to him, full circle, as he suspected they might all along. Continue reading “NEVER DIE ALONE (2004)”