WOLF (1994)

Directed By: Mike Nichols 
Written By: Jim Harrison & Wesley Strick 
Cinematography: Giuseppe Rotunno 
Editor: Sam O’Steen 

Cast: Jack Nicholson, Michelle Pfeiffer, James Spader, Christopher Plummer, Richard Jenkins, Kate Nelligan, Eileen Atkins, David Hyde Pierce, Om Puri, Ron Rifkin, Allison Janney 

Worn down and out of luck, aging publisher Will Randall is at the end of his rope when a younger co-worker snatches his job out from under his nose. But after being bitten by a wolf, Will suddenly finds himself energized, more competitive than ever, and possessed with amazingly heightened senses. Meanwhile, the beautiful daughter of his shrewd boss begins to fall for him – without realizing that the man she’s begun to love is gradually turning into the creature by which he was bitten.


I remember being entertained when I first saw this movie on video. Watching it now It comes across as instantly dated. As that is only part of the problems one might have with the film. 

Watching this film you can tell Mike Nichols who is a great and legendary director. Is more of a character and actors director more than a genre director. He brings esteem to the proceedings in what could have been easily more exploitive fare. 

Who brings a well-known and established cast to the movie. Actors who wouldn’t necessarily be bothered to be in this type of film. At the later stages of esteemed careers. 

As much of this movie plays out as a drama and romance rather than a monster movie or horror film. As a first, the film chooses to showcase the peers he gets from being a werewolf that helps bring vitality to him

And his life. Where he stands up for himself. Then it becomes more of a burden in his romance with the boss’s daughter but only after he finds out his wife is cheating on him.

It seems like they either tried to keep the horror elements on the periphery or forgot about it at times and were only interested in the dramatic thriller aspects of the story. Because it seems like there are scenes of it largely being absent, then “oh yeah” moments. 

After a while he has to deal with corporate politics and then being a suspect in his wife’s murder and trying to prove his innocence. 

While Jack Nicholson looks a little ridiculous in his wolf persona. It does make him seem more seasoned and watching him actually get into a battle as one looks a little silly but also reminds you what type of film you are watching. That tries to distinguish itself away from the fantasy elements. As it seems to look more ridiculous when it selves into them, but It’s not like it’s Corporate storyline is all that sharp about a senior getting pushed out by a younger contender who he helped train.

The film ends up playing way too long and very predictable. As the film seems to go through the motions. As it involves mostly main characters, is that a message to the audience that the older you are the more then you take? and the more thorough it must all be. 

As the film seems to want to make an example between the battles of nature and the battles in the business world and how they are similar. 

James Spader does what he does best. Where he puts on a spin on his upper-crust yuppie character image, but once we get to the third act of the movie. You can kind of predict his character arc. Even though when he starts acting peculiar the special effects give it away. Even though he doesn’t act too differently.

Considering the talent involved in this film. This should have been more memorable. As it is actually kind of forgettable. There are barely any memorable scenes. Even though Michelle Pfeiffer is the only one who has a history more with genre films out of the cast. Plus her playing in a werewolf movie after playing Catwoman is an amusing film irony.

Michelle Pfeiffer almost comes across as just another big name in a star-studded well-respected cast because while she is the female lead. She is the damsel in distress throughout most of the film or just simply the love interest. 

The special effects involved make the final fight look ridiculous. Rick Baker designed them and while One can give credit as at least they are practical effects instead of digital. 

This seems to join the ranks with THE HULK films. Just as there isn’t anyone good of those films. It’s Really hard to find a really good to outstanding Werewolf movie but you are more likely to find the latter than the earlier one. Though it is a little long in the tooth when it comes to running time 

Grade: C+

THE IMAGINARIUM OF DOCTOR PARNASSUS (2009)

Directed By: Terry Gilliam 
Written By: Terry Gilliam & Charles McKeon 
Cinematography By: Nicole Pecorini 
Editor: Mick Audsley 
 

Cast: Christopher Plummer, Heath Ledger, Lilly Cole, Andrew Garfield, Verne Troyer, Tom Waits, Johnny Depp, Jude Law, Colin Farell

In London, the sideshow troupe of Doctor Parnassus promises the audience a journey to the “Imaginarium”, an imaginary world commanded by the mind of Doctor Parnassus, where dreams come true. In the stories that Doctor Parnassus tells to his daughter Valentina, the midget Percy, and his assistant Anton, he claims to have lived for more than one thousand years; However, when he fell in love with a mortal woman, he made a deal with the devil (Mr. Nick), trading his immortality for youth. As part of the bargain, he promised his son or daughter to Mr. Nick on their sixteenth birthday. Valentina is now almost to the doomed age and Doctor Parnassus makes a new bet with Mr. Nick, whoever seduces five souls in the Imaginarium will have Valentina as a prize. Meanwhile the troupe rescues Tony, a young man that was hanged on a bridge by the Russians. Tony was chased until he finds and joins the group. Tony and Valentina fall in love with each other and the jealous Anton discovers that his competition may be a liar.


The thing when it comes to Terry Gilliam’s films is that his films are so far off the beaten path that it takes a while to get used to while watching his films. But once you get used to his world and get onto the rhythm of his films you are usually in for a treat. The man’s imagination is so vivid that you are guaranteed to see things you have never seen before.

This film I wanted to love but ended up liking the ingredients were there Gilliam writing with Charles McKeon who he co-wrote THE ADVENTURES OF BARON MUNCHAUSEN with. They create a vivid original world and characters but in many ways, it feels like it falls short. 

The story is Doctor Parnisuss made a deal with the devil that for immortality and the hand of the woman he loved the devil could have his daughter when she turned 18. They have an ongoing game. That involves a magical mirror. A mirror where people go into a fantasy world and can choose either light or the darkness if they go to the darkness the devil gets their soul if they go into the light they are given a euphoric joy that gives them delight and their fantasy come to life. He tries to find a way out of it but when the devil comes to collect he makes another deal the first who can get 5 souls wins. This would be a tragedy if not for saving Tony a mysterious rogue they find hanging off a bridge they save his life and tony repays them by coming up with a way to save their business which is a traveling circus, Side show with the magical mirror.  

This is Heath Ledger’s last film. He, unfortunately, died before the film was finished and his role is played in different scenes by Colin Farell, Johnny Depp, and Jude law which in its own way works as they all play fantasy versions of his character and it feels seamless. 
One always felt Heath ledger had the talent for bigger and better things and luckily he never had mainstream tastes when it came to roles he was always attracted to the more abstract roles which I felt would lead him to be the next Johnny Depp as early in his career he also was more in artistic films then later in his career finally choose more mainstream roles.  

The casting of this film is good Verne Troyer plays a good role not as comedic as usual. Christopher Plummer is a hoot as Doctor Parnisuss he is clearly having fun. Tom Waits as the devil is always a joy to watch with his original looks and charisma. 

While one might prefer old school special effects and would like them to be used more, but though this film has tons of CGI it works for the story as it enhances the film and is useful more than anything else to help tell the tale in vivid detail. 
 

Now while I liked the film I never became invested in the film and felt like I was always kept at a distance from the characters and story. But I must give Gilliam credit as to how good the film is considering the tragedy that happened halfway through filming. 

One only wishes he could get the budgets and more luck when it comes to the making of his films it seems he always has to struggle to get his dream projects made then has to compromise or settle on films that while they have his creative genius. They just aren’t the films he should be making. They seem a little too streamlined and commercial for his artistic tastes. 


He is one of the last auteurs we have. He is a director who in the ’70s would have had people lining up around the corner to see his latest works because they would be guaranteed to see something original. Now he has a hard time Making films because his material is too original. 

The film has its own beauty and is interesting to watch, unfortunately it doesn’t last on the mind s much as past works of his have.  A Satisfying Rental  
GRADE: B-

DANNY COLLINS (2015)

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Written & Directed By: Dan Fogelman 

Cinematography: Steve Yedlin 

Editor: Julie Monroe 

Cast: Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale, Jennifer Garner, Nick Offerman, Melissa Benoist, Josh Peck, Katarina Cas, Giselle Eisenberg, Brian Thomas Smith, Scott Lawrence 


Inspired by a true story, Al Pacino stars as aging 1970s rocker Danny Collins, who can’t give up his hard-living ways. But when his manager uncovers a 40 year-old undelivered letter written to him by John Lennon, he decides to change course and embarks on a heartfelt journey to rediscover his family, find true love and begin a second act.


Inspired by the story of singer Steve Tilston, who learned of the existence of a letter that John Lennon had written to him 34 years after the letter was written.

The film is a feel good film that feels a little like a fantasy but is a heart warmer and feels lived in. Will admit this is an easy film to overlook. as once you see the trailer you feel like you have it all figured out. Though once you watch it you are shocked at how much it grabs a hold of you and moves you.

Al Pacino shines in his role her where he gives a heaviness to a role that could be easily written off as lightweight. He gives it his all and makes a charismatic sympathetic character who could have been more comedic. Though the fact that he isn’t makes us pay attention and wonder.

The previews for this film focused more on the romantic angle between him and Annette Bening’s Character but as the film progresses that is only one part of this character study. As most of the drama revolves around him and his estranged son’s relationship.

There are plenty of isn’t that convenient moments but in the end the film leaves you with a smile on your face. As it is a film that could be a family film Except that is some scenes it goes out of it’s Way to show you the material is more adult with drug use and a scene of nudity.

The film lightly explores being afraid of challenging yourself and taking the easy way out. While also asking not o hard if you have built up a reputation for making others happy but it doesn’t make you happy anymore. Do you still owe the people what they want or are you allowed to let yourself be happy and express yourself even if it’s it in a way that others are used to or might not even approve of and try to deny.

Christopher Plummer is good as always and it’s fun to see him play more of a tough guy.

For such a noted cast this is actually kind of lightweight material. Though for the most part they are the true reason to watch this. As they give the material the respect even though they are above it to a certain aspect.

Though in the end this is feel good entertainment with a little bit of an edge and basically gives the cast an easy walk with letting them play characters who are more lived in and having the younger cast members play smaller roles that are more like sketches of characters.

It also asks how much do you owe your audience as they are the ones who supported you and admire you, but ho much do you owe them when you want to express yourself more truthfully and honestly though that stands at odds with what your audience wants or will even let you do. Who is more in control especially when you have given them years and been made rich off of it but aren’t being true to yourself.

Grade: C+

KNIVES OUT (2019)

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Written & Directed By: Rian Johnson
Cinematography: Steve Yedlin
Editor: Bob Duscay 


Cast: Daniel Craig, Ana De Armas, Don Johnson, Jamie Lee Curtis, Michael Shannon, Lakeith Stanfield, Chris Evans, Noah Segan, Christopher Plummer, Toni Collette, Katherine Langford, Jaeden Martell, Frank Oz, Riki Lindhome, Edi Patterson, M. Emmet Walsh 


When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan’s dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan’s untimely death.

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