I CARE A LOT (2020)

Written & Directed By: J. Blakeson 
Cinematography: Doug Emmett 
Editor: Mark Eckersley 

Cast: Rosamund Pike, Peter Dinklage, Eiza Gonzalez, Dianne Wiest, Alicia Witt, Chris Messina, Isiah Whitlock Jr., Macon Blair, Damian Young, Nicholas Logan 

A crooked legal guardian who drains the savings of her elderly wards meets her match when a woman she tries to swindle turns out to be more than she first appears.


This can easily be a polarizing film. On the one hand you have a savvy businesswoman who makes her career conning people out of their livelihood. So no one was ever going to find her likable or an adequate anti-hero.

Though we have seen films before where we have male protagonists who do the same thing and are more remembered and celebrated by audiences. Even if they are more disposable and waste the money on frivolous luxuries and vices.

What is more upsetting for an audience here is that not only is the protagonist doing this female. Where usually films treat female characters like her as damaged or coming around at the last minute or femme Fatales who get a comeuppance. More or less she keeps striving no matter the challenge or difficulty and ultimately what she traps comes back to her in worse ways. The same is never made of the antiheroes who are male in other films; they get a snack down but never so severe.

Though truth be told those movies are usually more based on specific people and cases. Here this is a made-up story of a very real cool. Games that are happening more and more. Only for intents and purposes here do we get a face with this type of crime. As well as more of a story.

What also might be upsetting is that in real-life cases there are faces and representatives of the victims. Usually late in the films when they are winding down. For us to realize the destruction and evils of the character even if not planned what the end results of their con games are for some. Here they are picking on the already defenseless the elderly. Which is the equivalent of kicking or torturing an animal on screen these days. Instantly turning the audience against your protagonist. Especially if they were being attacked by them.

So this film already gives you an unlikeable protagonist but also the film is filled with unlikeable characters. Even when you might start to feel for some of them. They show their true colors and you go right back to hating them.

I applaud throwing the audience off but when there is no one to root for. As the characters seem to compete for who is the worst and trying to make excuses for their behavior. It’s not really enjoyable even for a dark comedy.

The film is trying to tackle a subject and knows the best way to inform the audience is from an insider. As the film might be cynical but doesn’t offer false notes. As everyone is flawed and there is no heart of gold that comes through. This film presents a more scrubbed clean dog eat dog world. That is all about survival above all else.

It’s not necessarily an enjoyable film but like the characters it tries to make you as comfortable as you can be while watching these events unfold and tries to add some humor to the proceedings 

Rosamund Pike is excellent in the starring role. Even though it seems every few years she plays this type of role. A character who at first seems like a pushover but then reveals herself to be a shark. So it’s refreshing to see her play such strong female characters every so often. Making you wonder why she isn’t offered more roles. It might be as in these roles she comes off as threatening usually to male protagonists. Some might feel uncomfortable casting her in easier or less challenging roles?

Though at least the film is thought-provoking and wouldn’t expect anything else from writer Director J. Blakeson, Especially after his film THE DISAPPEARANCE OF ALICE CREED 

The film is upsetting for anyone looking for good to conquer evil. It is a dark and cynical comedy with heavy overtones. Though it isn’t bad or disappointing, just unlikeable.

Grade: B-

VICKY CHRISTINA BARCELONA (2008)


Written & Directed By: Woody Allen 
Cinematography By: Javier Aguirresarobe 
Editor: Alisa Lepselter 

Cast: Rebecca Hall, Scarlett Johansson, Javier Bardem, Penelope Cruz, Patricia Clarkson, Kevin Dunn, Zak Orth, Chris Messina

 

Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio’s free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena. 


This is a partially unusual film for Woody Allen maybe it’s because it is set in Spain and the country is both artistic and romantic and sensual. This film is one sexy movie now all the leads are of course good looking and have been in tons of other films. Where they have been sex symbols and objects and that is what most films are there to do to make the actors look the best they can but in this film, they practically sizzle the film shows them at their best. 
 

Now in the Woody Allen canon of movies, it’s not the best but it is better than some of his others but it still seems slight this one as usual revolves around artists and muses and the philosophy of relationships. As Rebecca Hall’s character goes to Barcelona to finish her thesis and is engaged she brings her friend Scarlett Johansen who is a flight sexy beauty and they meet Javier Bardem and both end up falling for him though Rebecca Hall tries very much not to so Scarlett Johanssen ends up staying with him trying to find her own identity but problems soon arise as his ex played by Penelope Cruz comes back into his life.  

This is pretty much Penelope Cruz’s movie even though her character comes is not in the film until halfway in. She is talked about so much that when she finally shows up she is everything you expect and worse. Javier Bardem is good as the lothario with sex appeal. Which he should be since Woody specifically wrote the role with him in mind and had no other choice lined up to play the role. 


Scarlett Johansen gives a good experience but she still suffers from the Rosario Dawson syndrome. Where a star actress is always stuck in the girlfriend role. Only here Scarlett is sexy given tons of screen time but not too much to actually do other than be almost a prop in the background always she isn’t given a real character to play. On the other hand, Rebecca Hall makes a deep impression maybe it’s because she is in a way playing the Woody Allenish character the nebbish only this time female. The film is the best-looking cast Woody has ever worked with. 

This is a film that shows the bohemian ideals that seems to be at war with the nouveau riche the establishment represented by Patricia Clarkson and Kevin Dunn. Clarkson’s character is a romantic dreamer who always wonders what if she would have run off with a poor lover years ago. She imagines her life could have been more exciting and fulfilled, Whereas now she has money but is bored she loves her husband, but he doesn’t seem to return the favor he cares more about business than objects. He views her as just another possession I don’t know if that was intended but that is how I felt watching the film. 


 In essence, this is a film about the What If. The ideals and problems you could have by running off with that smooth talker. It is also the nightmare story of the ex-girlfriend who never leaves and haunts and stalks you who takes things to the extreme to try and get you back and intimidate your new girlfriend. Though the film doesn’t go the thriller way it chooses to be a little more realistic in a dramedy romantic comedy way.


The film is a good movie to watch it is a good time waster. I’d say it is worth buying if it was 14.95 and would be a lot more interesting if Woody Allen gave a commentary just to see what his thought process was since this is such a big departure from his other films around that time. Which at that point was an improvement. 

 GRADE: B

CELESTE AND JESSE FOREVER (2012)

Directed By: Lee Toland Krieger 
Written By: Rashida Jones & Will McCormack 
Cinematography By: David Lanzenberg 
Editor: Yana Gorskaya 

Cast: Rashida Jones, Andy Samberg, Ari Graynor, Eric Christian Olsen, Chris Messina, Emma Roberts, Elijah Wood, Rob Huebel, Will McCormack, Joel Michaely, Chris D’elia, Rich Sommer, Janel Parrish, Rebecca Dayan 

Celeste and Jesse have been best friends forever. They dated in high school, got married, and now they’re getting divorced. Their best friends don’t think they can maintain their friendship throughout the dissolution of their marriage, but Celeste and Jesse don’t think there will be a problem. But that’s before Jesse gets into a relationship that Celeste doesn’t think he can handle, and Celeste finds it harder to move on than she originally thought.


This is a hipster romantic comedy, because as it seems to use it’s style and story as a sense of individuality. It also feels pretty basic.

The film revolving around life after the happy ever after Scenario and dropping it from a dream-like existence to a harsh reality while keeping it light is a welcome touch.

I will admit a bias as to being a fan of Rashida Jones. Who is luminous and who I applaud for making her character kind of complex by being the controlling type and not apologizing for it. While also being brave enough to be fearless and show herself in a non-flattering light as well as displaying her character’s more embarrassing misdirections.

She co-wrote the screenplay which has her playing what seems to be her type in many of her roles, but here allows us to see the person and depth of that character for once. She really makes it work and come through.  This is one of the new breeds of romantic comedies that I am thankful for not swimming In sentimentality and having beats that feel real where you don’t know how to react and moments that feel truthful though through the whole endeavor the film keeps a light comedic tone.

It’s also nice to see Andy Samberg play more of a straight role and not be a goofy type. His humor here comes through but comes off as more charming than anything.

The subplot with Emma Roberts seems a little unnecessary as it feels more like satire and just needed a new character to kind of tell her about herself and for her to actually take it under consideration.

For all the winning pieces that the film has the one problem I have is the direction style while I applaud trying to make scenes moody and artistic. it also comes off as pretentious and distracting. Using a lot of styles when it’s not really needed comes off more like an extra dressing when not that much was needed. I could see if the material was thin or the film asked us to read more into it through visuals, but all we need is pretty much conveyed through action, dialogue, and performances.

So the camera work seems like it’s trying to cover up for something lacking which the film isn’t really. Maybe it was the director liking to have a bunch of coverage or having a chip on his shoulder trying to masquerade its Limited budget. Which is a game as I have enjoyed the director’s previous film THE VICIOUS KIND so much. He still has made a good movie here it just feels like he went a little overboard in trying to be subtle.

I like this film even at times when it feels like it is trying too hard to impress, where it seems nothing can be basic it all seems like it has to be cool for some kind of mass appeal to the audience. The film isn’t shallow, bit you will only discover that if you Give it a chance

Grade: B-

BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN (2020)

Birds-of-Prey-Rated-R

Directed By: Cathy Yan
Written By: Christina Hodson
Cinematography: Matthew Libatique
Editor: Jay Cassidy & Evan Schiff 


Cast: Margot Robie, Rosie Perez, Ewan McGregor, Chris Messina, Jurnee Smolett-Bell, Mary Elizabeth Winstead, Ella Joy Basco, Ali Wong, Daniel Bernhardt, Steven Williams 


After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord.

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