A DOG’S WAY HOME (2019)

Directed By: Charles Martin Smith 

Written By: W. Bruce Cameron and Cathryn Michon

Based On the novel by: W. Bruce Cameron 

Cinematography: Peter Menzies Jr. 

Editor: David S. Clark, Debra Neil-Fisher and Sabrina Pilsco

Cast: Ashley Judd, Jonah Hauer-King, Alexandra Shipp, Edward James Olmos, Barry Watson, Wes Studi, Chris Bauer, John Cassini, Brian Markinson, Patrick Gallagher 

As a puppy, Bella finds her way into the arms of Lucas, a young man who gives her a good home. When Bella becomes separated from Lucas, she soon finds herself on an epic 400-mile journey to reunite with her beloved owner. Along the way, the lost but spirited dog meets a series of new friends and manages to bring a little bit of comfort and joy to their lives.

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These are the perfect family films as they are filled with innocence cute show, survival and loving, as well as offer adventure.

They are also manipulative as hell because they want you to get emotionally invested in the film. This is in a film you watch for the filmmaking necessarily or even the story but you will find yourself emotionally involved no matter how long you watch the film.

Especially as they usually focus on the dogs as they know that it is a weakness for the majority of the population to fall in love with these films, or find them more personal or personable.

No, like most of these films this one is based on a novel it still is more about a dog. The people who is a fax and who effect it has every scene seems to be introduced to new characters and get their story and leaves at the right moment, to affect their lives, and more positive ways.

Will admit that these films are guilty pleasures, even for me, and I’m not a dog owner, but I continuously watch the sermons once in a while and find myself charmed, even though I know the tricks, and I know better. They are even diverse and to reach each possible member Of a demographic of the audience.

Which then makes her feel all the more designed rather than natural

at least this one is directed by Character actor, and veteran Director, Charles Martin Smith, which might be why I give this one just a little bit more credit than it deserves.

Grade: C+

THE LITTLE THINGS (2021)

Written & Directed By: John Lee Hancock Cinematography: John Schwartzman  Editor: Robert Frazen 

Cast: Denzel Washington, Rami Malek, Jared Leto, Terry Kinney, Chris Bauer, Natalie Morales, Judith Scott, Michael Hyatt, Isabel Arraiza, Jason James Richter, Frederick Koehler, Maya Kazan

Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.

The film’s main selling point seems to be its bleakness throughout. It stays dark NOT visually exciting SEVEN dark but it makes you think and pay attention. Almost like you are a detective with these characters. As the film ends up being more a character study dressed up In neo-noir

The film is set in 1990, that is also when the screenplay was written and it feels like an old screenplay dusted off and by luck given major talent. It also gives an excuse for a film and story devoid of losers technology that would have cut short the film and it’s lingering questions or would have had to be updated and rewritten.

The film has a padded cast for what ends up being dull, subpar material. So that it comes almost like a marvel movie where you feel the cast is better than the material. At least in name.

Denzel Washington is the major attraction for the movie and at times he seems bored but his stardom and personality fill out the role and film.

Jared Leto is actually the most entertaining piece of the whole movie. As he is the only one who brings some joy and playfulness to his role. Even if again in the process of method action or the characterization he is made to look guilty and like one would imagine a serial killer to look like. 

Rami Malek comes off as heroic but ultimately comes across as weak in his performance. As he seems off as the film goes along. Especially when his character shouldn’t be at that point.

As the film seems to be all about the looks also. As the film continues we are made to question things we have seen. Details form scenes that have been played before. 

The only real action or excitement comes In The opening scene where a young girl is attacked by an unseen assailant. Other than that there is a scene late where Denzel must escape from an apartment he’s not to be at. 

Throughout we get to know the past of Denzel’s character little by little until it all makes sense as to why he is the way he is. He also sees a kinship with the other detective played by Rami Malek and sees why a lot of his old colleagues are shocked to see him again and mostly don’t want to see him. 

It takes its time while it fills in the past of characters. Taking it’s time to get to even know the protagonist.

Makes the film feel more old school and dramatic. As again it feels like a Film from the time it takes place In and was written for at the time. 

The film is different whereas it doesn’t try to play like a typical thriller. It tries to focus more on the detectives not the kills and less on the criminals or the actual crimes in action.

It still feels a bit routine and tries to build interest in the tiniest details and ideas. 

The film goes about keeping you guessing. Especially with Its ambiguous ending leaving the audience to come away with their own judgments and interpretations.

Even though a smaller story this feels like a movie that needs a director who will pay particular attention to it and try to decipher and communicate the films vision and themes. That are dark but also make you think. This film need an auteur who can leave a somewhat Personal style on the film. As much as the killer in this film dies with his victims

In the end, while the film seems to want to play games with the audience and relies heavily on Christian themes and symbolism throughout. This almost feels like a waste. As it feels like much ado about nothing. 

Grade: C-