HONEY DON’T (2025)

 

Directed By: Ethan Coen 

Written By: Ethan Coen & Tricia Cooke

Cinematography: Ari Wegner 

Editor: Tricia Cooke and Emily Denker 

Cast: Margaret Qualley, Chris Evans, Aubrey Plaza, Charlie Day, Lera Abova, Billy Eichner, Talia Ryder, Kristin Connolly, Jacnier

A dark comedy about small-town private investigator Honey O’Donahue, who delves into a series of strange deaths tied to a mysterious church.

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When it comes to this film’s plot. One can understand like their last collaboration DRIVE AWAY DOLLS. Writer Directors Ethan Coen and Tricia Cooke. Like to have multiple narratives going on all at once that run parallel to each other even if just in theme and eventually run into or connect at certain points. That seems like it will be the big payoff. Here the themes are there but everything feels like a near miss. 

Feels a bit exploitive as it seems more interested in showing a lesbian sexual relationship than anything else. Rather then story or plot and put it in there haphazardly so that it feels random 

Even though it might be that the main Character is interesting and this has bits and pieces especially with the characters.  that could have been more of a small town mystery but plays more sporadically and you wonder where it is going and how it will all tie together that you feel like you are floating through it all waiting for some kind of direction other then Suggestions 

Starring the director’s muse Margaret Qualley Whitney’s to play the most interesting character and gets the most range 

Of course the film has a heavy feminist feel which there is nothing wrong with but it seems to pile it on after awhile rather then necessarily subtle 

It has a supporting cast of recognizable names that are here but given very little to do except play small exaggerations and somewhat central to the plot but feel more like stunt casting to add more reverence to the rather thin material. As the characters seem interesting but are in search of a better story and meaning. As next to qualley the only actor who really makes the most of their screen time is Lena Abrova as the mysterious cheer 

Wonder if this is a way for the filmmakers to add sex and sexuality back into films that seems to be lost or unused in modern cinema but truly it isn’t erotic but more sloppy and matter of fsct

There is now doubt that Ethan Coen can do quirky and can do the same with characters, but there needs to be some kind of meaning and consideration for the audience. As this film while silly and quirky does come out feeling self indulgent and like only the filmmakers are the only ones. It only entertained but also seem to care 

As this film feels more like a lark, more like an extended episode rather then truly a whole film 

By the time we get to the entrance walls revealed it seems rather random or much ado about  it nothing and all just coincidence and interlocked and it plays more comedic then it should more like a from a John waters film 

The film has its moments but doesn’t add up to making the film feel worth it. 

Grade: C-

SUMMER OF 69 (2025)

Directed By: Jillian Bell

Written By: Jillian Bell, Jules Byrne and Liz Nico

Cinematography: Maria Rusche

Editor: Casey Brooks 

Cast: Sam Morelos, Chloe Fineman, Nicole Byer, Liza Koshy, Paula Pell, Natalie Morales, Matt Cornett, Alex Moffat, Charlie Day, Jillian Bell, Fernando Carsa

Abby seeks to impress her crush by learning a specific sexual position, enlisting a stripper’s help. However, she realizes true self-discovery and lasting friendship are more valuable.

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This film is the directorial debut of actress Jillian Bell. It’s more of age film than I can say a teen film, as it’s a little too raunchy and risqué for family viewing or for parents to allow their teens to watch, even as strangely the humor is more sophomoric. Though the film also has an earnest heart and charm

Which then makes the film very confusing as to who exactly it’s aimed that or which audience, as it’s too raunchy for teens, but might be a little too silly for adults. 

The wet one can appreciate about the film. Is that instead of it usually being guys with gross out or juvenile humor, now it’s more of the women, and it doesn’t have so much gross out humor as just sillier, stupid humor, but there’s a point to it all. 

Luckily, the cast is filled with comedic supporting players like Nicole Byer, Liza Koshy, the hilarious Paula Pell, who is funny and everything I’ve ever seen her in, and is a comedy writer herself,. when only wishes there was more of them or a spinoff movie for their characters. Director Jillian appears in a small role herself and Chloe Fineman of Saturday Night Live as one of the leading ladies in this film .

She is attractive, funny, tough, yet stays believable throughout the film, and can see a big screen career, though would have loved it if the film played a little bit more with what was expected and had either Eliza Koshy or Nicole Byer in the Chloe Fineman, typical beautiful blonde in the lead

Newcomer Sam Morelos is quite a find, quick and she can play the heartbreaking parts of her character as well as the funnier scenes. She comes across as the character as genuine makes you root for her. She’s a burst of sunshine.

Not to mention why this film deals with some more adult and a little dark subject matter. It’s surprisingly just stays light and keeps a smile on your face, as it just kind of has this cheer about it that you and it don’t have any cynicism to it, that you would think this film would be filled with. Also it also pays on March teen films of the past.

One has to give it to Hulu they seem to fund an honor, female, driven comedies, and dramas that are more coming of age, but find way to make their mark and be quiet not only charming but noteworthy they’re not necessarily going to change the world cinematically, but they’re good comfort entertainment. Films like PROM DATES and PLAN B

Which is why, though this film even from its title is more of a double entendre, and has plenty of sexual material. It’s still plays it pretty clean and safe as this is a tail that involves strippers that has no nudity and we never see them quite now for some, who might feel that’s a cop out this is not the film for you and it never was gonna be but those just looking for almost like comfort movie that has stakes, but aren’t that high give this film a chance. You might surprise yourself with how much you enjoy it.

Grade: C+

I WANT YOU BACK (2022)

Directed By: Jason Orley
Written By: Issac Aptaker & Elizabeth Berger
Cinematography: Brian Burgoyne
Editor: Jonathan Schwartz 

Cast: Charlie Day, Jenny Slate, Scott Eastwood, Gina Rodriguez, Manny Jacinto, Pete Davidson, Jami Gertz, Clare Backo, Luke David Blum, Giselle Torres, Isabel May, Jordan Carlos 

Noah breaks up with Emma after 18 months together and Anne breaks up with Peter after 6 years. Both Noah and Anne have found new SOs. Emma, a receptionist on 14th floor, and Peter, a VP on 11th floor, find each other sobbing in the stairwell. They support each other and end forming an alliance to destroy each other’s exes’ new relationships. They cyber stalk the exes and Peter gets close to Noah while Emma gets close to Anne’s new boyfriend.


The movie is very likable as you feel sorry for the main characters even in the dastardly things they are doing. Like a romantic comedy version of strangers on a train.

It is actually a lot more enjoyable than expected. It’s not raunchy nor does it cover any new ground but it feels like a breath of fresh air and fun. 

I might be biased but how no one is falling for Jenny Slate in this movie from the beginning and she doesn’t get hit on or any offers is amazing to me.

Watching Charlie day using his manic nervous energy is always a joy.

Most of the characters have their time to shine even if Scott Eastwood’s new girlfriend played by Clark Backo is given nothing to do but be the epitome of his dream girl. While at least others in the cast come across with personalities.

Gina Rodriguez’s character isn’t horrible but has her problems yet luckily she isn’t made out to be a villain. Truly no one is though some might show a lack of character. Though she looks gorgeous throughout.

Her character even shows her territorial nature and jealousy issues. Though reveals quite a surprising physique. 

By the end, the characters are likable enough and the only real loss in the film is that when a general friendship between Charlie Day’s character and Scott Eastwood’s feels genuine, and when all so revealed it is the ending of that relationship. Which came off as the most believable.

Surprisingly one of the strongest laughs and characters comes in the form of Pete Davidson’s small role and the whole scene that his character is involved in.

Think of this as a younger more expansive update of ADDICTED TO LOVE only most of the characters are likable and thankfully the ending feels more believable.  

Grade: C+

HORRIBLE BOSSES (2011)

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Directed By: Seth Gordon
Written By: Michael Markowitz, John Francis Daley & Jonathan Goldstein
Story By: Michael Markowitz
Cinematography: David Hennings
Editor: Peter Teschner 


Cast: Charlie Day, Jason Bateman, Jason Sudekis, Colin Farrell, Kevin Spacey, Jennifer Aniston, Jamie Foxx, Lindsay Sloane, Meghan Markle, Donald Sutherland, Julie Bowen, John Francis Daley, Wendell Pierce, Ron White, Bob Newhart 

Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.

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FIST FIGHT (2017)

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Directed By: Richie Keen
Written By: Van Robichaux & Evan Susser
Story By: Max Greenfield, Van Robichaux & Evan Susser
Cinematography By: Eric Edwards
Editor: Matthew Freund 


Cast: Charlie Day, Ice Cube, Jillian Bell, Tracy Morgan, Dean Norris, Kumail Nanjani, JoAnna Garcia-Swisher, Dennis Haysbert, Christina Hendricks, Kym Whitley, Stephne Weir, Alexa Nisenson, Max Carver, Charlie Carver, Nolan Bateman 


When one school teacher unwittingly causes another teacher’s dismissal, he is challenged to an after-school fight.

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VACATION (2015)

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Written & Directed By: John Francis Daley & Jonathan Goldstein
Based on Characters Created By: John Hughes
Cinematography By: Barry Peterson
Editor:Jamie Gross 


Cast: Ed Helms, Christina Applegate, Leslie Mann, Chris Hemsworth, Charlie Day, Regina Hall, Keegan-Michael Key, Norman Reedus, Chevy Chase, Beverly D’Angelo, Kaitlin Olsen, Michael Pena, Colin Hanks, Hannah Davis, Ron Livingston,Nick Kroll, Tim Heidecker, Elizabeth Gilles, John Francis Daley

Hoping to bring his family closer together and to recreate his childhood vacation for his own kids, an adult Rusty Griswold takes his wife and two sons on a cross-country road trip to Walley World. Needless to say, things don’t go quite as planned.

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