ARGYLLE (2024)

Directed By: Matthew Vaughn 

Written By: Jason Fuchs 

Cinematography: George Richmond 

Editor: Lee Smith, Tom Harrison-Read and Col Goudie 

Cast: Bryce Dallas Howard, Sam Rockwell, John Cena, Henry Cavill, Catherine O’Hara, Bryan Cranston, Samuel L. Jackson, Sophia Boutella, Rob Delaney, Ariana Debose, Richard E. Grant, Dua Lipa 

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes that the plot of the new book she’s writing starts to mirror real-world events in real time.


Watching this movie, one constantly is wondering is this supposed to be a parody, spoof or do they honestly expect us to think of it as an action-comedy. Unfortunately, by the end that question is never answered. It is obviously supposed to be based on spy novels and espionage stories. More the fanciful ones that take place in movies and fantasy. Rather than the Tom Clancy para-military and political type stories.

As The scary part is that if this film came out in the early 2000’s. it might have to be considered  of as stylish and be thought of as smart. This plays like more like THE AVENGERS (the classic British show) as there is a lot of spectacle. But not much sense to follow. Which is why one wonders what exactly is it trying to be or aiming for. Maybe as it comes across more comic book like and goofy than anything else. 

I would say this is a perfect Netflix movie, but it looks way better and doesn’t rely on so much green screen or a muted look. It’s actually colorful and you can see the budget onscreen. 

With all the dancing involved I believe this role was specifically written for Sam Rockwell. As that is something that he is known to with his characters on screen. Though the role he plays here feels familiar. As he played a similar role in the movie MR. RIGHT. As he can do action and seem like a more deranged comedic character.

The joke here is that he doesn’t seem like an action hero type. Just as lead Bryce Dallas Howard doesn’t usually come across that way. Not quite as the sexy seductress. Though by the end you beleive or at least are forced to. Though the film doesn’t embarrass them. 

as that seems to be one of the films aim, whereas in the fantasy, we see more of the type of actors we would expect to play these types of roles effortlessly, but in the reality we get more stunt, casting or miss casted actors who are the real life counterparts and the leads of this film so it seems a little bit more often comedic watching them do action sequences, and thriller situations

The film unfortunately gets more ridiculous as it goes along and more confusing. As it keeps building where the film doesn’t even necessarily know if it all makes sense. As the film is trying to keep topping itself with surprise, after surprise after surprise and then many twits, double and triple crosses. Although it seems to want to have a. ROMANCING THE STONE vibe. Done better in films such as THE LOST CITY 

it seems practically to be a reunion for director Matthew Vaughn and some cast members, like Samuel L. Jackson and Sophia Boutiella, but it still didn’t need to be this long. 

It’s also hard to take the film too seriously. When there are comedic actresses like Catherine O’Hara playing someone dangerous.

By the end Dua Lipa’s cameo is the only thing interesting, entertaining or dazzling in this film overall. Other than some nicely choreographed and lit action sequences. That deserve to be in a better movie. 

Even The ending makes no sense. As it is shocking this was not only supposed to be the first in a trilogy, but also supposed to be interconnected with the Kingsman franchise also directed by Matthew Vaughn. 

So while throughout the film looks gorgeous. It just feels kind of misdirected like someone who doesn’t know how to do comedy trying to make one but knows how to do. The action sequence is really well and it’s a shame I was really rooting for this film.

Grade: D+

THE WILD ROBOT (2024)

Written & Directed By: Chris Sanders

Based on the book by: Peter Brown

Cinematography: Chris Stover 

Editor: Mary Blee

Featuring the voices of: Lupita Nyong’o, Pedro Pascal, Kit Connor, Stephanie Hsu, Bill Nighy, Matt Berry, Ving Rhames, Catherine O’Hara 

After a shipwreck, an intelligent robot called Roz is stranded on an uninhabited island. To survive the harsh environment, Roz bonds with the island’s animals and cares for an orphaned baby goose.


This film shows what can be done by a true independent individual spirit and not doing what you have been trained or necessarily program to do, but interestingly also teaches you that by doing that you might learn not only to be your own person, but humanity and itself as well as to help those around community or culture you might find yourself and that is different from yourself how to assimilate into that culture and find your own friends and family but also if you have to, you can simulate into what you’re supposed to be but still at heartbeat who you need to be and who you are

I can truly say I wasn’t expecting much from this film and figured it would be. You know a typical moralistic tail and it seems like it’s going to be that way, but then it takes so many broad strokes or subverts what you’re used to and a different way that you can’t help but get emotional watching it and especially around the third act, or truly showcases the bond between parent and child and appreciation and the length of love between them where your downright willing to sacrifice yourself for them and vice versa how they sometimes have to take care of you when you’ve given it all you got

That is when the film is at its strongest and most powerful. It’s cute and previous scenes, and can be funny and ferocious. It’s perfect for kids and families like because I believe whoever sees this film will get something out of that,  that is strong and meaningful to them. 

I don’t watch those animated films sometimes, other than the artwork. It feels like more of the same, but I can truly say that this one affected me more than I expected to and it’s truly something special. I can see why it has so many fans, such that seem to come from nowhere.

Grade: A- 

MONSTER HOUSE (2006)

monster-house-9

 

Directed By: Gil Kenan
Written By: Dan Harmon, Rob Schrab & Paul Pettler
Story By: Dan Harmon & Rob Schrab
Cinematography: Xavier Perez Geobet
Editor: Fabienne Eawley & Adam P. Scott 


Cast: Mitchel Musso, Steve Buscemi, Maggie Gylenhaal, Catherine O’Hara, Fred Willard, Jon Heder, Jason Lee, Kevin James, Nick Cannon, Spencer Locke, Kathleen Turner 


13-year-old DJ is observing his neighbor Nebbercracker on the other side of the street in the suburb that destroys tricycles of children that trespass his lawn. When DJ’s parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker’s lawn, the old man has a heart attack, and soon they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night

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FRANKENWEENIE (2012)

FRANKENWEENIE

Original Idea & Directed By: Tim Burton
Written By: John August
Based On The Original Screenplay By: Leonard Ripps
Cinematography By: Peter Sorg
Editor: Mark Solomon & Chris Lebenzon
Music By: Danny Elfman 

Cast: (Voices) Charlie Tahan, Atticus Shaffer, Martin Short, Catherin O’Hara, Winona Ryder, Martin Landau, Conchetta Ferrell, Tom Kenny

When young Victor’s pet dog Sparky (who stars in Victor’s home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked “monster” wreaks havoc and terror in the hearts of Victor’s neighbors, he has to convince them (and his parents) that despite his appearance, Sparky’s still the good loyal friend he’s always been.

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