ARGYLLE (2024)

Directed By: Matthew Vaughn 

Written By: Jason Fuchs 

Cinematography: George Richmond 

Editor: Lee Smith, Tom Harrison-Read and Col Goudie 

Cast: Bryce Dallas Howard, Sam Rockwell, John Cena, Henry Cavill, Catherine O’Hara, Bryan Cranston, Samuel L. Jackson, Sophia Boutella, Rob Delaney, Ariana Debose, Richard E. Grant, Dua Lipa 

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes that the plot of the new book she’s writing starts to mirror real-world events in real time.


Watching this movie, one constantly is wondering is this supposed to be a parody, spoof or do they honestly expect us to think of it as an action-comedy. Unfortunately, by the end that question is never answered. It is obviously supposed to be based on spy novels and espionage stories. More the fanciful ones that take place in movies and fantasy. Rather than the Tom Clancy para-military and political type stories.

As The scary part is that if this film came out in the early 2000’s. it might have to be considered  of as stylish and be thought of as smart. This plays like more like THE AVENGERS (the classic British show) as there is a lot of spectacle. But not much sense to follow. Which is why one wonders what exactly is it trying to be or aiming for. Maybe as it comes across more comic book like and goofy than anything else. 

I would say this is a perfect Netflix movie, but it looks way better and doesn’t rely on so much green screen or a muted look. It’s actually colorful and you can see the budget onscreen. 

With all the dancing involved I believe this role was specifically written for Sam Rockwell. As that is something that he is known to with his characters on screen. Though the role he plays here feels familiar. As he played a similar role in the movie MR. RIGHT. As he can do action and seem like a more deranged comedic character.

The joke here is that he doesn’t seem like an action hero type. Just as lead Bryce Dallas Howard doesn’t usually come across that way. Not quite as the sexy seductress. Though by the end you beleive or at least are forced to. Though the film doesn’t embarrass them. 

as that seems to be one of the films aim, whereas in the fantasy, we see more of the type of actors we would expect to play these types of roles effortlessly, but in the reality we get more stunt, casting or miss casted actors who are the real life counterparts and the leads of this film so it seems a little bit more often comedic watching them do action sequences, and thriller situations

The film unfortunately gets more ridiculous as it goes along and more confusing. As it keeps building where the film doesn’t even necessarily know if it all makes sense. As the film is trying to keep topping itself with surprise, after surprise after surprise and then many twits, double and triple crosses. Although it seems to want to have a. ROMANCING THE STONE vibe. Done better in films such as THE LOST CITY 

it seems practically to be a reunion for director Matthew Vaughn and some cast members, like Samuel L. Jackson and Sophia Boutiella, but it still didn’t need to be this long. 

It’s also hard to take the film too seriously. When there are comedic actresses like Catherine O’Hara playing someone dangerous.

By the end Dua Lipa’s cameo is the only thing interesting, entertaining or dazzling in this film overall. Other than some nicely choreographed and lit action sequences. That deserve to be in a better movie. 

Even The ending makes no sense. As it is shocking this was not only supposed to be the first in a trilogy, but also supposed to be interconnected with the Kingsman franchise also directed by Matthew Vaughn. 

So while throughout the film looks gorgeous. It just feels kind of misdirected like someone who doesn’t know how to do comedy trying to make one but knows how to do. The action sequence is really well and it’s a shame I was really rooting for this film.

Grade: D+

DEEP COVER (2025)

Directed By: Tom Kingsley 

Written By: Derek Connolly, Colin Trevorrow, Ben Ashenden and Alexander Owen

Cinematography: Will Hanke

Editor: Mark Williams 

Cast: Bryce Dallas Howard, Orlando Bloom, Nick Mohammad, Paddy Considine, Ian McShane, Sean Bean, Sonoya Mizuno, Freya Parker, Ben Ashenden, Alexander Owen 

Three improv actors are asked to go undercover by the police in London’s criminal underworld.

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Unfortunately, not a remake or in any way asscisiyed with the Lawrence Fishburne Starring, crime classic film, but rather an wannabe, original action comedy

Is this is a movie that is very random. Whereas it’s randomly cast, and it shouldn’t work, even though it has a high concept, but strangely it does work and even comes off with its own little charm.

I don’t get me wrong. There’s nothing deep about this film. It’s pretty standard, but it stays in the middle of the road enough that it keeps you laughing and caring and even has some impressive action at times

As the film goes along, it tries to stay unpredictable that it fails in that way, though it does base itself on everyone having such deep trust in these characters, even when it’s obvious, they are in over their heads 

Not only is the premise a little bit inventive of having improv actors volunteer to go undercover and kind of getting stuck in their roles as the danger increases, but it also serves as a kind of midlife crisis movie as the characters are all facing dilemmas of where they thought they’d be and where they actually are And aiming to do something different to not only get better, but find some meaning in it all.

The most interesting character is  Shosh played by Sonoya Mizuno, who seems like she’d be a good bodyguard or assassin character in a better film, but also comes across as the coolest character of the whole film. She is always a chameleon in her roles. Never seeming to play the same type twice. 

Bryce Dallas Howard surprises with her performance in the lead as a comedic actress where you wonder why she isn’t in more films such as these as she is clearly strong in the lead role, though it might be as there’s so much competition and she fits into the same looks and frame as so, many Caucasian leading ladies. It’s hard enough to get the roles but also, where do you quite fit 

The film has surprisingly a lot of European acting heavyweights who we have seen play these types of characters before only here a bit more broad, not as intimidating and all clearly hear more for a paycheck than anything else, but they do add to the tapestry and try to add some heaviness and believability to the situations the characters find themselves interacting with them

The only complaint could be that one wishes the film was bigger, but then that would totally go against the reality of it and wish that the romantic sub plot had a bit more to it or a kind of ending to it instead of just being upsurped and left

Grade: C+

SPIDER-MAN 3 (2007)

Spider-man3

 

Directed By: Sam Raimi
Written By: Sam Raimi, Ivan Raimi & Alvin Sargent
Screen Story By: Sam Raimi & Ivan Raimi
Based On Characters Created By: Stan Lee & Steve Ditko
Cinematography: Bill Pope
Editor: Bob Murawski 


Cast: Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church, James Franco, J.K. Simmons, Bryce Dallas Howard, Rosemary Harris, James Cromwell, Theresa Russell, Dylan Baker, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Becky Ann Baker, Willem Dafoe, Cliff Robertson 


Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter’s old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father’s persona as The New Goblin, and Peter must also capture Uncle Ben’s real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter’s suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter’s personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself

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