DEEP COVER (2025)

Directed By: Tom Kingsley 

Written By: Derek Connolly, Colin Trevorrow, Ben Ashenden and Alexander Owen

Cinematography: Will Hanke

Editor: Mark Williams 

Cast: Bryce Dallas Howard, Orlando Bloom, Nick Mohammad, Paddy Considine, Ian McShane, Sean Bean, Sonoya Mizuno, Freya Parker, Ben Ashenden, Alexander Owen 

Three improv actors are asked to go undercover by the police in London’s criminal underworld.

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Unfortunately, not a remake or in any way asscisiyed with the Lawrence Fishburne Starring, crime classic film, but rather an wannabe, original action comedy

Is this is a movie that is very random. Whereas it’s randomly cast, and it shouldn’t work, even though it has a high concept, but strangely it does work and even comes off with its own little charm.

I don’t get me wrong. There’s nothing deep about this film. It’s pretty standard, but it stays in the middle of the road enough that it keeps you laughing and caring and even has some impressive action at times

As the film goes along, it tries to stay unpredictable that it fails in that way, though it does base itself on everyone having such deep trust in these characters, even when it’s obvious, they are in over their heads 

Not only is the premise a little bit inventive of having improv actors volunteer to go undercover and kind of getting stuck in their roles as the danger increases, but it also serves as a kind of midlife crisis movie as the characters are all facing dilemmas of where they thought they’d be and where they actually are And aiming to do something different to not only get better, but find some meaning in it all.

The most interesting character is  Shosh played by Sonoya Mizuno, who seems like she’d be a good bodyguard or assassin character in a better film, but also comes across as the coolest character of the whole film. She is always a chameleon in her roles. Never seeming to play the same type twice. 

Bryce Dallas Howard surprises with her performance in the lead as a comedic actress where you wonder why she isn’t in more films such as these as she is clearly strong in the lead role, though it might be as there’s so much competition and she fits into the same looks and frame as so, many Caucasian leading ladies. It’s hard enough to get the roles but also, where do you quite fit 

The film has surprisingly a lot of European acting heavyweights who we have seen play these types of characters before only here a bit more broad, not as intimidating and all clearly hear more for a paycheck than anything else, but they do add to the tapestry and try to add some heaviness and believability to the situations the characters find themselves interacting with them

The only complaint could be that one wishes the film was bigger, but then that would totally go against the reality of it and wish that the romantic sub plot had a bit more to it or a kind of ending to it instead of just being upsurped and left

Grade: C+

SPIDER-MAN 3 (2007)

Spider-man3

 

Directed By: Sam Raimi
Written By: Sam Raimi, Ivan Raimi & Alvin Sargent
Screen Story By: Sam Raimi & Ivan Raimi
Based On Characters Created By: Stan Lee & Steve Ditko
Cinematography: Bill Pope
Editor: Bob Murawski 


Cast: Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church, James Franco, J.K. Simmons, Bryce Dallas Howard, Rosemary Harris, James Cromwell, Theresa Russell, Dylan Baker, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Becky Ann Baker, Willem Dafoe, Cliff Robertson 


Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter’s old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father’s persona as The New Goblin, and Peter must also capture Uncle Ben’s real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter’s suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter’s personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself

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