OLD DADS (2023)

Directed By: Bill Burr 
Written By: Bill Burr and Ben Tishler
Cinematography: Sean McElwee 
Editor: Patrick J. Don Vito and Adriaan Van Zulu 

Cast: Bill Burr, Bobby Canavale, Bokeem Woodbine, Katie Aselton, Reign Edwards, Jackie Tohn, Rachael Harris, Miles Robbins, Natasha Leggero, Bruce Dern, C. Thomas Howell, Paul Walter Hauser, Katrina Bowden, Josh Brener 

Three best friends become fathers later in life and find themselves battling preschool principals, millennial CEOs, and anything created after 1987.


if you are familiar with the stand-up comedian Bill Burr. Who stars, co-writes, and directs. This is just a visual guide to the subjects he usually talks about, dismantles, and pokes holes in. Which is the sensitivity and over-the-top nature of modern-day society. 

This film almost comes off as a rant with characters and situations. As it stays pretty much on note. Only here he humanizes the characters trying to relate to a modern world. As his usual targets are here front and center. 

The film has a thorough line and points to make. Even in the end, the character learns to lighten up a bit to fit in for the good of his family. Which is the film’s main point is that doing the best for your family is what is the most important thing.

While the film has a likable cast surprising cameos and its stronger moments. It comes across as basic and a little disappointing. Though I am sure Burr’s fan base will love it

Unfortunately, the film offers very few surprises and less finesse. As it feels like it hits you over the head with the points it tries to make. 

Though the tough talk and sense of the blue-collar values and humor that is more inclined with time before the 1990s. It also feels like a natural extension of burr’s Animated series F IS FOR FAMILY. It also feels like a natural home for his fans. 

The random casting does remind one of the movies from 2004 MY BABY’S DADDY. Bokeem Woodbine steals the show. Though this film is much stronger and put together than that film. So this isn’t a failure but hopefully just the start of a bigger and better 

Grade: C

THE KING OF MARVIN GARDENS (1972)

Directed By: Bob Rafelson
Written By: Jacob Brackman
Story By: Bob Rafelson And Jacob Brackman
Cinematography: Laszlo Kovacs 
Editor: John F. Link II 

Cast: Jack Nicholson, Bruce Dern, Ellen Burstyn, Julia Anne Robinson, Benjamin “Scatman” Crothers, Arnold Williams, John Ryan, Sully Boyar, Josh Mostel 

A daydreamer convinces his radio personality brother to help fund one of his get-rich-quick schemes.


Will admit it took me quite some time to finally sit down and watch this film. Once I did it was probably brought upon by the director of the film. Which is a shame as this is a very powerful film. Not perfect but astonishing fun in what it achieves and also tries to do. 

Stories keep going on with no endings as they lead to another one. Yet never drop what came before. This film isn’t so much plot-oriented as character Oriented and the film allows for each of them to have their own little stories and dramas going along with one another and the narrative. 

Jack Nicholson here playing against type. As here he is more subtle, quiet, and sad as a character. He is the thinker of the two brothers. Even though they are both storytellers. Bruce Dern plays the more loud charismatic one. The problem is that they both tend to believe each other’s stories too much and soon find themselves in over their heads.

The film allows Jack Nicholson to show his range fully. 

Some might find this film slow or maybe even dull, but there are moments when the film comes alive. Though the other moments that are slower, bear more character building and help to build and showcase the characters’ dynamic. As well as illustrate the story. 

The film does offer an unexpected ending. Not much of it or the film is too predictable, at first but seems to like to throw misdirection.

Like Bruce Dern’s character. As none of the characters seems to really want to admit to what is happening or truly talk about it. 

This film is an increasing rarity of acting indulgence and taking chances with professional actors. Where they get to develop a character. As this film is more of a character study with a story to guide them to their fates. 

So that we can see their full emotional spectrum. As well as their true colors by the end. 

As the film is made up of simple moments that are lived in. 

A scheme that seems to be an ideal built of their mutual dreams. A palace or idea that they keep feeding into and want to control. A pipe dream to escape into to break up the monotony they are trying to escape.

Slowly getting seduced against better judgment and dragging two females along who are eye candy and intimates. Dangling sex and partnerships in front of the other brother, but have their own drama going on. So that the situation seems like a cult at times.

Ellen Burstyn’s Character slowly has a mental breakdown. As she realizes she might be being pushed aside for the younger model. 

The illusions drift, as both brothers are natural liars. Storytellers of some sort, one does professionally one does naturally to survive. Though all built on lies. Only one chooses to believe his own until the end. While others around them fall for it almost. As that is how charming and strong their devotion is.

The film is almost a ghost story. As these characters are free yet seem bound to their surrounding which is Atlantic City before it got renovated. So everything looks worn and beat down like the character’s Souls

An added bonus to The film is watching now legendary Actors we are used to seeing older in their younger days here.

Grade: B-

AFTER DARK, MY SWEET (1990)

Directed By: James Foley 
Written By: James Foley & Robert Redlin 
Based on the novel by: Jim Thompson 
Cinematography By: Mark Plummer 
Editor: Howard E. Smith 

 Cast: Jason Patric, Rachel Ward, Bruce Dern 

An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both into helping kidnap a rich boy for ransom money, and the ex-fighter must make decisions about his loyalties and what is right. 


This film was built up in my head over the years as a pulpy erotic drama. An undiscovered gem and over the years I avoided it to wait for the right moment to watch and appreciate it. And with that decision, I feel I doomed this movie to a level t could never live up to. I was Correct It’s not a bad film. 


 I like Rachel ward who I have been a fan of ever since the kidnapping thriller FORTRESS from the ’80s. Yes, I was into that 80’s fad of being interested in Australian culture. So her being in a erotic thriller. You would have thought I would jump at the chance to watch it as soon as possible. 

 I like how minimal this film is, for a major release it has a relatively small cast and really feels like it takes place in a small town and community. James Foley expertly directs it. The color schemes of the backgrounds are rich and styled.
 I like the fact that the kidnapping plot of the film is dealt with as more of a side plot in the background to developing the characters and the drama between them. 

 I really enjoyed Jason Patric’s performance our protagonist who we don’t even know if he is all there mentally. The other characters are intense as you never know if you can trust them entirely. Constantly wondering are on the level or deceiving. So it makes the situations more interesting.

I almost wish Jason Patric’s character could be used in a television series of movies. That’s how interesting he is and maybe get a chance to learn about his past more.  One of my problems with the film is for a film advertised as being erotic there is one graphic sex scene that isn’t very long. It’s quiet and is more than halfway through the film and more passionate than anything else. 

 I also found myself lost a few times as in the film as far as the plot. It’s a slow film as dry as the land it takes place on. Unfortunately, I didn’t like it as much as I thought I would. 

 It’s not a total disappointment but I can’t say that I entirely like it. It’s worth checking out. 

 GRADE: B-

WHITE BOY RICK (2018)

whiteboyrick

Directed By: Yann Demange
Written By: Andy Weiss, Noah Miller & Logan Miller
Cinematography By: Tat Radcliffe
Editor: Chris Wyatt 


Cast: Richie Merritt, Matthew McCognahey, Bel Powley, Bruce Dern, Piper Laurie, Jennifer Jason Leigh, Rory Cochrane, Brian Tyree Henry, RJ Cyler, Eddie Marsan, Jonathan Majors, YG 


The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Continue reading “WHITE BOY RICK (2018)”

WHITE BOY RICK (2018)

whiteboyrick

Directed By: Yann Demange
Written By: Andy Weiss, Noah Miller & Logan Miller
Cinematography By: Tat Radcliffe
Editor: Chris Wyatt


Cast: Richie Merritt, Matthew McCognahey, Bel Powley, Bruce Dern, Piper Laurie, Jennifer Jason Leigh, Rory Cochrane, Brian Tyree Henry, RJ Cyler, Eddie Marsan, Jonathan Majors, YG 


The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Continue reading “WHITE BOY RICK (2018)”