CONTEMPT (1963)

Directed By: Jean-Luc Godard

Written by & based on the novel “IL DISPREZZO” By: Alberto Moravia

Cinematography: Raoul Coutard

Editor: Agnes Guillemot 

Cast: Jack Planace, Brigitte Bardot, Fritz Lang, Michel Piccoli, Giorgia Moll

A French writer’s marriage deteriorates while working on Fritz Lang’s version of “The Odyssey”, as his wife accuses him of using her to court favor with the film’s brash American producer.

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Tortured Myself again, by watching another Jean Luc-Godard From my Criterion Collection, sight unseen.

I know how dour that already sounds. You just have to know that me and Jon Luc Godard films have had a love-hate relationship. I have actually liked and enjoyed some films that I didn’t expect while other films that are considered classics I found rather boring noteworthy for different reasons.

I like the ideas of Jean-Luc Godard, in his style though the films not necessarily as much at times they work, but usually not at least for me as they become statements which might have worked at the time as bold but now come across as pretentious, cinematic, theatrical games, there is a living quality to them in an absurd quality, as they are usually quite beautiful, but leaves the audience lost to find their own way, which is commendable, if not having

I will say watching the movie is like reading a classic book you don’t like and wonder why so many do as it feels more like an assignment that you’re determined to finish 

This is one of those movies where you’re going to come up with your own theory or understanding of it so I’m only gonna present my interpretation.

Now it’s always entertaining watching a younger Jack Palance in a film, as well as young women, riding bicycles in skirts. Though watching Fritz Lang steal the movie in his scenes was worth it

It is another movie of Brigitte Bardot being torn supposedly between Teague lovers neither of which is seem a good choice, but one is better than the other and her never having chemistry who is the one who is older, has more money and seems more want her only physically.

This film is a satire film making, but it seems to turn more into a domestic drama romance of a deteriorating marriage.Even as it explores the themes of selling out or staying, true to your principles.

That was it’s a beautiful locations still end up being a hang out movie that is in the middle of paradise yet everyone is oblivious to the beauty of their surroundings or they’ve been there so long that it is normal to them, though the film still manage to showcase the beauty and appeal of Brigitte Bardot and it seems like while everybody in the film can see her beauty she is like the background to them. They’ve grown so used to her that it’s normal, but will still contest her. Well, the film and filmmaker bathe her and loving light as well as give her a meaty challenging role. Though questionable if you might actually like her by the end

One can say that at least she gets to play full character other than just a fantasy or an object of beauty pretty much a bombshell, though she does Grace the poster, so it she did help sell tickets for this phone as next to Jack Palance she’s the biggest name in the film and of course Fritz Lang. No, she seems to be the entrance or introduction for us to the Phil as the camera lingers on her

Throughout the film, we see the games that all the characters seem to be playing weather in love relationships filmmaking financing.

Now one can see where Martin Scorsese got part of his score of CASNO from. It gets  annoying a bit at times watching its source play throughout. The score “ST. MATTHEW PASSION BMV 244/PART TWO: WIR SETZEN UNS MIT TRANEN NEIDER”’By Johann Sebastian Bach 

Which leads me to wonder Did he use it to subconsciously say that all these characters are in this Idyllic Wonderland in that they are alienated from it due to mounting domestic pressures & alienation from one another

Didn’t expect this to become one of Godard Morchella Ching films even though it’s seams like most of them are as the film deals with alien nation. It almost feels more like a Michelangelo Antonioni film only no not as long, and this seem to have more of a cruel, ending the natural ending.

In the end, I have no problem, admitting maybe I didn’t quite get it as much as others did as I loved the concepts and drama that was introduced that lead to discussions and conversations even after you watch the film no again I can’t say I enjoyed it, or necessarily would need to watch it again

AND GOD CREATED WOMAN (1956)

Directed By: Roger Vadim 

Written By: Roger Vadim and R. Levy 

Cinematography: Armand Thirard 

Editor: Victoria Mercanton

Cast: Brigitte Bardot, Jean-Louis Trintignant, Curd Jurgens, Jeanne Markel, Jean Tissier, Isabelle Corey 

Juliette Hardy is sexual dynamite and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn’t dream of settling down with a woman his friends consider the town tramp. While Antoine’s away, his younger brother Michel, who worships Juliette, proposes to her. But what will happen when Antoine returns?


I saw the remake or reimagining from the 1990s first Which seemed to Focus more on Sex scenes and what the director Roger Vadim (who directed both the original and the

Remake) could get away with In The new modern age of cinema at the times. Which seems to be what both versions of heartbeats are.

Roger Vadim has always been interested in presenting the image of beautiful women on screen and more carnal delights. As  A provocateur in artistic clothing. As a Frenchman also more interested in relationships and characters rather than necessarily plot lines. Creates more of a mood and atmosphere in his films as well As style than anything of deeper substance.

Here he makes the film all about the beauty of Brigitte Bardot which helped make her a star but also limited her to a degree.  Making her a bombshell but especially more foreign gem export, at the time. Never truly let her acting talent come through and thus she never really got a chance to prove herself and was stuck more as an image and star. To be ogled, etched, adored, lusted after but never given anything deeper. As you want to possess and protect without knowing much about her.

Though the film through its critics and characters shows that there can never be a female character. Who is beautiful and her every action or decision not judged and a bunch of people talking or telling what she should be or should be doing. Everyone has an opinion about their relationship and their behavior.

She is a Symbol of unattainable beauty that men want by their side and women want to be. 

It shows a changing moral code in a more innocent time. That showcases desire amongst the other things going on in the character’s lives. Every decision is questioned and Idealized 

Women of beauty but never actually Considered for their other qualities. Who is Commonly Used and Judged. When their lifestyles and so-called attitudes don’t match the refinement they are expected to have. In other words when they show any traces of being human or normal.

The film offers Elegance but at times has a revealing peek-a-boo quality.

What might have once been seen as racy comes across as tame or classic like boudoir photos for couples. Luckily the film is not as exploitive as expected by the poster or reputation.

As Though Bardot’s character can’t be with the one she wants. she agrees to a marriage of convenience to truthfully a rebound relationship with a man who does love her and seems to pay the price. Only for her to stay and seemingly to stay in his life. Her behavior is troubling to many in his family.

Though she has many suitors and many men who desire her. It’s also about values, especially of character. As the rich man whom she Talks to, he has the power and means to give her what she wants and he truly only desires her more when she resists and thinks she is considering it. She knows he only wants her truly for her beauty and to have her just as he wants the shipyard that her husband owns. 

Though her husband might not be Rich. he truly loves her and wants to make her happy. He appreciates her for who she is, who she knows she can control. Once her old lover his brother comes back the only man she has ever truly loved and has feelings for. she keeps flirting and tries to seduce him more throwing her marriage in his face.

As she is a Small Town beauty stuck and weighing the best out of her options. As Everyone is living in the moment. They reveal Themselves to be Broken characters seeming to punish themselves and never think about tomorrow.

The film pushes cinematic rules at the time and conventions. Though she is the main character the film never gives her drive or reason more just a fantasy of certain expectations and given none,  other than beauty and what she can provide.

What I thought going in was that, You’re worth more than a smile and some nice words that Don’t focus on anything more penetrating than your beauty. 

You deserve non-broken promises, Actions, and pampering not to owe or be paid back later 

But done out of caring and love. 

Even her old lover finds her hard to resist.  even though he tries and when he fails jealousy comes with it.  She loves her husband but is weak when it comes to her attraction to his brother who consistently disrespects her to others.

She seeks to not be so lonely all the time, Though shows a fair amount of glimpses.  

The relationship started before she ever really met him. He had a crush when she was dating his brother.

In the end, everybody gets screwed and the only honest character seems to be her husband 

Having to deal with the repercussions of her actions. As Every decision is judged.

No matter what she does or carries herself. As it is seen as lustful by other men and shameless by other women.

If he can’t have her or truly control Her, no one can as he almost kills his brother over her and then in the end. When she chooses to dance and have fun. He views it as disrespectful and wants to kill her even as he is seen as the romantic one. 

They Make each other crazy, though it is seen as romantic when he slaps her as he is taking control and she has seen how much she believes he loves her by almost shooting her. 

Even the man who desires her eventually is scared of her power but also has the overview to see everyone’s true emotions. Knowing it will come to an explosion eventually. He steps in to defuse the situation but pays for it violently. 

This is a movie to talk about more than necessarily watch and praise what is on screen. Though you just see it to see how it is presented and the subjects that come up. 

Maybe people back in the past felt the way the modern version plays. A wolf in sheep’s clothing meaning it tries to have artistic resonance and show at the time the vhs gong sexual attitude and more open nature of European films and relationships. Not necessarily show sex scenes but plenty of titillation and many excuses to show a bouncing Bardot in risqué states of undress and tight clothing as well as an open sexual attitude and willingness.

This film also seems to be almost a tribute to the beauty of Ms. Bardot and writing a film around her and maybe the filmmaker’s obsession with her made it into drama. 

Grade: B