CONFIDENCE (2003)

Directed By: James Foley 
Written By: Doug Jung 
Cinematography By: Juan Ruiz Amchia 
Editor: Stuart Levy 

Cast: Ed Burns, Rachel Weisz, Dustin Hoffman, Paul Giamatti, Brian Van Holt, Morris Chestnut, Louis Lombardi, Andy Garcia, Robert Forster, Robert Pine, Leland Orser, John Caroll Lynch, Luis Guzman, Donal Logue, Tony “Tiny” Lister, Franky G, Nicole Lenz 

Jake Vig is a consummate grifter about to pull his biggest con yet, one set to avenge his friend’s murder. But his last scam backfired, leaving him indebted to a mob boss and his enforcer.


I have never seen a film try so hard to be a modern version of THE STING.

The film offers likable quirky thieves and a handsome protagonist. Who is in over his head? An untrustworthy femme fatale and a big-name legendary actor playing the villain raise the stakes of the endeavor and make it seem like a challenge to the other actors to impress him or even hold the screen with him.

Then you get the requisite double crosses. Everyone is who they seem or say they are. I really wish I could have disliked this film. It ends up winning you over as long as you don’t look too deep. As it is a film that openly challenges you and wants the audience to overthink. So that while you are doing that it is sneaking stuff right by you.

Ed Burns is the lead con man. I will admit that when it usually comes to him in acting performances. He tries to play more laid-back characters but there is a certain arrogance in his performance that is perfect for the character he is playing here. Here he has his qualities actually work for him.

It helps that this film is stocked to help support him with so many character actors. Who he actually holds his own with. Under those conditions, you have to bring you a game and pray that some of their talent and charisma Rub off.

It’s hard to talk about this film and really have too much to say, when most of the enjoyment comes from watching these twists and turns in action.

It’s actually quite a charming film that is perfect to watch with an audience. Though you will probably only need to see it once. Since after that you know what it is all about. And not as much fun.

Watching it feels like you are playing a game. Once you watch it will All have the same outcome.

The film tries to be gritty but it comes off more as fascinating. As the film is much better than you would expect and is stylish to a degree, but feels like it is a victim of itself when it comes to the intelligence of the script. It thinks it’s smarter than it actually is. Even includes the will they or won’t they sexual tension between the con man leader and the new sexy recruit.

Watching this at the time it seemed part of a bunch of movies that were trying to be about con games or at least trying to fool the audience. That also seemed more in being self-promoting. This is worth a shot but more as entertainment than anything else.

GRADE: B-

DEN OF THIEVES (2018)

Written & Directed By: Christian Gudegast 
Story By: Christian Gudegast & Paul Scheuring 
Cinematography By: Terry Stacey 
Editor: Nathan Godley, Joel Cox & David Cox 

Cast: Gerard Butler, O’Shea Jackson Jr., Pablo Schrieber, Curtis “50 Cent” Jackson, Meadow Williams, Brian Van Holt, Jordan Bridges, Dawn Olivieri, Maurice Compte, Evan Jones, Mo McRae 

A gritty L. A crime saga that follows the intersecting and often personally connected lives of an elite unit of the LA County Sheriff’s Dept. and the state’s most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank of downtown Los Angeles.


I will be the first to admit this film is better than you might think it will be.

While you watch it. It seems to be a film that is inspired by HEAT and wants the audience to see both sides of the fence when it comes to the criminals and the cops chasing them. Though when it comes to the cops we only really see Gerard Butler’s home life and problems. When it comes to the criminals we see glimpses but mainly see 50 cent’s family and Pablo Schrieber’s planning.

At least when it comes to 50 cent’s daily the film adds some humor in the form of a warning to his daughters’ prom date. Which also helps humanize the character and the crew.

The film was in development for roughly fourteen years, where director Christian Gudegast and a writing partner had a blind deal with New Line Cinema in 2003. The project was also later supposed to be distributed by the now-defunct Relativity Media at one point as well. His original cut was 160 minutes long and had a different ending. Which would have added even more brooding to the film I am guessing.

The film is filled with testosterone galore with plenty of muscles up men with tank tops of their shirts off and sweaty. Using the guide or reasoning of working out of a home gym where they plan their caper.

It also seems to want to keep a kind of aggressive Mano e Mano tone. Where all the characters tend to be over the top tough and dangerous and females stay mostly in the background.

Though one is used as a kind of power play against one another. This only adds to the leaders of each side mutual respect but also a kind of sabotage they try against one another. As they know a showdown between them is coming and literally are sizing each other up.

Prior to filming, two separate boot camps were run in order to get the cops and the robbers in shape for their respective roles with both groups training separately to enforce a rival atmosphere. Interestingly, each group was trained differently by military consultant Paul Maurice.

O’Shea Jackson Jr.’s character is our introduction to this film and world as he is trying to be part of this crew as a getaway driver. He is the only new guy on the crew and goes through the ropes of intimidation. While also being forced by the cops to be an informant. He also seems to be our protagonist, but soon he and his storyline seem lost in the shuffle as the film begins to become a passing contest of one-up-manship between Pablo and Gerard.

While we wait for the heist that is promised to ensue. Most of the film is about the build-up of the different diversions and challenges thrown in front of each other and having to defeat or subvert in able to move forward and just as aggressive as the heist is these moves they make before are just as strong and motivated.

The film does offer beautiful visuals and quite stirring action sequences. As the heist fits all the required tension you want and expect. So that by the end it feels like a good modern-day heist caper film. Where we only learn of the logistics of the plan when it happens.

The film is building as it goes while we wait for the eventual showdown and release.

The film leaves you to wonder if the character of Gerard Butler was driven due to his failing marriage. So he seems more amped up and ready to go over the line. As it seems to be what he is good at and more capable of controlling even though supposedly more dangerous and unpredictable than a relationship. As at first he and his crew seem either dirty or more adept at bending the rules then they actually are eventually seen as pretty by the book.

By the end of the film, you have sympathy for the robbers as we meet their families and situations. Only to find out both sides were played against the other. By the end, it seems to try too hard to set itself apart by all of a sudden Introducing a twist. That while it works wasn’t really necessary.

It achieves what it set’s out to prove. It also doesn’t overthink itself or tries to show off for the audience more than what it has. Nor does it gloat or focus on any twists it offers up.

Grade: B

WILD (2014)

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Directed By: Jean-Marc Vallee
Written By: Nick Hornby
Based on the memoir “Wild: From Lost to Found on the Pacific Crest Trail” By: Cheryl Strayed Cinematography By: Yves Belanger 

Editor: John Mac McMurphy (Jean-Marc Vallee) & Martin Pensa 


Cast: Resse Witherspoon, Laura Dern, Thomas Sadoski, W. Earl Brown, Gaby Hoffman, Kevin Rankin, Brian Van Holt, Cliff De Young

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