THE TESTAMENT OF ANN LEE (2025)

Directed By: Mona Fastvold

Written By: Mona Fastvold And Brady Corbet 

Cinematography: William Rexer 

Editor: Sofia Subercaseaux 

Cast: Amanda Seyfried, Lewis Pullman, Thomasin Mckenzie, Christopher Abbott, Matthew Beard, Stacy Martin, Tim Blake Nelson, Daniel Blumberg, David Cale, Viola Prettejohn

Ann Lee, the founding leader of the Shaker Movement, is proclaimed as the female Christ by her followers. This film depicts her establishment of a utopian society and the Shakers’ worship through song and dance, based on real events.


This is a hard film to quite get your head around. 

Though it definitely makes an impression. As it is an epic done on a budget, but still manages to be quite illustrious throughout even when it seems like it’s not doing that much or playing it basic at times.

Which showcases limitation, but works for the time the story is set in when the world and society was still building itself.

The film is a musical and the religious choreography, testimonial music score and movements are great. Which is what keeps a captivating and keeps your interest as it might not have been as magical if it had played as a straight drama. It might’ve felt more like a prestige film rather than something of its own concoction while trying to tell a true story.

The film gets matters of the flesh out of the way early, so that while that theme is always in the background, it’s not as heavily a focus, and once the lead character played by Amanda Seyfried goes all in with her religion and beliefs. We don’t get to see any really again, it’s more hinted at or implied, but never seen until when the film needs to be brutal.

One can see this from getting more of an audience as more people discovered it through word-of-mouth as it might not be perfect, but it certainly is interesting and never boring

Amanda Seyfried in the lead is strong and memorable. One of her strongest performance is so far as it seems like with each new passing year and each new project she does get stronger as an actress and more captivating to see with her range.

Christopher abbot plays another terrible character. Which at this point he seems to have cornered the market on. When not playing leading roles. 

The film ends brutally as that seems to be the case when it comes to most films, depicting religion or even religious ones as usually we know how they will end. It’s all in how he get there.

What keeps this from exciting is that you Never quite know where it’s going so it manages to be quite an Odyssey in of itself. Even with its limited surroundings. 

Looking forward to more films from this filmmaker.

Grade: B+ 

ESCOBAR: PARADISE LOST (2014)

Directed By: Andrea Di Stefano 
Written By: Andrea Di Stefano & Francesca Marciano 
Cinematography By: Luis David Sansans 
Editor: David Brenner & Maryline Monthieux 

Cast: Josh Hutcherson, Brady Corbet, Benicio Del Toro, Claudia Traisac, Ana Girardot, Carlos Bardem 


Nicko and his brother take off from Canada in search of an easier life on the beaches of Colombia. Nicko meets a girl in the local village and they quickly fall in love, only for Nicko to later find out that Maria’s uncle is the drug trafficker, Pablo Escobar. His life takes a dramatic turn after meeting El Patron, and Nick is forced into impossible situations to try and keep his family safe, but does Pablo have other ideas?

The film is really shocking in its brutality and cruelty. The film shows, considering when the film first begins you believe it will probably stay on the fringes. Though slowly the film brings you in deeper as the character does. Until we are all in the middle.

Benicio Del Toro is top-notch though he is in throughout the film. Kind of haunting the scenes have isn’t in. He appears only in probably less than half of the film. You want to see more of him. Though him being a phantom character worked well. Like a horror film villain, you can’t wait to appear. Just as mean-spirited. Luckily the film doesn’t turn into a biography of his crimes.

What is not too hard to believe is that the main character doesn’t hide disillusionment well so I would suspect or not totally trust him one hundred percent either.

Hard to believe he didn’t see how dangerous and deadly he is though fictional was still riveting. as at first thought, it was based on a true story then realized it was impossible. For that reason thought the film would be filled with more hope

The last act is thrilling and filled with tension. Not so much action. The beginning of the film is kind of confusing as it seems to have quick flashes of aftermath edited together, but you can tell happened in different time periods.

I believe the film works just as it does for people discovering Pablo Escobar. At first, he seems like a genial nice guy. The boy realizes how ruthless, violent and brutal he can be. Just as the violence in the film comes more in the second half of the film.

Josh Hutcherson does what is required doesn’t really become effective until the last act when everything is on the line and vital as he is trying to escape. Though you wonder why his family didn’t leave earlier?

Too bad he doesn’t match the performance he is playing off of, but then again one is an acclaimed seasoned actor playing a charismatic larger-than-life role. At least he gets to try to match him. He stands his own, but not as memorable.

Would have been interested to learn more about the history of Pablo Escobar through enough films, television, Nolan, and information. This has a nice general overview.

It’s not an undercover tale, more a should have known better and what if kind of movies. Related it for more an American audience by putting a character we can relate to in this international situation and sensation.

Part of Making film more than just a potboiler is slowly presenting the thriller and dangerous moments and making the film about Pablo Escobar. Even if he is more in the background. even though the Canadian story could have been any random Colombians story who happened to cross paths close to Pablo Escobar.

Wish the film set its roots a little more rather than seeming like it speeds up to match its thriller premise when at first seems more like a drama.

Also not believable when he has tons of family, children, siblings that he moves his niece and her boyfriend into his living quarters. Even if he is Canadian. One would think he could use him more as an asset instead of all of a sudden seeing him as a burden.

One could see if it was more a result of him testing him and failing instead of guessing he needed a job done and all who could know except for him. The vital details eliminated, whereas henchman only knows the beginning and end. They don’t know the middle

Grade: C+

MELANCHOLIA (2011)

 

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Written & Directed By: Lars Von Trier
Cinematography By: Manuel Alberto Claro
Editor: Morten Hojbjerg & Molly Marlene Stansgard

Cast: Kirsten Dunst, Charloette Rampling, Charloette Gainsbourg, Brady Corbet, John Hurt, Udo Kier, Alexander Skarsgard, Stellan Skarsgard

On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in-line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine’s sister, is struggling to maintain composure with fear of the impending disaster.

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EDEN (2015)

Directed By: Mia Hansen-Love
Written By: Mia Hansen-Love & Sven Hansen-Love
Cinematography By: Denis Lenoir
Editor: Marion Monnier 


Cast: Felix De Grivy, Pauline Etienne, Zita Hanrot, Arsinee Khanjian, Lea Rougeron, Golshifteh Farahani, Greta Gerwig, Brady Corbet,


Loosely based on the life of the director’s brother, Sven Hansen-Løve

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

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