Tag: Bowen Yang

FIRE ISLAND (2022)

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Directed By: Andrew Ahn

Written By: Joel Kim Booster

Cinematography: Felipe Vera De Rey

Editor: Brian A. Mates

Cast: Joel Kim Booster, Bowen Yang, Margaret Cho, Tomas Matos, Torian Miller, Conrad Ricamora, James Scully, Matt Rogers, Nick Adams, Zane Phillips

A group of queer best friends gather in Fire Island Pines for their annual week of love and laughter, but a sudden change of events might make this their last summer in gay paradise.

FIRE ISLAND is the kind of romantic comedy that feels both delightfully old-fashioned and refreshingly modern equal parts screwball, heartfelt friendship story, and gloriously chaotic summer escape.

Andrew Ahn’s film wisely refuses to treat its queer characters as symbols or saints. Instead, it lets them be messy, funny, flawed, and fully human and that’s what makes it so refreshing. Beneath the flirtation, parties, and razor-sharp one-liners, there’s a thoughtful look at the social hierarchies that exist even within supposedly inclusive spaces: class, beauty, race, and status all quietly shape the world these characters move through. The film smartly acknowledges that prejudice doesn’t disappear just because a community has historically faced it themselves.

At the same time, FIRE ISLAND never forgets its first duty: to entertain. It’s hilarious, genuinely laugh-out-loud funny with the energy of a classic rom-com and just enough raunch to keep things spicy without losing its sweetness. Joel Kim Booster’s screenplay is clever and emotionally grounded, giving the film both bite and heart, while Bowen Yang emerges as its emotional anchor, delivering warmth and sincerity beneath the jokes.

What is refreshing about this film is that it doesn’t make it’s characters saints and gives them a chance to be three dimensional and make mistakes.

The film shows the class system both financially and physically that goes on in that culture showing there is prejudice all around no matter the strides.

Especially as the main characters themselves are Asian and tell stories of facing racism. It is an creative platform to show the racism they face and from an Asian American perspective from the lead actor who wrote the screenplay to the director. 

While It’ nice to be diverse it would be something to be more representative even if that is not the main point of the movie. 

Though written by star of the film Joel Kim booster and proved to be quite a launching oad for his career. Bowen Yang’s character seems to be thebehart of the film. 

If there’s one small disappointment, it’s that the side characters. who are often scene-stealers in their own right, deserve even more time in the spotlight. Their presence is so funny and vibrant that you can’t help wishing the film made a little more room for them.

Still, what Fire Island gets right, it gets very right: it’s funny, heartfelt, and far more honest than your average romantic comedy. A charming, sharply observed crowd-pleaser that feels like a summer vacation you wish lasted longer.

Grade: B 

BROS (2022)

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Directed By: Nicholas Stoller 
Written By: Billy Eichner and Nicholas Stoller 
Cinematography: Brandon Trost 
Editor: Daniel Gabbe 

Cast: Billy Eichner, Luke Macfarlane, Amanda Bearse, Guy Branum, Miss Lawrence, TS Madison, Dot Marie Jones, Jim Rash, Bowen Yang, Eve Lindley, Monica Raymond, Guillermo Diaz, Jai Rodriguez, Debra Messing 

Two men with commitment problems attempt a relationship.

This is a Film where it never quite decides on its toll whether it’s going to be over a top wacky, romantic, romantic comedy so it always feels shaky even if it’s construction. Which leads to it being slightly disappointing.

It seems to live or die on its jokes much work a few more times than that but it still doesn’t quite feel like enough.

Star & Co-Screenwriter, Billy Eichner Tones down his usual personality it offers more of a full-fledged performance that still has hints of his Comedic gifts.

It’s in that is a mainstream, romantic comedy that is more about LGBTQ characters, but it also is obviously aimed at that audience while being open to the more curious mainstream and also trying to paint all relationships as the same though it still might be a little too hardcore for those who still feel uneasy with this type of material, I am happy that the film was made 

No, it seems more aimed at comedy, than romance. As it tries to cover a lot of ground and seems to be more of a kind of statement in the presentation than having a strong story maybe because it is a romantic comedy, we’ve kind of seen this type of story before only now with two men in love and trying to make a relationship work work

One wishes it was stronger or made more of a debt, but it feels somewhat forgettable and light no matter how down and dirty it might get at times 

Can you just come out expecting more of it and from it no, it’s perfectly fine. I was just looking for a romantic comedy and something to entertain so it seems to aspire for a bit more. 

Happy that it goes there in sex scenes and doesn’t be calm more of a before and after let’s just sail over scenes that might make some uncomfortable.

Maybe as the humor always seems the writing seems more sitcom-ish than actually creating a movie or screen story.

He throws a lot of jokes out to see which sticks and what at times feels more spoofish. The film has a strange rhythm but still works. It’s hit or miss but still funny.

Only the main characters actually feel like real characters the rest feel more like setups, for situations and scenes, or more like personality types instead of characters. Though you constantly want to see more of them. 

One can give the film credit as one of the first of its kind really that is released by a  major studio and released as a mainstream movie.

The film might be made for a certain audience but is inclusive and wants others who would typically avoid it to give it a chance which they should. As it does, stay joyful and energetic throughout.

Grade: C+