RICHARD JEWELL (2019)

Directed By: Clint Eastwood
Written By: Billy Ray
Based Upon the article “American Nightmare: The Ballad Of Richard Jewell” By: Marie Brenner 
Based Upon The Book “The Suspect” By: Kent Alexander & Kevin Salwen 
Cinematography: Yves Belanger 
Editor: Joel Cox 

Cast: Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde, Ian Gomez, Nina Arianda, Mike Pniewski 

During the 1996 Summer Olympics in Atlanta, security guard Richard Jewell discovers a suspicious backpack under a bench in Centennial Park. With little time to spare, he helps to evacuate the area until the incendiary device inside the bag explodes. Hailed as a hero who saved lives, Jewell’s own life starts to unravel when the FBI names him the prime suspect in the bombing.


A film about a man who at first was a national hero than a suspect. Shows how fast admiration can turn on a person.

While this film is an interesting investigation and feels stronger than a television movie. It still feels like the handiwork of one just with better talent. It oddly also feels rushed throughout.

What saves the film is the tremendous cast. Especially Paul Walter Hauser in a more dramatic role than the comedic ones we are used to. This is the time where someone is more seen as a character actor. Gets a chance to not only star in a film but show they have the right stuff to play a lead in the movie.

This is a film about a man who has been raised to believe in the American dream. Only for it to turn its back on him and despite it all. While he is seen increasingly as a suspect and mistreated he still believes in due process and only seems to help incriminate himself. 

Olivia Wilde is over the top in the role as a reporter who seems out to ruin Richard Jewell. In her performance, she feels like she came from another movie. The film also treats her character as misogynistic. As she seems to use sex and sex appeal to get her stories more than research and talent. 

She also stands out, as most of the film and the characters come off as subdued and she comes off like a shining bright light comparatively. 

The film Is at least fright forward in its telling there is no fat here. It gets straight to the point. 

Again Paul Walter Hauser gives a strong performance that could be seen as both comedic as Dramatic. as this is a sad character whose world falls around him but still believes in law and order despite it all. He has bravado but proves to be quite delicate. Not necessarily likable especially these days but quite identifiable. 

As this is a character who could easily come off as slow or more comedic but Hauser gives him heart and a presence. Where he deserves more respect than most give him. 

Sam Rockwell’s character is a kind of frustrated standoffish type lawyer,  but believes in Richard and ends up being his closest and true ally. Even if he seems ornery or distrusting most times. 

The film feels like a thorough truthful docudrama. As there is little grandstanding. No overly dramatic scenes though based on a true story there is an end but not necessarily any closure or satisfying nature or narrative.

The film gives Jon Hamm’s character motivation to basically try to hide his leaking of info and trying to quickly close the case by trying to find a patsy who fit the Bill and to be a hero himself by solving the case as this crime happened on his watch.

This comes across as Another story of the people of the Midwest for director Clint Eastwood. Where the characters are more salt of the earth and face their destiny abs have to deal with the aftermath. As this film is a dramatization of a more recent evening witch hunt. Where the film villainized the press as the government to a degree. Showing the common man no matter how overzealous to be a pawn rather than letting them live their lives naturally and non-corrupt.

It also shows Eastwood’s passion to show a dying Americana from which he believes in and comes. Though his politics are old school and tricky. He’s not above showing the atrocities of those in power, but also like John Ford with his wearers where they showed the disappearing plains and modernization taking over. Eastwood does the same only with it seems American culture and values 

Grade: B-

TERMINATOR: DARK FATE (2019)

Directed By: Tim Miller
Written By: David S. Goyer, Justin Rhodes & Billy Ray
Story By: James Cameron, Charles Eglee, Josh Friedman, David S. Goyer & Justin Rhodes
Based on characters Created by: James Cameron & Gale Anne Hurd
Cinematography: Ken Seng
Editor: Julian Clarke

Cast: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Tom Hopper, Fraser Jones 

A young female Mexican worker, Dani Ramos, is hunted down by a virtually indestructible terminator from the future called a REV-9. However, she is protected by an enhanced human named Grace who is also from the future. They flee from the unstoppable terminator and, out of the blue, Sarah Connor helps them on the road. All three head to Laredo, Texas, where Grace has the coordinates of possible support and where they meet a T-800 who is living in an isolated location with his family. The group teams up to try to destroy the REV-9.


When it comes to this franchise. We are back at the well. Which once again feels I needed but does provide impressive action sequences and special effects throughout.

This film doesn’t have as much star power as the recent additions. It seems that is what the filmmakers choose to emphasize. 

Though this sequel does add some diversity. You can’t help but wonder if it more of a marketing decision. Rather than a natural addition of more people of color.

While this is a welcome return for Linda Hamilton’s character to the franchise and being more female-oriented in the middle of the action, Then in films past.

For a film that is over two hours, the film starts off the action pretty quickly. 

As this is a franchise they keep trying to continue. It reminds one of the line from MEAN GIRLS “Stop Trying to make fetch happen” especially if no one is requesting more of these movies. Instead of creating its own mythology of different timelines that makes the series feel like a choose your own adventure story. Depending on when you came into the franchise. Though the first film and T2 seem to be holy scripture for the franchise.

At least this time as usual they try a new film only after it seems special effects technology has been updated. Unlike a few of the sequels especially the last 2 and the third film. It feels like after the third film it’s the same book or tale rewritten by a different author.

This story Could easily be seen as a metaphor for an attack on women’s reproduction. Though not the government. As the main character is targeted for bringing up/birthing a child though the sides are changed with the villains wanting the child aborted.

Maybe it lasts as though it is an action film with some scientific elements. It works as a slasher film of sorts with a recurring final girl. Always on the run against an impossible assailant who will kill anything in its path. Just to terminate one person. We watch just to see how it will happen and the kills involved. Though usually see them coming. There is usually the element of surprise which also brings in an element of horror.

Especially with this fin as the body count rises with efficiency. It feels more violent as gorier as most of the deaths are by impalement.

Though at least this sequel feels less monotonous and more entertaining. Even with a lot less humor until Arnold Schwarzenegger shows up. As he always does. These films usually somehow also involving Arnold Schwartzenegger’s terminator in some form. Only one of the sequels didn’t have his total involvement.

So his appearance here is not shocking. This also relies a lot less on John Connor. As he is iconic in the role of the terminator. These films will always rise and fall with his involvement not giving credit to the lesser sequels weakens the better ones. This is the one that should have come after the second or third film.

This is where all of the budgets went as scenes outside of it come off small scale. Simple but also feels the most relatable.

The film also seems like the simplest out of all the films in the franchise. All the films feel epic in scope. Though This one seems to focus more on the action sequences. So that there already less questions about the plot and the story.

It still seems to have all the central roles. Only here they are all mostly switched to female characters. Who seem to serve the same purpose as when it was male characters.

This film Still feels like a bit much. Though at least while trying to impress you. It makes its Mark. It gives you a lot for your investment. That is its own reboot though as we are all familiar it doesn’t feel as fresh or advanced.

Grade: B-

VOLCANO (1997)

VOLCANO TOMMY LEE JONES AND ANNE HECHE © Fox

Directed By: Mick Jackson
Written By: Billy Ray & Jerome Armstrong
Story By: Jerome Armstrong
Cinematography By: Theo Van De Sande
Editor: Don Brochu & Michael Tronick
Music By: Alan Silvestri 


Cast: Tommy Lee Jones, Anne Heche, Don Cheadle, Jaqueline Kim. Keith David, Richard Schiff, Gaby Hoffman, John Corbett, Marcello Thedford, John Carroll Lynch, Michael Rispoli, Susie Essman, Lou Myers, Robert Wisdom, Valente Rodriguez

Something unspeakably chilling is ultimately starting to heat up at The City of Los Angeles! Beneath the famed La Brea Tar Pits, a raging volcano has formed, raining a storm of deadly fire bombs and an endless tide of white-hot lava upon the stunned city!

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