REUNION (2024)

Directed By: Chris Nelson 

Written By: Willie Block and Jake Emanuel 

Cinematography: Dino Parks 

Editor: Rick Grayson 

Cast: Billy Magnussen, Lil Rel Howey, Jamie Chung, Nina Dobrev, Jillian Bell, Michael Hitchcock, Chace Crawford, Dianne Doan, Cassandra Blair, Shaun White 

Snowbound at their high school reunion, former classmates uncover a murder and scramble to identify the killer among them before they’re all iced out for good.


This film is OK a pretty good time waster though it’s comparison to the similarly themed and released television series from Apple TV THE AFTERPARTY is truly it’s downfall, which is a shame as if not for that this would’ve been a good comedy

So if you haven’t seen THE AFTER PARTY, this actually might be something you’ll enjoy but if you have, you’ll see how much more creative the show is with it story as well as similar characters in their development in African-American protagonist who looks more and more like the guilty party, the unexpected reveal of the killer and an Asian female love interest for one of the characters. 

What is film does have going for it is a good cast. That all deserve better, but strangely always seem cast in these types of films that goes straight to streaming have interesting premises but don’t quite live up to their potential and could easily be better and seem to lack a certain flare

I will admit I have a weakness when it comes to actress Jamie Chung. I remeber her from THE REAL WORLD reality television show and is one of the breakout successes of it but never given that respect or credit.  as I believe her to be one of the most beautiful actresses who seems to never get the right or that many good roles she should definitely be a star by now, but seems stuck in these clunky, comedies and roles where she has very little breakout potential, but is easily the most interesting or best thing in it. In films like this. BURNING PALMS, STONE COLD FOX and the television series LOVECRAFT COUNTY. Though at least she is constantly working 

She’ not alone most of the cast are recognizable and deserve better then this Billy Magnussen, Lil Rel Howey, Jillian Bell, and Nina Dobrev as most of them have been scene stealers and comedic relief in bigger films. They just never quite got their chance to shine in their own high-quality film.

It also doesn’t help that by the end once the killer is revealed it just feels like they just threw it out there because they were running out of time as they don’t really explain motive they give a blanket one, but after you’ve spent so much time with these characters, it would be nice if it ran a bit deeper than what we are given

The film is a perfectly fine time waster but it seems to just get by and never go for the juggler when it can. It never takes the opportunities it sets up. It never quite pushes the envelope or trusts itself to go further or be better so that it always just stay safe and in the mid range and you can feel the frustration watching it.

The cast seems to be having fun and enjoying each others company. As half of them are exec producers and producers of the film.

The one thing it does have going for it is that it does set out clues so you can’t say that the ending is made up and it does have a high rewatch ability factor even if it doesn’t quite succeed.

Grade: C 

LIFT (2024)

Directed By: F Gary Gray 

Written By: Daniel Kunka 

Cinematography: Bernhard Jasper

Editor: William Yeh 

Cast: Kevin Hart, Gugu Mbatha-Raw, Sam Worthington, Jean Reno, Vincent D’Onofrio, Billy Magnussen, Ursula Corbero, Yun Jee Kim, Vivek Kalra, Jacob Batalon, Burn Gorman, David Proud 

Follows a master thief and his Interpol Agent ex-girlriend who team up to steal $500 million in gold bullion being transported on an A380 passenger flight.


This film has everything going for it. A lot of great talent so it’s disappointing that it plays so basic. Already going into it you probably know how it’s going to end. Part of the fun is seeing how it gets there. But how it gets there is so predictable that it seems to lack pizzazz.

The film is ok it’s entertaining, but it never has any character or comes alive. As it plays like the typical Netflix action film with a big star at the center.

While it’s nice and fun to see Kevin Hart play the more Noble leader. As he tries to show range and be less comedic in this film. Which is admirable, He comes across as flavorless, and unexciting charisma isn’t there. Nor the laughs even though he’s not trying to get any this time. Though I will give him points for putting in an effort and trying to be an all-around movie star, unfortunately here he’s not that engaging. Where it feels like anyone could have played this role.

Even his romantic scenes with Gugu Mbatha Raw come across his bland. Not to mention she should be getting better roles than this.

It’s a sharing, especially as you have such wonderful actors throughout, who are never really given enough room to breathe other than their characters, expertise, and little hints of life.

Not to mention, you have F Gary Gray, a talented Director in his own right. Who seems with this barely lifeless action B-Movie. That while high concept still comes across as uninventive.

If you’re looking for something, entertaining that you’ll soon forget afterward, or just to have on in the background while you do other things this might be the movie for you. as this feels like a less stylistic and more calm Six Underground-type action film from Netflix again.

I can at least say this film isn’t too embarrassing for him. 

Grade: C

THE MANY SAINTS OF NEWARK (2021)

Directed By: Alan Taylor 
Written by: David Chase & Lawrence Konner
Cinematography: Kramer Morgenthau
Editor: Christopher Tellefsen

Cast: Alessandro Nivola, Ray Liotta, Leslie Odom Jr, Vera Farmiga, Jon Bernthal, Corey Stoll, Michael Gandolfini, Michaela De Rossi, Billy Magnussen, John Magaro, Joey Diaz, Talia Balsam, Ed Marinaro

Before becoming the notorious crime legend, young and inexperienced Anthony Soprano was under the wing of his father figure and mentor, Dickie Moltisanti. Against the backdrop of racial injustice during the violent 1967 Newark riots in the streets of Newark, New Jersey, and a destructive, all-out gang war with ambitious, mighty challengers, Uncle Dickie shows Tony the ropes, paving the way for a new era in crime.


Not really a continuation, but a prequel to see those who came before Tony Soprano and his crew and a glimpse into the environment she not only grew up in but the character who would surround him And guide him.

The film also offers insight into these characters and the ones we already know from the series. This is fun, As here we see them when they are younger and struggling for power. As some of the actions and treachery will have us looking at certain characters differently.

The film offers mroe of a psychological character glimpse and more examines Christopher’s father and Tony’s uncle Dickie we see how he goes about his business and affairs, especially after his father passed away and he is thrust into more of a leadership position. Who influenced Tony soprano and offers eventually a glimpse of what could have been.

As with the series, the film feels dense and has depth. Some of which are told and have some deeper meanings left unsaid but reflected in reactions and situations. 

There is a femme fatale of sorts who is innocent in her aspirations and character but who up the stakes for dickie constantly and seem to be the cause of bad decisions and downfalls.

As the film does concern itself with race. Especially African Americans. The second half of the film concentrates on a mob war between the Italians and the African American crew run by Leslie Odom Jr’s character who used to work for him.

The film takes full advantage of the uncomfortable race relations of the original show. There I was always on the edges where it is flat out in your face and a plot point

It feels like a natural progression for the film to concern race. As African Americans were largely absent from the series and the few times they were seemed disparaging also the casual racism of the main characters of the show shines through. Here it seems to try and make up for a lack of them on the show by offering a few more characters Of color here. 

Still with racist and insulting language and attitudes. Though with less mention of the N-Word. Though the film offers even if at times feels needlessly done in a classic but new time period.

The film showcases the domino effect of how one act eventually destroys and influences so many. In what could have been positive. Which ends up setting the stage for the show. Even if out of pettiness. 

The film doesn’t feel like a one-off it feels like the beginning of more stories or prequels to tell us the story of Tony’s eventual rise to power. 

Even if beautifully shot, it still feels like two flashback episodes that could have easily been part of the show. Plenty of nuances, Unfortunately for some that include taking It’s time abs not necessarily being that action-oriented or anything too monumental happening. As that was never what the show was truly about but people looked at it for. As anything action-oriented usually came out of nowhere not when you were expecting it in the first place.

The film doesn’t really change or offer too much insight or anything to shock the audience. Especially for those familiar with the show. Who will end up being the most entertained by this film. 

Grade: C

VELVET BUZZSAW (2019)

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Written & Directed By: Dan Gilroy
Cinematography: Robert Elswit
Editor: John Gilroy 

Cast: Jake Gyllenhaal, Zawe Ashton, Rene Russo, John Malkovich, Tom Sturridge, Toni Colette, Natalia Dyer, Daveed Digs, Billy Magnussen 

A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.

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GAME NIGHT (2018)

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Directed By: John Francis Daley & Jonathan Goldstein
Written By: Mark Perez
Cinematography: Barry Peterson
Editor: David Egan, Jamie Gross & Gregory Plotkin 

Cast: Jason Bateman, Billy Magnussen, Rachel McAdams, Jesse Plemmons, Kyle Chandler, Sharon Horgan, Lamorne Morris, Danny Huston, Michael C. Hall, Chelsea Peretti, Kylie Bunbury, Natasha Hall 


A group of friends who meet regularly for game nights find themselves entangled in a real-life mystery when the shady brother of one of them is seemingly kidnapped by dangerous gangsters.

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INGRID GOES WEST (2017)

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Directed By: Matt Spicer
Written By: David Branson Smith & Matt Spicer
Cinematography By: Bryce Fortner
Editor: Jack Price 


Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr. Wyatt Russell, Billy Magnussen, Pom Klementieff, Joseph Breen, Angelica Amor 


Ingrid Thorburn is an unhinged social media stalker with a history of confusing “likes” for meaningful relationships. Taylor Sloane is an Instagram-famous “influencer” whose perfectly curated, boho-chic lifestyle becomes Ingrid’s latest obsession. When Ingrid moves to LA and manages to insinuate herself into the social media star’s life, their relationship quickly goes from #BFF to #WTF.

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