BAD SANTA 2 (2016)

Directed By: Mark Waters

Written By: Johnny Rosenthal And Shauna Cross 

Based on characters Created by: Glen Ficarra & John Requa 

Cinematography: Theo Van De Sande 

Editor: Travis Sittard

Cast: Billy Bob Thornton, Tony Cox, Kathy Bates, Christina Hendricks, Ryan Hansen, Brett Kelly, Jenny Zigrino, Octavia Spencer, Mike Starr

Fueled by cheap whiskey, greed, and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve.


The worst part of this film is that it’s an unnecessary sequel. I don’t know if it was the studio’s idea or something that was pitched, but the first one could’ve stayed a classic as this film ends up being bad not as bad as you might think but pretty much, disappointing

Luckily, it’s not a straight-to-streaming or direct video by having some other person star in the film or be some kind of distant relative or only getting the supporting players back while not being able to get the star Billy Bob Thornton, who seems pretty much auto-pilot. As he has played this type of role many times before it’s hard to differentiate them sometimes other than the other antiheroes are jerks that he has played in comedies have some pride, and are usually trying to hide the other part of themselves or here what you see is what you get.

The only surprise in the film is that Kathy Bates agreed to play a supporting role in it as it just seems like more of the same from the first film, though it seems here it tries to be meaner and more over the top and its nastiness and humor is definitely more sexual 

It’s pretty much the same story new city, where the plan seems to basically be the same only shifting loyalties, even though no one trusts each other in the first place. 

It also seems to be darker and more low-budgeted again makes you wonder who was really demanding this or deemed it necessary. It looks dirtier. 

Even Christina Hendricks seems cast more to capitalize on her bombshell looks and does play a character in the film who is Ingal to the plot, but doesn’t really have much to do except be a sex object for an actress of her caliber you would have more to do or at least be better written. She also seems here to give Billy Bob Thornton’s character the closest thing to a kind of love interest that he’s going to get. She is the most likable character in the film.

There are some scenes that can be funny. There’s not enough to truly make a necessary feature. One would warn fans of the first film. You can skip this as it’s the same movie only cheaper and you know the characters more so you know what to expect if anything it kind of darkens, the first film offers a cheap knockoff that’s familiar and almost similar to the first film only with not as big names think the hangover sequels.

It feels like a movie, a studio mandated more than they’re actually being a need or reason by the filmmakers or cast to return even though it’s shocking considering the material was so controversial and risky when the first film came out. Though it might be watered down in many ways, the jokes pack a little more mean-hearted venom

Grade: C- 

THE BAYTOWN OUTLAWS (2012)

Directed By: Barry Battles
Written By: Barry Battles & Griffin Hood
Cinematography By: David MacFarland
Editor: Sean Valla

Cast: Clayne Crawford, Travis Fimmel, Daniel Cudmore, Eva Longoria, Billy Bob Thornton, Andre Braugher, Michael Rapaport, Zoe Bell, Agnes Bruckner, Natalie Martinez, Brea Grant, Paul Wesley, Julio Oscar Mechoso

After her ex-husband Carlos shoots Celeste three times in the gut, it’s time to play dirty. In the fight for her godson, Rob, she hires three outlawed and redneck brothers to bring him back to her. But nothing can be that simple in the South. What begins as a small rescue mission rises to a southern battle royale. This odd team must shoot their way through gorgeous female assassins, Native American hunters, Federal agents, and a whole lot of metal coming after them, while protecting Celeste’s innocent child.


The screenplay for this film was featured in the 2009 Blacklist; a list of the “most liked” unmade scripts of the year.

From the start of the film. The film tried to hear to a degree that boils over to a degree, where it tries to take the audience constantly by surprise. Even though we all know what kind of film this is.

The film works as some kind of exploitive straight to DVD action comedy that seems to aspire for it’s own franchise. That I wouldn’t have a problem with. The film seems to be more mainstream exploitive that plays with the genre and ideas of southern justice. As it feels like a natural film that would have appeared on HBO Friday night original films that were usually action films or thrillers, with big name C-list casts.

The film seems to go out of it’s way to portray the character as white trash, southern rednecks who are surprisingly not racist.

The film harkens back to the take no prisoners action extravaganzas of the 80’s and 90’s. Yet using characters usually portrayed as villains. Redneck hillbillies as the anti-heroes. Who work as mercenaries. Here seeming to have some naive fatalism, but somewhat the most decent characters compared to most of the others in this film.

Billy Bob Thornton as the villain is fun especially with his wardrobe and hairdo as well as facial hair helping make the role more fitting. Even if he plays the role as it is more of a favor to someone.

The biggest name other then Billy Bob Thornton in this film is Eva Longoria in a sexy yet tough role.

The film is full of cliches like in all southern films that seem to have characters ridiculously sweaty for no reason. That is part of the charm.

Though the film seems partly inspired by THE BOONDOCK SANINTS films and the Tremor brothers of the film SMOKIN’ ACES. Who we saw glimpses of in both SMOKIN’ ACES films but never reached their full potential as characters or in action scenes. As we see them mostly in hints and glimpses of what they could do in those films. Kind of like when athletes are spokespeople for products going into the Olympics talking about their particular skill then flunk out at the tryouts for the Olympics all that promise and no follow through.

Here though it isn’t the same or related really. As this is a chance to see what it might have been like if they had gotten their own film. Action first, think second, plan last seems to be their motto. Just destroying and taking whatever stands in their way or really is in front of them.

Though violent social misfits. They are made likeable to a degree. Due to funny camaraderie and the amount of time we spend with them. As well as not appearing as racists. As you would expect.

It’s also fun that a different assassination group or gang. That have a certain similar creed only they are an all female biker gang of assassins and doing double duty of appearing as escorts. Or the gang of African-American road warriors in armored trucks they encounter. Using the south as a backdrop of tradition and unpredictable lawlessness. The film manages to create it’s own world and logic. That leaves the film strangely beautiful

The film plays like a mild western or a modern southern. In this case being that it takes place in the south. Though a western at heart and I story as well as character types. Though not too many strong silent types.

The film has the kind of spirit that and energy that reminds one of the films of Robert Rodriguez. Only not as over the top or campy and more within the realm of reality.

Though the film might be short on grand action sequences. This films spark of originality and fun is what seems to be missing from modern action films, that can get too bogged down in intellectualism or visuals. Instead if actually being entertaining and entertaining the audience. Action films don’t always need to give the audience something they have never never seen before. 

The film is unapologetic in it’s violence and brutality. It is also just generally funny in a dark way, but at least not disturbingly or downtrodden. Part of the humor comes from the cast especially Michael Rapaport In his solo scenes.

In the end the film is just a rollicking unapologetic hell of a good time. With little to no pretentiousness, That is a story of outsiders.

Grade: B

PUSHING TIN (1999)

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Directed By: Mike Newell
Written By: Glen Charles & Les Charles
Based On An Article By: Darcy Frey 
Cinematography: Gale Tattersall
Editor: Jon Gregory 

Cast: John Cusack, Angelina Jolie, Cate Blanchett, Billy Bob Thornton, Vicki Lewis, Jake Weber, Kurt Fuller, Matt Ross, Mike O’Malley 


Nick and the other boys working the hotspot of air traffic control in New York are impressed with themselves, to say the least. They thrive on the no-room-for-error, fast-paced job and let it infect their lives. The undisputed king of pushing tin, “The Zone” Falzone, rules his workplace and his wedded life with the same short-attention span that gets planes where they need to be in the nick of time. That is, until Russell Bell, a new transfer with a reputation for recklessness but a record of pure perfection shatters the tensely-held status quo. The game of one-upmanship between the two flies so high as to lead Nick into Russell’s bed with his wife. His sanity slipping just as fast as his hold on #1, Cusack’s controller is thrown out-of-control when Thornton’s wanderer quietly leaves town. Nick must now find a way to regain his sanity and repair his marriage before he breaks down completely.

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THE INFORMERS (2008)

informers3

Directed By: Gregor Jordan
Written By: Bret Easton Ellis & Nicholas Jarecki
Based on the Novel By: Bret Easton Ellis
Cinematography: Petra Korner
Editor: Robert Brakey 

Cast: Jon Foster, Billy Bob Thornton, Kim Basinger, Amber Heard, Winona Ryder, Lou Taylor Pucci, Chris Issak, Mickey Rourke, Brad Renfro, Rhys Ifans, Angela Sarafyn, Katy Mixon, Theo Rossi, Jessica Stroup 

One week in L.A. in 1983, featuring movie executives, rock stars, a vampire and other morally challenged characters in adventures laced with sex, drugs and violence.

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