ROMPER STOMPER (1992)

Written & Directed By: Geoffrey Wright

Cinematography: Ron Hagen

Editor: Bill Murphy

Cast: Russell Crowe, Jaqueline McKenzie, Daniel Pollock, Alex Scott, Leigh Russell, Dan Wyllie, Josephine Keen, James McKenna, Eric Mueck, Frank Magree 

Violent tale of white supremacist skinheads who spend their time beating up anyone who isn’t white or who doesn’t comply with their version of acceptability. In the end, Hando and Davey will clash violently of a disagreement of principles.


It has taken me 30 years to finally watch this film that came out as a young teen. I remember it had a lot of buzz around it and controversy. This was the first time I heard of Russell Crowe as an actor. This was before the Hollywood starring films This was not the beginning, but when I was getting a bit more intense into my love and study of movies, especially independent Cinema. I remember reading about this film, and this was when I was starting to read the film magazine film when it was still at newsstands. that was just one of the movie magazines I was reading at the time there were like Movie Line Premiere, The Hollywood Reporter, entertainment, weekly, and any other magazine I could really get my hands on. FILM THREAT was your key into the underground, the village voice. Those of us in New York were getting advanced on these upcoming films and this was definitely one of them. 

I have to say it now I can see where it had all the hype at the time and watching it now it’s a punch. It’s not quite the knockout that it might’ve been back in its day. 

Certainly grimy and dirty, dealing with racism, skinhead, and Australia, and this in particular their day-to-day life of harassment and violence. they are certainly the main characters we follow. They end up themselves more side characters who happen to get tangled up, which is. Gabe played by Jacqueline McKenzie

She is a character who seems to go from one bad situation to the next. It’s more of her survivors as she seems to go to men who seem like they can protect her and give her a place to stay as long as she is willing to do what they need for the time being before their own vices take over, and she just seems to be secondary. She seeks to get away from her abusive father. though, you can’t tell exactly if she’s the epitome of their downfall or came along when they were on a downward trajectory and only helped to accelerate it.

We see her and the gang’s own stories before they eventually collide, and she finds her way into the gang as the current lover of their leader played by Russell Crowe. what eventually ends up misplaced emotions, dooming the romance as it soon becomes a love triangle. when the leader’s right-hand man falls for her, she realizes it and doesn’t turn him away. though later in the film once the two of them pair off and crows character finds out about it he feels betrayed, but you’re not quite sure by which one, or it might be both even though there seems to be a little homoerotic going on between him and his right-hand man. towards the end, They are trying to out-strengthen one another to see who has more power and influence.

this all happens very fast before any of them can really think about it as the film only examines a few days in the life of these characters in which everything seems reckless and those supposedly trying to be a community and protect it like all they really do is destroy.

The film doesn’t paint their victims as entirely passive victims they fight back as it seems like the minorities they are rebelling against or truly jealous of the Asian community. who all seem to be prospering and more successful than that which is more of the problem this jealousy leads them to believe that they are being looked down upon by people of color.

The film is ultimately a tragedy for most involved. It doesn’t pass judgment on the characters. It doesn’t celebrate the characters though mainly the skinheads are who we follow.  while the film brought to Russell Crowe who is certainly violent and charismatic in the lead role, the performances are Jacqueline McKenzie and Daniel Pollock the latter of whom sadly died before this film’s premiere. It’s a shame as he would’ve gone on bigger and better.

While here Russell Crowe just had more of the star-making magnetism. I give Jacqueline McKenzie a lot of credit as she has what at first seems like a typical role but in the end, has the harder role as she’s a survivor what comes off as emotions at times might just be manipulation so it’s hard to tell what she truly believes and feels and what she’s just showcasing to get her way and stay protected.

The film has a few graphic sex scenes that supposedly are real as they definitely come across as realistic, but they are also very well edited to not seem as pornographic.

while the film deals with racist skinheads, it doesn’t reveal any of their beliefs in radiology as it’s not the main focus. The main focus seems to be the dynamics of this gang and their behavior so there is plenty of violence. It never feels exploited, but it can be shocking at times. ask for skinheads who seem to shun those different than them or outsiders who seem to be growing to be outsiders in their own town and Goths and punks into the revelry with them, though that might be more of a sexual thing as the punks and Goths are female.

Director Geoffrey Wright truly came through with a dazzling debut. While he has made other films that are memorable for their own reasons, they never reached the strength of this film.

Grade: B

METAL SKIN (1994)

Written & Directed By: Geoffrey Wright 

Cinematography: Ron Hagen 

Editor: Bill Murphy and Jane Usher 

Cast: Ben Mendelsohn, Aden Young, Tara Morice, Nadine Garner, Chantel Contouri, Petru Gheorghiu, Arthur Angel, Richard Surherland, Tommy Dysart 

Psycho Joe, a petrol-head from Altona, Melbourne, secures employment at a local Supermarket. Here, he meets the over-sexed Dazey. Joe and Dazey form a friendship based on a mutual interest in old hot cars. Joe also forms a relationship with a Satanic fellow employee. The nihilism of these young characters, coupled with parental disputes, leads to various tragedies.


I remember reading about this film and film threat in 1994 and always meant to look for the film to watch it. Sadly, it has taken me 30 years since it was released to finally watch it.

This is a grungy punk rock coming-of-age movie of aimless youth making their way through life, some with troubling parents, all having illicit behavior, looking for kicks, fun, and some kind of meaning 

The film mainly revolves around four characters making a kind of romantic Square to find their thrills and car racing alcohol, sex, and the occult as they attract and betray one another and themselves it seems out of boredom and as a means to an end while supposedly trying to help one another 

All the characters in this film have problems. One has a pure tical mother, so she repels the account and uses a friendship with a guy who she knows has a crush on her to get closer to his friend and seduce him.  The friend intern was trying to get the man with the crush on a date with her. Desires her as well when his girlfriend proves to be difficult. The young man with the crush also likes his friend’s girlfriend. They know to keep it at friendship. Well, also dealing with his mentally unbalanced father. 

The film editing, and camera work at times show how fast they’re interest and attention spans can go or be taken away not only that but things can escalate literally in the blink of an eye 

So to one person so much to another same when it comes to emotions and relationships 

The film tried similar ground as the film Romper Stomper as far as aimless youth this one tries to be a bit more stylistic with the Camera and directions the  material feels lighter and not as strong 

The film shows how fast they live their lives as the camera tries to emulate by jumping around at times to and from different angles

This is the second film of Director Geoffrey Wright who wants again places us in a nihilistic atmosphere and film. The film gets kind of gross at times.

There isn’t too much of that you haven’t seen before obsession and mental illness manipulation learning that their actions can have serious consequences. This ends up being more of a character study. 

The film is an early leading role for Ben Mendelssohn, who won his career and now plays more character roles here with a full Maine is more the heartthrob and kind of the star or the character who all the others follow depend on

Tara Morice gives a strong performance with the most clearly defined role and the most attractive as well as challenging

The film also showcases how quickly we can form emotional attachments in youth, and they can become our whole world 

As always, when a gun is introduced, it must be used and becomes important in the long run as it evolves into fatal friendships how when you were already only hanging on by a thread all it takes is one cut or domino fall for it all to come crashing down 

The film does have a car chase ending that helps it seem a little more action fact and spices it up adding some excitement that isn’t purely emotional  It’s only an inevitable tragedy.

As in end, the film still proves that nice guys finish last.

Grade: B- 

LAKE MUNGO (2008)

Written & Directed By: Joel Anderson Cinematography: John Brawley

Editor: Bill Murphy

Cast: Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker, Tania Lentini, Cameron Strachan, Judith Roberts, Robin Cuming

Strange things start happening after a girl is found drowned in a lake.


This film is a totally creative endeavor. That is best viewed without knowing anything about the film in advance. 

This film really catches you off guard. It starts off as a documentary that seems like It’s going to be about a ghost story.

Then it morphs into more of a supernatural tale. Then it becomes an out-and-out mystery.

One can truly appreciate the film as it keeps you on your toes. Never quite knowing where it is going but keeping the audience interested.

At times the film can be scary but is more aimed at telling a believable story. Considering it is a part of the AFTER THE DARK series of films. One might have  expected a more extreme genre-specific horror film. 

Which I believe most will enjoy what you get here. As this is one of the best one of that series of films.

The film keeps you engaged the whole time that you watch it. As you try to figure out the mystery. This feels like what the PARANORMAL ACTIVITY films should be instead of just tedium for 70 minutes and then some action on the last 10.

It is more for an artistic crowd. While not being an aristocratic type film 

GRADE: B