BEAU IS AFRAID (2023)

Written & Directed By: Ari Aster
Cinematography: Pawel Pogorzelski
Editor: Lucian Johnston

Cast: Joaquin Phoenix, Nathan Lane, Amy Ryan, Richard Kind, Patti Lupone, Parker Posey, Stephen McKinley Henderson, Zoe Lister Jones, Kylie Rogers, Denis Menochet, Hayley Squires, Bill Hader

Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic, Kafkaesque odyssey back home.


This review isn’t a total explanation, as there is no such thing, but what at least as an audience member I came away with. 

The film and the director Ari Aster, Take a swing at the fences in subtle ways. In the same style as most of his previous films. Though here it is more in your have. Yet still shocking as it is taking place in surroundings you wouldn’t necessarily expect. 

Though the film does have a voice. It’s tough to determine if the audience speaks Its language fully. Though after a while it does become blunt with only a thin layer hiding the weapon. 

Though it feels like a film made more for the director to enjoy and decided to share with an audience. And becomes a Film That others believed in and a film that could only be made when one has the power to write their own check. Their big swing at a dream project almost. 

The first 40 minutes stay fascinating that it could be its own adventure. After that, it seems to become a little more maddening. As it moves along it stays unpredictable and becomes a road movie.

Whenever it gets to the next setup In this odyssey. It’s just as off the wall but feels more weird domestically than anything though it never quite feels as dangerous instead it just feels creepy.

As in the beginning, the character is on a journey physically unexpected just as he ends up on. emotionally. The tone becomes Unflinching, Surreal and ends up becoming the Ultimate guilt trip. While exploring Intimacy and lack of it. While being Terrorized by Anxiety and exaggeration. As All That he sees is danger.

No one can ever truly be trusted. Even those nice to him never feel comfortable exactly. So that he and the film stay obscure and unhinged. 

It explores how we all can be easily dismissive. Not to mention Generational trauma, Mental illness as a kind of entertainment.

The film becomes Episodically violent at times. That is A punishment or torture. That seems preferable to the emotional violence that the main character goes through. As well as supporting characters. 

It seems mundane and skewed but keeps raising the stakes and then when it seems to calm down it becomes random Again and manages to shock. So it keeps building though for some in the audience it might feel like it is either showing off or they get used to the wackiness and shock and it’s hard to reach a level within again as it seems par for the course. It might have its reasons to back it up, but for some, it might still make little to no sense. 

Can see why some might not like the film as it can be a chore or a challenge to sit through. Some might see it as brilliant others might actively hate it or some might appreciate it yet not think it was all that. This is one of those films where many will feel different and take it differently. Though it will keep them talking. 

As this is a film billed as a comedy that is easy to come back to and try to dismantle, explore and examine. 

Through his travels to his apartment and to the store across the street. Have some of the most creative action sequences on such a small scale.

SPOILER ALERT

How I saw it is that his Big balls represented pent-up animosity and feelings. Showing his father as a penis monster in the attic meaning that to his mother his Father was insignificant and just a dick. Him always being defensive to a degree is how Defense was the last shred of his self-esteem and self-respect. That his Mother’s issues and has filled him with fear of the outside world. As he has this fear he constantly doesn’t 

Know what was real or not. Was it a fantasy of projection or was it as it was presented and experienced?

Some might say that the ending is Warped and that he did die during sex and everything after are fantasies or illusions of his dying mind. Kind of like people who have their theories about the ending of TAXI DRIVER.

Though it does in some weird way come off as a more disturbing version of DEFENDING YOUR LIFE mixed a bit with THE GAME. 

Grade: B-

LOVE, GILDA (2018)

Directed By: Lisa D’Apolito  


With: Gilda Radner, Martin Short, Laraine Newman, Paul Shaffer, Bill Hader, Chevy Chase, Melissa McCarthy, Amy Poehler, Lorne Michaels, Maya Rudolph 

In her own words, comedienne Gilda Radner looks back and reflects on her life and career. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and diaries read by modern day comediennes, LOVE Gilda offers a unique window into the honest and whimsical world of a beloved performer whose greatest role was sharing her story. 



There is nothing wrong with the film as it gives a pretty full portrait of actress/comedienne Gilda Radner’s slice and careers us by excerpts from her journals and other personal writings and a bunch of colleagues and family are interviewed as well as footage from her performances and personal home movies.

There is no sadness except when You know the end is coming and the documentary more shows highlights from her life and the sadder stuff while mentioned is given short shrift.

Though rather than have that be a mark against it. Sometimes it seems if a documentary is more of a happy affair it is though more real Or white-washed when it might be that while we all have troubles and problems in life they don’t have to be marketed or shown to be more real. Just as in Life some people’s lives are more focused on the positive while acknowledging the tougher aspects. It doesn’t need to necessarily focus on it. Unless it is information that has to be mentioned to get a fuller picture.

As it seems in Gilda’s life her happiness cake from entertaining others around her and Her audiences. The film seems to try to showcase and celebrate that aspect of her and focus on that.

The documentary uncovers a few things, Some might not have known as well as giving important collaborators of her life like writer Alan swivel a chance to reminisce and for one me Who is a fan of his a chance to finally see him in the flesh so to speak on the screen

If you are a fan the film doesn’t reveal anything you might not already know but allows for more personal insight from her.

By the end, you wish the film felt more full, but then you realize how little time we had with Gilda before she was gone. She had a lasting career but it was brief and has a spectacular beginning that defined her but never got a chance to get beyond that to a greater work. Considering how many she inspired and entertained we realize just like her family and friends she and we were robbed of her presence way too soon and it leaves a lasting impression but also leaves a hole of sorts. She never got to get the recognition not the best of her never really got a chance to come through.

Though what she left behind was wonderful

Grade: B

IT: CHAPTER 2 (2019)

Directed by: Andy Muschietti

Written by: Gary Dauberman

Based on the novel “IT” by: Stephen King Cinematography: Checco Varese

Editor: Jason Ballentine

Cast: Jessica Chastain, Bill Hader, James Mcavoy, Jay Ryan, Isaiah Mustafa, James Ransone, Bill Skarsgard, Jack Dylan Glazer, Finn Wolfhard, Sophia Lilis, Jaeden Martell, Xavier Dolan, Jess Weixler, Peter Bogdanovich 

Defeated by members of the Losers’ Club, the evil clown Pennywise returns 27 years later to terrorize the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But when people start disappearing, Mike Hanlon calls the others home for one final stand. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise — now more powerful than ever.


While the film is certainly entertaining. This is barely a film as it does love up to it’s Title. As it feels more a continuation or Second half. Rather then a movie of It‘s Own merits that could stand up without part one. 

As there is information to let us know about the characters and their motivations. It really more helps if you have seen the previous films

The film feels repetitive. As each of the characters faces their defeats or are terrorized individually. They each go through a horrifying adventure. Then the film moves onto the next character and this takes up a good amount of running time.

It also seems to still treat the character of like who stayed in town and is the only African American character with short change. He gets them all to come back and has theories but has little else to do. As he is haunted but we barely see him or what exactly he is haunted by as much. 

The stars are all here to play the Adult characters. They all do good with the characters though Bill Hader is the one who stands out the most and gives off the strongest impression. As well as a kind of unrequited love story and a deeply held secret that it seems no one else knows nor is really revealed to any of them.

While certain aspects are left out of the film from the book that serves as motivation stronger in the book but not in the movie. Bill’s wife is majorly Absent from the film and she plays a big part in the finale of the book. Though she seems Removed to give more romantic tension between the characters of Ben and Beverly

Though it is funny when the movie is filled with all these stars and one of the lesser-known acting leads played by Jay Ryan is actually the one who has the more traditional movie star looks and is supposed to be the grown-up version of the overweight character.

The film is more scary and terrifying then violent though the few times there is violence it is shocking especially when towards children who are dispatched in rather shocking yet similar ways.

The opening scene of the movie seems random And unneeded though does give the film. A certain ugly reality and informs us of it feeding off of fear, anger, and hatred. Though it still makes the opening hard to watch.

Director Andy Muschetti is certainly able and good with visuals but while the film feels rich but seems to lack a proper structure. So that whole it feels freewheeling and random and sticks to a story. It allows itself to jump around. Which is convenient but might confuse the audience.

There is no three-act structure and even when absent that this film tries to get off on atmosphere which gives a scary vibe that quickly becomes repetitive and even if it has art film Aspirations it would generally be about something. This film is supposed to be about endings. Though it stretches them out until it seems more about making cheap thrills then General quality entertainment. It feels like entertainment that tries to seek itself overwhelmingly towards agreeability and worse feels somewhat manipulative trying to make the audience get forget the points it is skipping. Instead of trying to make them even feel constantly in a challenge or a game. Forgetting This is a film and we are supposed to be watching a story.

It’s a continuation. It doesn’t feel like a film of it’s own. That can be enjoyed and understood independently. It needs the previous film to be a whole. So even as a sequel, it can’t stand up on it’s own two feet. So while entertaining it is never it’s own entity. No matter how it’s Presented or forced to be

In the end, this is a fun horror film to watch that whole gruesome still feels more mainstream, but luckily has stars to distrAct but also achieves the mood and scares it tries for.

Grade: B-

THE TO-DO LIST (2013)

todolist

Written & Directed By: Maggie Carey
Cinematography By: Doug Emmett 

Editor: Paul Frank 


 Cast: Aubrey Plaza, Johnny Simmons, Bill Hader, Connie Britton, Rachel Bilson, Donald Glover, Christophe Mintz-Plasse, Scott Porter, Alia Shawkat, Sarah Steele, Clark Gregg, Andy Samberg, Adam Pally, D.C.Pierson, Dominic Dierkes

Feeling pressured to become more sexually experienced before she goes to college, Brandy Klark makes a list of things to accomplish before hitting campus in the fall.

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ADVENTURELAND (2009)

adventureland

Written & Directed By: Greg Mottola
Cinematography By: Terry Stacey
Editor: Anne McCabe
Original Music By: Yo La Tengo 


Cast: Jesse Eisenberg, Kristen Stewart, Ryan Reynolds, Martin Starr, Bill Hader, Kristin Wiig, Margarita Levieva, Wendie Malick, Matt Bush, Michael Zegen, Kevin Breznahan, Josh Pais, Eric Schaeffer

In 1987, James Brennan’s dreams of a summer European tour before studying at an Ivy League school in New York City are ruined after his parents have a severe career setback. As a result, James must get a summer job to cover his upcoming expenses at the decrepit local amusement park, Adventureland, where he falls in love with a witty co-worker, Emily Lewin. In that bizarrely shady workplace, the young carnies have unforgettable and painful learning experiences about life, love and trust while James discovers what he truly values.

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