MAYDAY (2026)

Written & Directed By: John Francis Daley & Jonathan Goldstein 

Cinematography: Barry Peterson 

Editor: Jamie Gross and John Lee 

Cast: Ryan Reynolds, Kenneth Branagh, Marcin Dorocinski, Maria Bakalova, David Morse, Clark Johnson, Wendy Crewson, Josh Hamilton

Lieutenant Troy Brennan takes part in a top secret surveillance mission over Soviet airspace. Things take a sharp turn, however, when he is forced to eject from his plane over the Russian wilderness. He is rescued by a paradoxical Russian native and the two begin to appreciate both their differences and commonalities.


There are some movies you finish and immediately think, “Well… that was fine.” And honestly, that’s probably the best way to describe this one.

I went into it expecting something disposable, and while it certainly isn’t reinventing the action-comedy wheel, I have to admit that I had a decent time with it. 

because this is very much a paint-by-numbers kind of movie. You’ve seen this story before. You’ve seen these characters before. You can practically see some of the plot turns coming from the next room.

But every once in a while, it has just enough personality to keep itself from becoming completely forgettable.

Ryan Reynolds is interesting here because, thankfully, this isn’t quite the Ryan Reynolds we’ve seen a million times before. He still has that familiar rhythm and personality, but instead of firing off a wisecrack every thirty seconds, a lot of his humor comes through his reactions to the increasingly ridiculous situations around him. He almost becomes the audience surrogate. The guy looking at everything happening around him and thinking, “Are we seriously doing this?” surprisingly, that works.

Kenneth Branagh, meanwhile, is doing a lot of the heavy lifting literally. He’s getting into the action himself, which is something I’m not particularly accustomed to seeing from him. At this point in his career, watching Branagh throw himself around in an action movie is kind of charming. I don’t know if he’s channeling Sean Connery, taking notes from Liam Neeson, or simply having a really good time, but the man deserves some credit. He’s surprisingly convincing.

Branagh has directed action before, of course, with films like THOR and JACK RYAN: SHADOW RECRUIT. So this isn’t exactly unfamiliar territory for him. But seeing him actually inhabit this kind of older action-hero role is one of the more entertaining aspects of the movie.

The problem is that the rest of the film doesn’t exactly rise to their level.

It feels like the kind of movie that probably explains why it ended up on streaming rather than in theaters. There’s supposedly an epic quality to the story, much of it set against Cold War-era Russia, the KGB, and all the usual ingredients for a big, muscular action thriller. Yet somehow, everything feels surprisingly muted.

The movie is set in the 1980s, which at least gives it an excuse to use Russia and the KGB as its primary villains without having to invent some overly complicated modern conspiracy. But even with that built-in atmosphere, the film rarely feels as big as it seems to think it is.

And then there’s the strange feeling that Ryan Reynolds could almost be replaced by just about anybody. He’s not bad. He’s just… there.

Considering how naturally Reynolds fits into buddy comedies, you would think this would be tailor-made for him. But the movie never quite gives him enough material to bring his usual gravitas or comedic energy. Instead, he’s mostly along for the ride.

Oddly enough, the whole thing reminded me of BEHIND ENEMY LINES, except somebody decided to make this movie more of a buddy comedy and turn down the action just a little.

maybe that’s why I didn’t hate it.

It’s familiar, but it’s not completely lifeless. It’s basic, but it occasionally has some spirit. It doesn’t offer much you haven’t seen before, but it at least tries to put a slightly different spin on a very familiar formula.

It’s perfectly watchable, occasionally fun, and elevated by a couple of performances that are more entertaining than the material itself. But once the credits roll, I’m not sure there’s much left to say other than, “Yep. That was a movie.”

Not bad. Not great. Just ok 

Grade: C

THUNDER FORCE (2021)

Written & Directed By: Ben Falcone
Cinematography: Barry Peterson 
Editor: Tia Nolan 

Cast: Melissa McCarthy, Octavia Spencer, Bobby Cannavale, Jason Bateman, Pom Klementieff, Melissa Leo, Taylor Mosby, Kevin Dunn, Ben Falcone 

In a world terrorized by super-villains, one woman has developed the process to give superpowers to regular people. But when scientist Emily Stanton accidentally imbues her estranged best friend with incredible abilities, the two women must become the first superhero team. Now, it is up to Thunder Force to battle the super-powered Miscreants and save Chicago from the clutches of The King.


It seems with most new comedic vehicles that Melissa McCarthy makes it seem to drag down the quirky of her stock. What is more digressing is that usually, these films are her own creation with her writer-director husband Ben Falcone. 

For every BRIDESMAIDS, SPY or even THE HEAT. There is a LIFE OF THE PARTY or TAMMY. At least THE BOSS was somewhat entertaining.

The bright spots of this film are few in-between. As at least the film becomes fun when it comes to the scenes with her and Jason Bateman as they still obviously have chemistry from the forgettable Studio film IDENTITY THEFT.

Like that film, this seems to want to be a forced buddy comedy. Where we how for the best. While two different personalities are forced to work together. While the stench of corporate studio movie making and synergy is pretty obvious. 

It’s almost like an Adam Sandler Netflix film which you know most likely will be bad. If they keep serving you and you take a chance and instantly regret it usually. As you remember how good they can be no how many better films they made than the one you are forcing yourself to watch. Hoping for something salvageable amongst the wreck. 

The other bright spot of the film is anytime the film deals with the villains and their hierarchy. Which isn’t the sharpest writing but some of the funnier material. That could have easily been a sketch more than anything.

The problem isn’t that the film isn’t inspired, it just does nothing with the idea or ideas it has Melissa McCarthy and Octavia Spencer are friends in real life and used to do improv shows together and were nominated on the same year for Best Supporting actress at the academy awards McCarthy for BRIDESMAIDS and SPENCER for THE HELP which she won for.

Other than that you wish they could have chosen a better project. As this film most of the time comes off as pretty flat. The jokes come off as simple and weak and while this is meant to be a spoof or take off of superheroes. Nothing seems quite Inspired and the film comes off as tame.

This could easily be a family film with how inoffensive it is. It’s Predictable and you wonder about the intelligence of most of the characters. Such as why a successful mayoral candidate doesn’t suspect a thing when the person she beat all Of a sudden wants to throw her a victory party. 

You Can tell where the film and story are going constantly and the deepest character development we get from McCarthy is that her loser character obsesses about classic rock band music. Even a character they introduce when they are kids and have a crush on Spencer who we see as an adult goes nowhere. 

The film is a major disappointment especially when it seemed to be aiming pretty high. Though comes off more not as anything made for the big screen but almost purposely meant to be on streaming or television as it’s scope and aim seem so narrow but try to aim for bigger and better 

Though to be fair it’s rare that there has been a successful superhero comedy. 

Grade: D

SISTERS (2015)

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Directed By: Jason Moore
Written By: Paula Pell
Cinematography By: Barry Peterson
Editor: Lee Haxall 


Cast: Tina Fey, Amy Poehler, Ike Barinholtz, John Cena, Maya Rudolph, Rachel Dratch, Samantha Bee, John Leguizamo, Bobby Moynihan, James Brolin, Diane Wiest, Greta Lee, Heather Matarazzo, Kate McKinnon, Jon Glaser, Chris Parnell, Paula Pell, Dan Byrd, John Lutz, Brian D’arcy James

Two sisters decide to throw one last house party before their parents sell their family home.

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